HUNTINGTON THEATRE COMPANY 2019-20 SEASON Stage Manager - Huntington Theatre Company Auditions

Posted March 4, 2019
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HUNTINGTON THEATRE COMPANY 2019-20 SEASON - Huntington Theatre Company

Huntington Theatre Company 2019-20 Season - SM/ASM Availability info

Huntington Theatre Company


CONTRACT

LORT Non-Rep

LORT B (SM: $1122/wk; ASM: $952/wk) and B+ (SM: $1371/wk; ASM: $1153/wk)

SEEKING

All Production Stage Management positions have been filled. However, submissions accepted for future consideration.

Assistant Stage Manager positions are available for all productions listed except for Quixote Nuevo. Please submit for consideration.

PREPARATION

Please prepare either two contrasting monologues from any play or ask for two sides from any of the plays listed below. When reaching out for an appointment, please indicate the show and character for which you would like to read and we will send you the appropriate sides. A reader will be provided.

Total audition time not to exceed five minutes. Please bring a stapled headshot and resume.

INSTRUCTIONS

Stage Management submissions can be emailed (or mailed) to Melissa Rose, Associate General Manager

SUBMIT TO


mrose@huntingtontheatre.org

Huntington Theatre Company

c/o Melissa Rose
264 Huntington Ave
Boston, MA 02115

PERSONNEL

Rebecca Bradshaw, Associate Producer

OTHER

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit

BREAKDOWN

The Huntington Theatre Company is an Equal Opportunity Employer and encourages actors of all backgrounds to submit

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THE PURISTS

Playwright: Dan McCabe
Director: Billy Porter
Location: Virginia Wimberly Theatre, LORT B

First Rehearsal: August 6, 2019
Tech Begins: August 25, 2019
First Preview: August 30, 2019
Opening: September 11, 2019
Closing: September 29, 2019
Possible Extension: October 6, 2019

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ROSENCRANTZ AND GUILDENSTERN ARE DEAD

Playwright: Tom Stoppard
Director: Peter DuBois
Location: Huntington Avenue Theatre, LORT B+

First Rehearsal: August 27, 2019
Tech Begins: September 15, 2019
First Preview: September 20, 2019
Opening: September 25, 2019
Closing: October 20, 2019

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QUIXOTE NUEVO

Playwright: Octavio Solis
Director: KJ Sanchez
Location: Hartford Stage, LORT B; Huntington Avenue Theatre, LORT B+; Alley Theatre, LORT B

Hartford Stage – Hartford Dates
First Rehearsal: August 20, 2019
First Preview: September 19, 2019
Opening: September 27, 2019
Closing: October 13, 2019

Huntington Theatre Company – Boston Dates
First Rehearsal: November 5, 2019
Tech Begins: November 10, 2019
First Preview: November 15, 2019
Opening: November 20, 2019
Closing: December 15, 2019

Alley Theatre – Houston Dates
First Rehearsal: January 11, 2020
Tech Begins: January 14, 2020
First Preview: January 17, 2020
Opening: January 22, 2020
Closing: February 9, 2020

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WE ALL FALL DOWN

Playwright: Lila Rose Kaplan
Director: Melia Bensussen
Location: Virginia Wimberly Theatre, LORT B

First Rehearsal: December 16, 2019
Tech Begins: January 5, 2020
First Preview: January 10, 2020
Opening: January 22, 2020
Closing: February 9, 2020
Possible Extension: February 16, 2020

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SWEAT
Playwright: Lynn Nottage
Director: Kimberly Senior
Location: Huntington Avenue Theatre, LORT B+

First Rehearsal: January 7, 2020
Tech Begins: January 26, 2020
First Preview: January 31, 2020
Opening: February 5, 2020
Closing: March 1, 2020

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OUR DAUGHTERS, LIKE PILLARS

Playwright: Kirsten Greenidge
Director: TBD
Location: Virginia Wimberly Theatre, LORT B

First Rehearsal: February 25, 2020
Tech Begins: March 15, 2020
First Preview: March 20, 2020
Opening: April 1, 2020
Closing: April 19, 2020
Possible Extension: April 26, 2020


Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

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