GUTENBERG! THE MUSICAL (Broadway) Equity Principal Actors - Producing Org TBD Auditions

Posted June 28, 2023
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GUTENBERG! THE MUSICAL (Broadway) - Producing Org TBD

GUTENBERG! THE MUSICAL (Broadway) - Equity video submissions Revised

Producing Org TBD | ,

Notice: Audition Call Type: EPA

AUDITION DATE

Thursday, July 13, 2023

5:58 PM - 6:00 PM (E)

Submissions will be accepted until July 13th at 6:00pm ET.

CONTRACT

Production (League)

$2439 weekly minimum

SEEKING

Equity actors for roles in the Broadway production of GUTENBERG! THE MUSICAL (See breakdown).

PREPARATION

Please prepare a short song of your own choosing in the style of the show or you may use the accompaniment at:


https://www.dropbox.com/scl/fo/nwbizt63lkngg eilk6jin/h?

dl=0&rlkey=6bsinuf64itwp13ij33nost4a . Comedic songs and/or songs that show personality are beneficial.

LOCATION

Via Submission

New York, NY 10036

PERSONNEL

Written by: Anthony King and Scott Brown Directed by: Alex Timbers

General Mangement by: 321 Management Casting: Stephen Kopel and Carrie Gardner / C12 Casting

Viewing submissions:

Casting Directors: Carrie Gardner or Stephen Kopel or Jillian Cimini or Neal Buckley or Sujotta Pace

OTHER DATES

First Rehearsal: August 21, 2023

First Performance: September 15, 2023 Open: October 12, 2023

Final Performance: January 28, 2024

OTHER


https://gutenbergbway.com/

As part of a pilot program created in the Touring agreement: The employer will accept 126 video submissions from Equity members. Members will sign up online for one of the 126 slots. Only members who get one of the 126 slots will receive a confirmation e-mail with the preparation and submission information. After members' submissions have been viewed, the employer will notify each member who viewed their audition.

An Equity Monitor will not be provided. The producer will run all aspects of this audition.

Equity’s contracts prohibit discrimination.

Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

BREAKDOWN

GUTENBERG! THE MUSICAL

SEEKING:

DOUG SIMON (late 30s-mid 40s, any ethnicity) THIS ROLE IS CAST. Doug is a naïve, utterly sincere and earnest man who never met a cause he wasn’t passionate about. He’s a jack of all trades, master of none, who compensates with an infectious, matter-of-fact energy and focus that would probably sound condescending if he weren’t so likable. He’s incredibly proud of the show he wrote with Bud, and thinks Bud, whom he adores, is a genius. But he's the Idea man, the one with vision.

BUD DAVENPORT (late 30s-mid 40s, any ethnicity) THIS ROLE IS CAST. Bud is eager to please and thrives on approval. When Bud sings one of his songs, he’s very proud of himself, but he’s too naïve to be a true egomaniac. If anything, he’s excessively grateful for the mere opportunity to create and perform. Bud enjoys getting caught up in Doug’s passion, admires his friend’s Big Ideas, and wants to set them all to music.

DOUG SIMON STANDBY (late 30s-mid 40s, any ethnicity) Doug is a naïve, utterly sincere and earnest man who never met a cause he wasn’t passionate about. He’s a jack of all trades, master of none, who compensates with an infectious, matter-of-fact energy and focus that would probably sound condescending if he weren’t so likable. He’s incredibly proud of the show he wrote with Bud, and thinks Bud, whom he adores, is a genius. But he's the Idea man, the one with vision.

BUD DAVENPORT STANDBY (late 30s-mid 40s, any ethnicity) Bud is eager to please and thrives on approval. When Bud sings one of his songs, he’s very proud of himself, but he’s too naïve to be a true egomaniac. If anything, he’s excessively grateful for the mere opportunity to create and perform. Bud enjoys getting caught up in Doug’s passion, admires his friend’s Big Ideas, and wants to set them all to music.

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