BERKELEY REPERTORY THEATRE 2017-18 SEASON **Revised** Equity Principal Audition - Berkeley Repertory Theatre Auditions

Posted April 18, 2017
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BERKELEY REPERTORY THEATRE 2017-18 SEASON **Revised** - Berkeley Repertory Theatre

Berkeley Repertory Theatre 2017-18 Season - Berkeley EPA

Berkeley Repertory Theatre


**REVISED BREAKDOWN**

AUDITION DATE

Apr 24, 2017

9:30 am - 5:30 pm (PDT)

Lunch: 1:00PM - 2:00PM

APPOINTMENTS

To schedule: https://secure.scheduleonce.com/berkeleyrepgenerals. If not a resident of the Bay Area: cike@berkeleyrep.org. Priority given to Bay area actors.

CONTRACT

LORT Non-Rep

LORT B Minimum - $836/wk

SEEKING

AEA actors for 2017-2018 season.

PREPARATION

Prepare a short monologue OR a short song OR a one-minute monologue and 16 bars of a song. Audition may not exceed 3 minutes. Accompanist will be provided. Bring headshot and resume.

LOCATION

Berkeley Rep School of Theatre

2071 Addison Street

Berkeley, CA 94704

Between Shattuck and Milvia

PERSONNEL

Amy Potozkin: Director of Casting / Artistic Associate, Katie Craddock: Artistic Associate, Chika Ike: Bret C. Harte Directing Fellow

OTHER DATES

See breakdown.

OTHER

No stage management positions are available. Not seeking understudies. www.berkeleyrep.org

An Equity Monitor will not be provided. The producer will run all aspects of this audition.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

BREAKDOWN

2017-2018 Season Information – Dates Subject to Change

Ain’t Too Proud—The Temptations

Roda Theatre– World Premiere

Book by Dominique Morisseau

Directed by Des McAnuff

Music Dir: Kenny Seymour

Choreographer: Sergio Trujillo

First Rehearsal: Monday, July 10, 2017

Staging: Wednesday, August 16, 2017

First Preview: Thursday, August 31, 2017

Opening: Thursday, September 14, 2017

Closing: Sunday, October 8, 2017

Potential Extension: Sunday, October 29, 2017

Smokey Robinson : The Temptations’ songwriter that put the group on the map. A legendary singer in his own right.

Male Swing to cover the performers in The Temptations –sing and dance well

Female Swing to cover various roles – sing and dance well

Imaginary Comforts, or The Story of the Ghost of the Dead Rabbit

Peet’s Theatre – World Premiere

Written by Daniel Handler (aka Lemony Snicket)

Directed by Tony Taccone

First Rehearsal: Tuesday, September 5, 2017

Staging: Friday, September 29, 2017

First Preview: Thursday, October 5, 2017

Opening: Thursday, October 12, 2017

Closing: Sunday, November 19, 2017

Potential Extension: Sunday, November 26, 2017

Characters:

Naomi, early 30s, a rabbi.

Sarah Gold, early 30s.

Dr. Gold, her father, 70s, dead.

Mrs. Gold, her mother, 60s, hysterical.

Michael, 30s-40s, Sarah’s husband, quiet.

Jack, 60s, Dr. Gold’s best friend, clumsy.

Clovis, 20s-30s, an addict in varying, manic stages of trouble, denial and sobriety.

Ghost, older than Clovis, an addict only in trouble.

Watch on the Rhine

Roda Theatre

Written by Lillian Hellman

Directed by Lisa Peterson

Co-production with the Guthrie Theatre

Guthrie Theatre dates:

First Rehearsal: Tuesday, September 5, 2017
First Tech: Tuesday, September 26, 2017
First Preview: Saturday, September 30, 2017
Opening: Friday, October 6, 2017
Closing: Sunday, November 5, 2017

Berkeley Repertory Theatre dates:

First Rehearsal: Thursday, November 2, 2017

Tech: Thursday, November 16, 2017

First Preview: Sunday, November 19, 2017

Opening: Wednesday, November 22, 2017

Closing: Sunday, January 7, 2018

Seeking for the Berkeley Rep run:

Babette Muller – female, 12 years old; Sara’s middle child; pretty, somewhat high-strung, very intelligent, intuitive. Could be any ethnicity. All three kids have slight German accents.

Bodo Muller – male, 9 years old, a wise-cracking, hyper-intelligent kid. Spars with his grandmother, Fanny, and often wins. An odd child, “not beautiful”, and proud of it. Eerily clever, very verbal. Could be any ethnicity, All three kids have slight German accents. Needs to be able to speak occasional German and French.

Office Hour

Peet’s Theatre

Written by Julia Cho

Directed by Lisa Peterson

First Rehearsal: Tuesday, January 23, 2018

Staging: Saturday, February 16, 2018

First Preview: Thursday, February 22, 2018

Opening: Thursday, March 1, 2018

Closing: Sunday, March 25, 2018

Extension: Sunday, April 8, 2018

Characters:

Gina: 30s. An instructor.

David: 30s. An instructor.

Genevieve: A little younger than Gina and David. An instructor.

Dennis: 18. A student.

Angels in America, a Gay Fantasia on National Themes. Part 1: Millennium Approaches

Roda Theatre

By Tony Kushner

Directed by Tony Taccone

First Rehearsal: February 2018 (TBD)

Staging: Friday, March 16, 2018

First Preview: Thursday, March 22, 2018

Opening: Saturday, April 7, 2018

Closing: Sunday, June 24, 2018

Potential Extension: TBD

Angels in America, a Gay Fantasia on National Themes. Part 2: Perestroika

Roda Theatre

By Tony Kushner

Directed by Tony Taccone

First Rehearsal: February 2018 (TBD)

Staging: Friday, March 9, 2018

First Preview: Thursday, March 29, 2018

Opening: Saturday, April 7, 2018

Closing: Sunday, June 24, 2018

Potential Extension: TBD

Pike St.

Peet’s Theatre

Written and performed by Nilaja Sun

Directed by Ron Russell

West Coast Premiere

First Rehearsal: Friday, April 27, 2018

Tech: Tuesday, May 1, 2018

First Preview: Thursday, May 3, 2018

Opening: Thursday, May 10, 2018

Closing: Sunday, June 17, 2018

Potential Extension: Sunday, July 1, 2018

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.

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