Barnstormers Theatre 2017 Season - Boston EPA
Barnstormers Inc.
AUDITION DATE
Mar 08, 2017
9:30 am - 5:30 pm (EST)
Lunch 1 to 2
APPOINTMENTS
AEA members may make an appointment by emailing to: office@barnstormerstheatre.org. AEA members without appointments seen as time permits on the day of
CONTRACT
CORST corst zz; $564.00/week AEA
SEEKING
Actor/singers for various roles in the upcoming 2017 Season.
PREPARATION
2 short monologues or 16 bars of a song and a short monologue. Bring sheet music; accompanist provided. Bring picture and resume.
LOCATION
First Church of Boston66 Marlborough Street
Boston, MA 02116
first floor sanctuary
PERSONNEL
Robert Shea (artistic director)
OTHER
An Equity Monitor will not be provided. The producer will run all aspects of this audition.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
BREAKDOWN
Barnstormers Theatre 2017 Season EPA, ECC
Summer Season 2017
All roles available.
SPAMALOT
By Monty Python, Eric Idle and John Du Prez
open June 29/ close July 8
first rehearsal: June 19
________
THE GHOST TRAIN
By Arnold Ridley (last production in 2010)
open July 13/ close July 22
first rehearsal: July 3
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MY THREE ANGELS
By Sam and Bella Spewack
open July 27/ close August 5
first rehearsal: July 17
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TOWARD ZERO
By Agatha Christie
open August 10/ close August 19
first rehearsal: July 31
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NOISES OFF
By Michael Frayn
open August 24/ close September 2
first rehearsal: August 14
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.
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