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Death Becomes Her show poster

Death Becomes Her at The Cadillac Palace Theatre

Dates: (4/30/2024 - 6/2/2024 )

Theatre:

The Cadillac Palace Theatre


151 W. Randolph St. Chicago, IL 60603
Chicago,IL 60602

Phone: 312-977-1701

Tickets: $26-$94+

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Madeline Ashton is the most beautiful actress (just ask her) ever to grace the stage and screen. Helen Sharp is the long-suffering author (just ask her) who lives in her shadow. They have always been the best of frenemies…until Madeline steals Helen’s fiancé away. As Helen plots revenge and Madeline clings to her rapidly fading star, their world is suddenly turned upside down by Viola Van Horn, a mysterious woman with a secret that’s to die for.

After one sip of Viola’s magical potion, Madeline and Helen begin a new era of life (and death) with their youth and beauty restored…and a grudge to last eternity.

Starring Tony Award® nominees Megan Hilty (Wicked, “Smash”), Jennifer Simard (Company, Disaster!), Christopher Sieber (Spamalot, Company), and Grammy® Award winner Michelle Williams (Destiny’s Child, Chicago), Death Becomes Her, based on the classic 1992 film, is a drop-dead hilarious new musical comedy about friendship, love, and burying the hatchet…again, and again, and again.

Life’s a bitch and then you die. Or not!

News About Death Becomes Her at The Cadillac Palace Theatre

Review: A WONDERFUL WORLD Presented by Broadway In Chicago
Review: A WONDERFUL WORLD Presented by Broadway In Chicago
October 15, 2023

World premiere musical A WONDERFUL WORLD has a wonderful lead in James Monrie Iglehart as Louis Armstrong. Iglehart embodies the acclaimed vocalist and trumpeter completely; he nails Armstrong’s signature raspy voice and vocals and larger-than-life presence, but he’s also a master at embodying the role’s emotions. He’s a joy to watch in every moment he’s onstage, even as Aurin Squire’s book charts both Armstrong’s successes and his more human mistakes. In terms of framework, A WONDERFUL WORLD surprisingly reminded me of Toby Marlow and Lucy Moss’s SIX. The musical starts and ends with Armstrong’s four wives: Daisy Parker (Khalifa White), Lil Hardin (Jennie Harney Fleming), Alpha Smith (Brennyn Lark), and Lucille Wilson (Ta’rea Campbell). Each of the musical’s four parts is centered around one of Armstrong’s wives. While the musical piqued my interest in Armstrong’s biography as a whole, I think this framework meant the timeline on his route to fame was incredibly condensed. And the musical certainly conveys that Armstrong was quite the philanderer; Squire’s book and Christopher Renshaw’s direction and conception don’t shy away at all from the fact that Armstrong cheated on each of his past wives with the next one.

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