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St. Ann’s Warehouse and Good Chance will bring The Jungle back to St. Ann’s, where it made its sold-out American Premiere in 2018. See performance dates, how to purchase tickets, and more.
Drawing inspiration from concerts that evolved from Brooklyn front porches to its own rooftop balcony and large-scale exhibitions mounted on its exterior facade, St. Ann’s Warehouse will return, merging public art, theater, and activism at a whole new level.
St. Ann’s Warehouse is presenting Get Back! Summer Concerts 2022, a series of free performances presented on four consecutive Wednesday evenings on the panoramic Empire Fulton Ferry Lawn, adjacent to Jane’s Carousel in Brooklyn Bridge Park.
After reopening its Brooklyn waterfront theater last fall, St. Ann’s Warehouse is launching its second post-shutdown season with a continuation of large-scale outdoor performance and public art presentations that address urgent humanitarian issues.
St. Ann’s Warehouse will present the U.S. premiere of Who Killed My Father (Qui a tué mon père), written and performed by Édouard Louis, directed by Thomas Ostermeier, and produced by Schaubühne Berlin and Théâtre de la Ville Paris, May 18–June 5.
St. Ann’s Warehouse and Supremacy Project (Julian Alexander and Khadijat Oseni), just in time for Black History Month, have installed a new outdoor public art exhibition that goes to the heart of white supremacy, addressing “the systemic oppression and violence BIPOC communities are fighting to end through art.”
St. Ann’s Warehouse and Supremacy Project, led by Julian Alexander and Khadijat Oseni, will present a new outdoor public art exhibition that goes to the heart of white supremacy, addressing “the systemic oppression and violence BIPOC communities are fighting to end through art.”
Now, as New York City struggles to get back on its feet after long COVID-19 shutdowns, and theaters are still months from being able to reopen, St. Ann's Warehouse, which turned 40 this year, has found a range of meaningful ways to program for New Yorkers and more far-flung audiences.
Edouard Louis' powerful 2014 autobiographical novel, The End of Eddy, was published when he was 21 and immediately put him on the literary map. A coming-of-age story of a young gay man facing homophobia in a French village, the book also reveals the hopelessness and violence of a depressed, post-industrial region. Eddy's path to survival is a?oea mesmerizing story about difference and adolescencea??a?? (The New York Times).
In 2020, St. Ann's Warehouse celebrates four decades of introducing some of the world's most innovative artists and productions to American audiences. First established at the National Landmark Church of St. Ann and the Holy Trinity (1980-2000), the organization has thrived since 2015 in its spectacular, infinitely reconfigurable permanent home on the Brooklyn Bridge Park waterfront.
Videos
Metamorphoses
Child's Play NY (6/2 - 6/2) | ||
The Full Monty
The Heights Players (5/3 - 5/19) | ||
A Midsummer Night's Dream
Child's Play NY (6/2 - 6/2) | ||
when the great fires were lit on the other side of the ocean
Roulette Intermedium (5/21 - 5/21) | ||
Roald Dahl's Matilda the Musical Jr
Child's Play NY (5/29 - 6/10) | ||
Spring, Strings, and Tasty Things
The Green-Wood Cemetery (5/24 - 5/24) | ||
Seussical Kids
Child's Play NY (5/28 - 5/30) | ||
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