Sophia Lambton became a professional classical music critic at the age of seventeen when she began to be published in Musical Opinion, Britain’s oldest magazine centred on classical music. Since graduating from the University of Oxford in 2015, she has also written for The Guardian, Bachtrack, musicOMH and Broadway World.
In 2019 she finished The Crooked Little Pieces: a series of novels about strange passions and self-paradox spanning five decades. She has also spent several years researching a classical music-related book now in its fifth draft.
You can find more of her work at https://sophialambton.substack.com/.
BWW Review: CARMEN, Royal Opera House
February 7, 2018
February 7, 2018
In a production that relies more on extras' physicality and odd choreography than it does on singing and musicianship - opera's intrinsic components - Barrie Kosky experiments with too many genres and fails to grasp one.
Videos
