Roy Berko - Page 3

What did our critic think of WHO COULD ASK FOR ANYTHING MORE at Blossom Music Center? About ten minutes before the Blossom music complex was to be filled by glorious music, an announcement asked all attendees who were sitting on the lawn to come into the pavilion as bad weather was moving into the area.

What did our critic think of ONCE ON THIS ISLAND at Beck Center For The Arts?

What did our critic think of THE MARVELOUS WONDERETTES at Porthouse? It’s summer, a time of year in Northeastern Ohio for escapist activities.  This is the only logical reason that Porthouse would pick a show like Roger Bean’s jukebox musical THE MARVELOUS WONDERETTES.

What did our critic think of RENT at Cain Park?

What did our critic think of A FUNNY THING HAPPENED ON THE WAY TO THE FORUM at Porthouse (Kent State University)?

What did our critic think of MOULIN ROUGE! THE MUSICAL at KEY BANK STATE?

What did our critic think of THE SHOW THAT GOES WRONG at Chagrin Valley Little Theatre? In 1923 there was THE TORCHBEARERS.  In 1982 the stage was filled with hysterical disasters during NOISES OFF.  Now there is THE PLAY THAT GOES WRONG, the zany Laurence Olivier Award winner.

What did our critic think of DOUBT: A PARABLE at Beck Center For The Arts?

What did our critic think of WALKING TO BUCHENWALD at Convergence-continuum? At the start of the opening night of BUCKENWALD, it appeared that no matter the quality of the script the audience was in for a rough night.  Lighting guffaws, a confusing scene with actors speaking directly to the audience, but talking to other actors seemingly miles apart, with no visual means of the messages being conveyed.  Not a healthy beginning.

What did our critic think of THE LIGHT at Ensemble?

Dear Evan Hansen at Connor Palace is a top-ranking musical drama that highlights social anxiety, suicide, family angst, and teenage drug addiction. Based on real-life incidents, it explores the complexities of mental health and societal investigation. With a pop-contemporary musical theatre sound, it is a must-see musical for those interested in boundary-pushing storytelling.

What did our critic think of KEN LUDWIG'S MORIARTY: A NEW SHERLOCK HOLMES ADVENTURE at Cleveland Play House?

What did our critic think of AIN'T MISBEHAVIN' at GREAT LAKES THEATER? The setting in which a musical production takes place, often affects the pleasure one gets from the experience. A perfect case in point is AIN'T MISBEHAVIN' presently being staged by Great Lakes Theater in its intimate Hanna Theatre home.

What did our critic think of TINA: THE TINA TURNER MUSICAL at CONNOR PALACE?

What did our critic think of THE BUBBLY BLACK GIRL SHEDS HER CHAMELEON SKIN at Karamu? It's been called '...[a] sharp and tasty new musical...charming...as the show ingeniously turns professional perkiness, the lifeblood of the American musical, into a funny, poignant comment on ethnic self-denial.'

What did our critic think of WHAT WE LOOK LIKE at DOBAMA?

What did our critic think of BECOMING DR. RUTH at Cleveland Play House?

What did our critic think of AS YOU LIKE IT at Great Lakes Theater?

What did our critic think of SOMETING ROTTEN! at Chagrin Valley Little Theatre?

What did our critic think of THE OTHER PLACE at Dobama?