Rachel Weinberg - Page 16

Rachel Weinberg

Chicago native Rachel Weinberg has been one of the most frequent contributing editors and critics for BroadwayWorld Chicago since joining the team in 2014. She is a marketing professional specialized in content strategy, writing, and editing. Rachel graduated with her Master’s degree in Integrated Marketing Communications from the Medill School of Journalism at Northwestern University. She earned her undergraduate degree in Communication and Hispanic Studies from the University of Pennsylvania. Rachel has worked previously in digital marketing for Goodman Theatre and as a marketing apprentice for Roundabout Theatre Company in New York City. When she’s not at the theater, you can catch her riding up a storm on her Peloton bike, getting lost in a good novel, or sampling desserts at bakeries across the city. You can find her online at RachelWeinbergReviews.com and follow her on Twitter @RachelRWeinberg.






BWW Reviews: AstonRep Theatre Company's Well-acted WIT is Saturated in Sadness
BWW Reviews: AstonRep Theatre Company's Well-acted WIT is Saturated in Sadness
May 11, 2014

AstonRep Theatre Company's high-quality production of "Wit" packs an emotional punch yet also revels in cleverness. Margaret Edson's Pultizer Prize winning play profoundly deals with the experience of cancer, and the capable actors in the show's ensemble - particularly Alexandra Bennett in the lead role - are up to the challenge. There is much to admire here, but this is an intense theatre experience (and rightfully so when dealing with such a difficult, indescribable topic). "Wit" inevitably spirals towards tragedy, and this sadness looms during the entire 90 minutes of the play.

BWW Reviews: MOTOWN THE MUSICAL Makes For Catchy, Frothy Fun But Little Else
BWW Reviews: MOTOWN THE MUSICAL Makes For Catchy, Frothy Fun But Little Else
May 9, 2014

'Motown the Musical' plays out like a veritable hit parade. Directed by Charles Randolph-Wright, this first national touring production showcases Motown Records producer Berry Gordy's greatest songs as performed by some capable onstage talent. The show makes for a lively and fun evening at the theatre but provides little in the way of truly meaningful plot or character development.



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