Charlie Wilks - Page 6

Opening this year's National Youth Theatre REP Season is the return of Evan Placey's Consensual, originally written for the company back in 2015 when it premiered at the Ambassadors Theatre. It's been given a major facelift as Pia Furtado's production, featuring a brand new cast, moves to the Soho Theatre - a space that seems perfectly suited to the intimate nature of the piece.

Celebrating 20 years of performance excellence, Sadler's Wells Associate Artist Jasmin Vardimon's incredibly talented company present another unforgettable, highly entertaining masterpiece.

Back for its third year, Jonny Woo brings his eclectically exuberant production to the Hackney Empire, promising it to be the most spectacular yet. And it is certainly fabulous. Woo has curated an event that features artists from a wide range of performance mediums, cultures and experiences. Celebrating individuality in its finest form, the night is a spectacular sensation from start to finish.

Set a generation after the AIDS crisis, Matthew Lopez's two part world premiere checks in with gay men living today. What does love mean in contemporary New York? How do we find our sense of belonging in a city that's so easy to get lost in? A heartbreaker from start to finish, this rare theatrical offering is undoubtedly the production of the century.

It's Cork, 1998. Brenda sits contemplating a messy night out, which quickly escalates into a reflection on her entire adult experience. Nursing a disgusting hangover, she investigates the actions of her past, and attempts to regain control of her downward spiralling life. Fresh from a celebrated run at the Edinburgh Festival Fringe, Karen Cogan brings her messy comedy to the Soho Theatre.

Many years ago a young girl was given an album that would go on to change her life. It would form the foundations of the woman she'd grow up to be. It'd take her from being a dyslexic struggling to write, to an absolute powerhouse spitting words on the main stage of the Royal Court. poet in da corner is the story of Debris Stevenson.

Eyam, a place located in Derbyshire that has a law to its own. Isolated from the rest of the country, it has become a microcosm of anarchy, upheaval and deprivation. The villagers play by their own rules, shown quite clearly in the opening scenes with the hanging of their Reverend. Rallying together they tie a noose around his neck, watching as gravity does its job and crows of death circle above.

Are you a virus or a blood cell? What does that even mean? In his opening moments, Arinze Kene tells us the difference: blood cells are the good members of society - the viruses are not. A virus would sneak on at the back of the bus, causing a nuisance to the rest of the passengers. Viruses are those that have gentrified the city, and forced the locals to move out, replacing culture with commodity.

There's something simply magical happening on the Barbican's main stage at the moment. Upon entering the auditorium I didn't know what to expect, however I had been told beforehand that Boy Blue contained within it some of the most talented dancers in the country. After seeing the production, I can tell you that this is definitely the case.

April de Angelis has transposed Lope de Vega's Fuenteovejuna into contemporary day India, setting it in an environment of political turmoil. The Inspector uses his state-given power to abuse the local villagers, who just want to live off the land in peace. His tyrannical reign pushes everyone to the edge, until it's all too much and they decide to strike back.

Documenting his grandparent's experiences of moving overseas, Vinay Patel has written a three-hour epic, which puts ethical choice and identity at the forefront of the narrative. Spanning 60 years and a couple of generations, Madani Younis' production is a beautiful reminder of the importance of family, and the values we place upon it.

With suicide being the most prolific killer amongst men under 40, Alex McSweeney and Simon Pittman have teamed up to uncover the reasons why. Following on from their successful run of Out of the Cage, the pair, alongside Fine Line return to the Park Theatre to present the world premiere of Distance.

After seeing Missing, and experiencing an evening at BAC, all's that left to say is that this venue has truly risen from the ashes, and its future is definitely bright.

When reflecting on your fondest childhood memories, you'd probably decide upon visiting your grandparents as one of your highlights. Whilst there you could watch your favourite TV show, eat lots of junk food, and stay up way too late. Even now I still think back to all of the happy memories that were made during my time spent with my Grandma.

Step inside the Roundhouse's main space right now and you'll be treated to an overwhelming onslaught of glitter, glamour and all things gorgeous. Welcome to Club Swizzle, a place where the wild are allowed to go crazy; where people can drink, seduce, play and party. Hosting by cabaret sensation [insert name], the event is a two-hour medley of cabaret, circus, queer performance and acrobatics.

Single-handedly one of the best immersive theatre experiences currently out there, this evening is sure to entertain audiences from all backgrounds. Pitched to both the regular theatregoer and the first-time newbie, the production uses a unilateral emotion to unite everyone - desire. It's a feeling we all share and can be spotted amongst everyone in all realms of society.

How far would you go to get your man? And then when you have him, what lengths do you go to ensure no one steals him away. How do you preserve a dying relationship? Is it sometimes better to just walk away? Can it ever be that easy? These are some of the questions (amongst many others) that are asked in Vicky Jones' Verity Bargate Award-winning play The One, currently being revived at the Soho Theatre. Directed by Steve Marmion, it's a gripping 75 minutes that has you on the edge of your seat from start to finish.

What is it that you dream about at night? For some it's of wild encounters with wannabe lovers, for others its high-speed chases and mad adventures. New Public, the company behind this production bring lots of different ideas to the table. A story told through music and movement, Lucid is a tale of what happens when the imagination is allowed to go wild.

When researching content for their show, Poltergeist Theatre were put in touch with Robert, a man convinced he's been contacted by aliens. He saw them lighting up the sky above Tesco car park, and now he's saying that one's coming to stay in his spare room.

Aisha and Safa have been best friends since forever. As the pair get ready to finish university and embark on the next stage of their lives, it quickly begins to dawn on them that their relationship is about to change. It'll be the first time they do anything without the other; will they still be as tight at the end of it?