Charlie Wilks - Page 12

Charlie Wilks




BWW Review: IN EVENT OF MOONE DISASTER, Theatre503
BWW Review: IN EVENT OF MOONE DISASTER, Theatre503
October 18, 2017

In Event of Moone Disaster marks Andrew Thompson's debut. The play was chosen by a panel for the 2016 Theatre503 playwright award, out of 1,629 scripts submitted from 52 countries.

Book Review: THE STUDENT GUIDE TO WRITING: PLAYWRITING, Jennifer Tuckett
Book Review: THE STUDENT GUIDE TO WRITING: PLAYWRITING, Jennifer Tuckett
October 18, 2017

Ten industry professionals have teamed up to create a step-by-step lesson plan for how to write a play for theatre. Edited by MA Dramatic Writing at Drama Centre course leader Jennifer Tuckett, The Student Guide to Writing: Playwriting is an accessible tool suitable for both new writers and seasoned professionals.

BWW Review: THE END OF HOPE, Soho Theatre
BWW Review: THE END OF HOPE, Soho Theatre
October 13, 2017

Soho Theatre and The Orange Tree Theatre present David Ireland's new play, The End of Hope, a revealing rollercoaster where no taboo is left untouched.

BWW Review: THE SEAGULL, Lyric Hammersmith
BWW Review: THE SEAGULL, Lyric Hammersmith
October 12, 2017

Chekhov's gorgeous masterpiece is given a dynamic reinvention by the Olivier Award-winning Simon Stephens at Lyric Hammersmith. It's a story of undying love, intense jealousy, weapons, alcohol and art.

BWW Review: JEKYLL & HYDE, Ambassadors Theatre
BWW Review: JEKYLL & HYDE, Ambassadors Theatre
October 12, 2017

In Robert Louis Stevenson's original Victorian-era novel, women don't seem to exist. They are erased from the narrative, yet their stories are probably some of the most important. In this reimagining, Placey positions our focus on Dr Jekyll's widow, Harriet, showing how she deals with grief and oppression.

BWW Review: TWO MAN SHOW, Soho Theatre
BWW Review: TWO MAN SHOW, Soho Theatre
October 11, 2017

Two women play two women playing men. It sounds complicated, but it isn't really. RashDash return to the Soho Theatre to interrogate masculinity and gender in their award-winning show that defies conventional structure.

BWW Review: VICTORY CONDITION, Royal Court
BWW Review: VICTORY CONDITION, Royal Court
October 10, 2017

A man and a woman enter, having just returned from a holiday in Greece. They unpack, order a takeaway, wash clothes, drink wine, play video games and go to bed. Chris Thorpe returns to the Royal Court with his new play Victory Condition, a complicated exploration of society's complacency.

BWW Review: MY NAME IS RACHEL CORRIE, Young Vic
BWW Review: MY NAME IS RACHEL CORRIE, Young Vic
October 5, 2017

My Name is Rachel Corrie is revived at the Young Vic 12 years after its debut at the Royal Court. Edited by the late Alan Rickman and Guardian editor Katherine Viner and based on the writings of Corrie herself, the play is a thought-provoking story told with utmost humanity.

BWW Review: LAIKA, Unicorn Theatre
BWW Review: LAIKA, Unicorn Theatre
October 4, 2017

Despite all the little people in the audience, the seating was a tight squeeze as the Unicorn had sold out, and then some, for the press night of their new show Laika. Following the story of the first dog in space, Bryony Hannah and Avye Leventis have teamed up to co-create a piece that not only wows the children, but also keeps the adults chaperoning them entertained as well.

BWW Review: B, Royal Court
BWW Review: B, Royal Court
October 3, 2017

Presented as part of the Genesis Foundation Project, B kicks off the Royal Court's international season.

BWW Review: THE FALL, Royal Court
BWW Review: THE FALL, Royal Court
September 29, 2017

Riding high from their momentous success at the Edinburgh Festival, Baxter Theatre Company bring their award-winning show The Fall to the Royal Court.

BWW Review: AFTER THE REHEARSAL / PERSONA, Barbican
BWW Review: AFTER THE REHEARSAL / PERSONA, Barbican
September 29, 2017

Two Ingmar Bergman screenplays are reimagined for the stage in an experimental double bill, presented by Ivo van Hove's company Toneelgroep at the Barbican Centre. The production is a voyeuristic insight into the chaotic lives of theatre people, exposing the delicate line between art and reality, illness and normality.

BroadwayWorld UK Awards 2017: Charlie Wilks' Nominations
BroadwayWorld UK Awards 2017: Charlie Wilks' Nominations
September 23, 2017

BWW reviewer Charlie Wilks puts forward his nominations for the 2017 BroadwayWorld UK Awards!

BWW Review: GATE, The Cockpit
BWW Review: GATE, The Cockpit
September 21, 2017

What do you do when you're not good enough for Heaven, but not bad enough for Hell? How do you deal with being stuck in the waiting room of the afterlife, whilst the gender-fluid almighty spirit above decides your fate?

BWW Review: HALF BREED, Soho Theatre
BWW Review: HALF BREED, Soho Theatre
September 20, 2017

Jazmin is different. In an area dominated by whiteness her mixed race complexion sticks out a mile off. Attempting to avoid the village's conventional route for teenagers, she applies to drama school in London. But why does she wish to leave a peaceful area for the busy and polluted capital?

BWW Review: TOPLESS: THE PATH TO EXTINCTION, Live At Zédel
BWW Review: TOPLESS: THE PATH TO EXTINCTION, Live At Zédel
September 18, 2017

Seduction, sleaze and farce are just a few words to describe TOPLESS: The Path to Extinction. The mysterious night creatures GINGZILLA and Cazeleon hatched onto the East London night scene a few years ago, and are quickly rising as a favourite in the cabaret circuit both in the UK and internationally.

BWW Review: PRISM, Hampstead Theatre
BWW Review: PRISM, Hampstead Theatre
September 15, 2017

Jack Cardiff, OBE was a British cinematographer, director and photographer. His career lasted through many decades, spanning from the development of cinema, to silent film, and through to the experimentation of using Technicolor. His best-known work is his influential colour cinematography used by directors such as John Huston and Alfred Hitchcock. Cardiff's life is reviewed in Prism, playing at the Hampstead Theatre.

BWW Review: OUTLAWS TO IN-LAWS, King's Head Theatre
BWW Review: OUTLAWS TO IN-LAWS, King's Head Theatre
September 1, 2017

An evening dedicated to the highs and lows of gay history, Outlaws to In-Laws takes a look at how men have interacted with one another over the past seven decades. Spanning from the Fifties to the present day, these seven short plays by seven different writers explore the choices that were made during times of prejudice and intolerance.

EDINBURGH 2017 - BWW Review: THE F WORD, ZOO
EDINBURGH 2017 - BWW Review: THE F WORD, ZOO
September 1, 2017

Sick to death of reading shows aimed at 16-25 year olds written by writers 40+, Conor Hunt has created this story of the millennial child, giving his own personal reflection on what it's like to grow up as a product of the Nineties.

EDINBURGH 2017 - BWW Review: THIRD WHEEL, Gilded Balloon
EDINBURGH 2017 - BWW Review: THIRD WHEEL, Gilded Balloon
August 31, 2017

After losing his battle to cancer, Dylan has left in his will a video to be given to his best friends Polly and Eve. The recording contains instructions for the pair to go on a road trip, which will be difficult seeing as they haven't spoken to each other in two years.



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