Alan Portner

Alan Portner

Al Portner is regional editor for Broadway World – Kansas City.  He is a retired career journalist and media executive who has written for publication over more than 40 years. Portner has published daily newspapers in venues as far east as Washington DC, as far west as Honolulu HI.




LEARN MORE ABOUT Alan Portner

First Show:

The first musical I saw on Broadway was 1776 with the original cast.

Favorite Show:

My favorite show current recent show is Phantom Of The Opera

Favorite Stories:

  • BWW Review: AN EVENING WITH SIERRA BOGGESS at Musical Theater Heritage - Because of the presence of Ms. Boggess' parents in a small space environment, I felt like the veil dropped and we saw a glimpse of who this excellent performer really is as a person. I was able to feel the relationship of this family in relation to my own children.
  • BWW Review: BETWEEN THE LINES at Kansas City Repertory Theatre - BETWEEN THE LINES was a Pre-Broadway tryout production performed in front of the Broadway creative team. The show has yet to open in New York, but it remains clever and engaging. It also generated Broadway World reads at a rate four or five times what would normally be expected in a market of about two million.
  • The Last Romance at New Theatre Restaurant - THE LAST ROMANCE marked the final teaming of Charley Robinson and Michael Learned. Both were charming in a super venue.
  • Review: HADESTOWN at Kansas City Music Hall - The touring company of HADESTOWN featured a complex and thoughtful exploration of an ancient myth transported into another, but indefinite point in time. It was early in the run and a super cast was still extremely excited about performing something new. I personally enjoyed sharing uncommon background material that hoped to enhance the audience experience.
  • BWW Review: CATS at Musical Theater Heritage - CATS is not a favorite musical play. This particular production, however, featured a director who disassembled the entire show and rebuilt it with young, talented actors for a small theater and limited costume/makeup. It was an especially involving experience.


MOST POPULAR ARTICLES

Review: GENTLEMAN'S GUIDE TO LOVE AND MURDER at White Theatre At The JCC
Review: GENTLEMAN'S GUIDE TO LOVE AND MURDER at White Theatre At The JCC
March 19, 2024

“A Gentleman’s Guide to Love and Murder” is a very funny idea and the 2014 Tony winner for best new Musical.  It is currently playing at the White Theatre inside the Jewish Community Center in Overland Park through March 24.

Review: SHOUT! THE MOD MUSICAL at Black Box Theater
Review: SHOUT! THE MOD MUSICAL at Black Box Theater
March 12, 2024

Shout! The Mod Musical” is more of a loose musical revue, than a musical play. It is costumed and set for London during the period I was emerging from my teenage cocoon years into young adulthood. I clearly remember the performers who introduced the music from this show into the canon.

Review: MAMMA MIA! at Kansas City Music Hall
Review: MAMMA MIA! at Kansas City Music Hall
March 6, 2024

Plain old feel-good musicals are rare. The “Dancing Queen” of this limited genre is “Mamma Mia!” The 25th Anniversary tour of this truly enjoyable evening out at the theatre plays through Sunday, March 10, 2024, at the Kansas City Music Hall in downtown Kansas City.

Feature: MAMMA MIA at Kansas City Music Hall
Feature: MAMMA MIA at Kansas City Music Hall
March 1, 2024

Opening March 5 at the Music Hall in downtown Kansas City is the 25th Anniversary tour of “Mamma Mia.” This touring production is presented by Broadway Across America, Kansas City based largest presenter of Broadway tours across the nation.

Review: ALOHA FROM VEGAS at New Theatre & Restaurant
Review: ALOHA FROM VEGAS at New Theatre & Restaurant
February 17, 2024

Victor Trevino, Jr. as Elvis Presley is brilliant in New Theatre & Restaurant’s new Tribute Concert to the “King” called “Aloha from Vegas.”  To get much closer to Elvis, you need a time machine. 

Review: THE PROM at White Theatre
Review: THE PROM at White Theatre
January 30, 2024

What did our critic think of THE PROM at White Theatre? Running now at the White Theatre inside the Jewish Community Center is a production of a new musical dealing with the serious subjects of celebrity, gender identity and social intolerance run wild that somehow still offers the audience a real feel-good experience.  

Review: GIRL FROM THE NORTH COUNTRY at Kauffman Center
Review: GIRL FROM THE NORTH COUNTRY at Kauffman Center
January 24, 2024

Connor McPherson’s “Girl from the North Country” enjoyed the Kansas City opening of its first national tour at the Kauffman Center on Tuesday night for a one week residency. McPherson has written and directed a “slice of life” show and filled in the blank spaces with songs from Bob Dylan’s career. “Girl” might be categorized as a “Juke Box” musical like “Jersey Boys” or “Mama Mia,” but this is certainly not that. This is not a musical play about Bob Dylan.

Review: GASLIGHT at Union Station
Review: GASLIGHT at Union Station
January 20, 2024

They say you never forget your first.  That was certainly the situation for a former Scotland Yard Police Inspector named Rough (played by John Rensenhouse).  Oddly, Inspector Rough had no known first name. Rough’s first bloody murder case in 1865 remained unsolved fifteen years after the event.

Review: JUDGEMENT AT NUREMBERG at MET's Warwick Theatre
Review: JUDGEMENT AT NUREMBERG at MET's Warwick Theatre
January 13, 2024

“Judgement at Nuremberg” at Metropolitan Ensemble Theatre’s (MET) Warwick Theatre is a fictional rendering of the 1947 Judge’s War Crime Trial held at Nuremberg, Bavaria, Germany. “Judgement at Nuremberg” is a painful remembrance of an attempt to both punish those accountable for the barbarisms committed in the name of the German state and to be consciously impartial in the administration of an accused’s trial rights. Eighteen million people died at the hands of the Third Reich and its National Socialist (NAZI) leaders. Six and a half million of the dead comprised two-thirds of Europe’s Jewish population. It was a determined and deliberate stated goal of genocide of a people. Post war, many of Europe’s surviving Jews fled places they had lived for millenniums in favor of reestablishing a sovereign state in their ancestral homeland where they could finally feel safe. It is ironic that this play opened in Kansas City on the very day that South Africa brought an accusation of genocide against the descendants of the survivors, today’s Israelis, at the International Court of Justice. The play centers on three main characters. One is Dan Heyward, a retired American District Court Judge called to lead a panel of three non-biased jurists in the trial of three NAZI era judicial officials. The second is a renowned German Judge named Ernst Janning. Janning had once sat in the chair similar to America’s Attorney General during pre-NAZI days. The third character is a youngish defense attorney named Oscar Rolfe, a volunteer defender of the estimable Ernst Janning. Janning initially refuses to recognize the authority of the court. It is two years since the end of the war in Europe. The scope of the evil that was done has become clear. The question facing the court is how far down into the German Bureaucracy must consequences for the German people reach? Usual suspects have already been tried, convicted, jailed, executed, or committed suicide. What is left to adjudicate are those who have allowed the worst to happen and why they allowed it. Were they true believers? Were they people who went along in hopes the system would self-correct? Is there any defense for crimes against humanity? Judge Heyward is our eyes as we attempt to understand how this monstrosity that was the Third Reich could have ever happened. “Judgement at Nuremberg” by Abby Mann is sixty-three years-old, yet it mirrors the Donald Trump era in exquisite detail. The arguments put forward in the staged court and from Judge Heyward’s investigation are heard in today’s legal briefs almost word for word. This makes “Judgement” frightening and important for 2024 audiences to see. When you see this play, you will recognize modern, living associates of the past administration mouthing dialog written before they reached their majority. MET has done an excellent job of casting. Director Karen Paisley has choreographed an exquisite twenty-four scene, two-act play in precise detail using minimal, yet effective set pieces. The few conceits adopted for this production work exceptionally well. Most acting is restrained and understated; except for two or three explosions from wholly appropriate characters when needed. Ms. Paisley has incorporated vintage documentary film from the era and what almost seems like a motion picture score backing up the action. “Judgement” is the third iteration of this story by Abby Mann, born Abraham Goodman, a son of Russian Jewish immigrants to the United States. The story first appeared as a television episode of Playhouse 90 in 1957, a feature film in 1961, and this version, a Broadway play in 2001. The Broadway version of “Judgement” was performed a total of fifty-six times. The expanded filmed version recently became available on “Prime Video.” The leading cast members in the MET production are John Clancy as Judge Dan Heywood, Tim Ahlenius as Ernst Janning, and Michael Dragen as Oscar Rolfe. They are backed up by a fine supporting cast. All the characters in this play are products of the playwright’s imagination. They are inspired by similar, real life people. True, historic situations influenced the plot and the legal arguments. “Judgement at Nuremberg” continues at the Warwick Theatre through January 21. Tickets are available at https://www.warwickkc.org/ or by telephone at (816) 569-3226.

Review: TINA at Kansas City Music Hall
Review: TINA at Kansas City Music Hall
December 7, 2023

The sheer spectacle of “Tina” is amazing.  Emphasizing the fact that Tina Turner was one of a kind, the gravely-voiced, sexy, full out singing style of Tina is so stressful on the performer’s voices, this show uses two actresses to play her on alternate evenings. 

American Theatre Guild Begins December Fundraising To Bring Broadway Experiences To Over 13,000 Youth
American Theatre Guild Begins December Fundraising To Bring Broadway Experiences To Over 13,000 Youth
December 5, 2023

Staging the Future is a philanthropic outreach program of The American Theater Guild (ATGuild), the surprisingly mammoth Broadway presenter headquartered in Kansas City. ATGuild is the nation’s largest non-profit presenter of Broadway tours.

Feature: BRITISH INVASION 2024 at Central Standard Theatre
Feature: BRITISH INVASION 2024 at Central Standard Theatre
December 4, 2023

Since 2010 Central Standard Theatre has been producing thought inducing, innovative theatre.  Based in Kansas City, CST offers an international angle to the local theatre scene.  With productions touring Britain, Ireland, Canada and Australia, CST offers the world a unique view of who we are in the Heartland by showcasing our culture at theatre festivals around the world. CST also brings the world to Kansas City.  Annually, The Invasion features the best solo work from International theatre artists.

Review: CATCH ME IF YOU CAN at New Theatre & Restaurant
Review: CATCH ME IF YOU CAN at New Theatre & Restaurant
December 2, 2023

“Catch Me If You Can” at New Theatre Restaurant is a comedic turn on the Murder Mystery genre. It will keep you guessing from the opening curtain until the big reveal at the end of the show. San Francisco Marketing Consultant Daniel Corbin (Ross Hellwig) has sneaked away for a holiday weekend with his new bride. Following a honeymoon spat, Bride Elizabeth mysteriously vanishes. Who done it? And what did they do?

Review: A CHRISTMAS CAROL at Kansas City Repertory Theatre
Review: A CHRISTMAS CAROL at Kansas City Repertory Theatre
November 22, 2023

Last night, November 21, 2023, a Kansas City tradition, the 42rd annual (almost) Kansas City Repertory Theatre production of Charles Dickens’ “A Christmas Carol” opened at the Spencer Theater on the UMKC campus for an extended run through Christmas Eve. Except for the Covid year when the live production was replaced by a video version, audiences have gathered for “A Christmas Carol” since 1980. The house lights dim and a cast of Victorian holiday carolers appear complete with an onstage costumed orchestra. Our Storyteller (Nedra Dixon) also dressed in stunning early Victorian garb, welcomes us. Ms. Dixon is elegant and charming in this her first stint as the Storyteller.

Interview: Jason Chanos of A CHRISTMAS CAROL at Kansas City Repertory Theatre
Interview: Jason Chanos of A CHRISTMAS CAROL at Kansas City Repertory Theatre
November 14, 2023

The Kansas City holiday season officially begins on November 21st with the forty-second annual iteration of the Kansas City Repertory Theatre Production of Charles Dickens’ 1843 novella “A Christmas Carol.  Director Jason Chanos is excited about this new mounting of the annual classic. Chanos is both the director of this production and the Associate Artistic Director of Kansas City Repertory Theatre.

Review: THE GRAPES OF WRATH at The Arts Asylum
Review: THE GRAPES OF WRATH at The Arts Asylum
November 11, 2023

A new production of the 1990 award winning stage adaption of “Grapes” by Frank Galati plays now through November 19 at the new Arts Asylum in the lower level theater of their new facility at 824 E Meyer Boulevard in the Brookside neighborhood of Kansas City.  The play won the 1990 Tony Award for Best New Play.

Review: THE SOUND OF MUSIC at Lyric Opera Of Kansas City
Review: THE SOUND OF MUSIC at Lyric Opera Of Kansas City
November 9, 2023

Now being performed at the Kauffman Center and concluding this weekend is a wonderful rendition by the Lyric Opera of Kansas City of Rodgers and Hammerstein’s final composition together, “The Sound of Music”  This production is as good as it gets. Framed by massive settings by Peter J. Davison and glorious costumes by Alex Valasek, “Sound of Music” is the incredible, mostly true tale of the Von Trapp family singers and their escape from the Nazis taken from the Matriarch Maria Von Trapp’s 1949 memoir.

Review: INTO THE WOODS at White Theatre
Review: INTO THE WOODS at White Theatre
October 31, 2023

Imagine the Grimm bedtime stories presented on steroids buttressed by the occasional homage to animated motion picture favorites.  This is the basic recipe for “Into The Woods,” an imaginative and odd musical mashup of the Grimm’s tales with music, libretto, and lyrics from Stephen Sondheim and James Lapine performed at the Jewish Community Center’s fine White Theatre.

Review: TO KILL A MOCKINGBIRD at KC Music Hall
Review: TO KILL A MOCKINGBIRD at KC Music Hall
October 26, 2023

Aaron Sorkin’s 2018 stage re-imagination of the classic Harper Lee novel “To Kill A Mockingbird” opened Tuesday at the Kansas City Music Hall for a one week run.  It is one of the finest touring companies of any play I’ve been privileged to witness in many years.  “Mockingbird” stars well-known actor Richard Thomas in a stellar turn as the lead character of Atticus Finch.

Review: LITTLE SHOP OF HORRORS at Theatre In The Park (Indoors)
Review: LITTLE SHOP OF HORRORS at Theatre In The Park (Indoors)
October 8, 2023

Seldom does an entertainment attain a level of fiendish absurdity that affords audiences belly busting hilarity after more than forty years.  The indoor space at Theatre in the Park’s Johnson County Heritage Center offers a super production of 1982’s “Little Shop of Horror.”



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