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Tearrance Arvelle Chisholm.
Tearrance Arvelle Chisholm.
Casting is set for Studio Theatre's production of Pipeline, playwright Dominique Morisseau's searing drama about the school-to-prison pipeline and a mother desperately trying to keep her son from becoming ensnared in it. The production runs January 15-February 16, 2020 and is directed by Awoye Timpo. Starring are DC theatre favorite Justin Weaks (Studio's Curve of Departure) as high school student Omari and Andrea Harris Smith making her Studio debut as his mother, public school teacher Nya. In its recent People Issue, Washington City Paper's called Weaks a 'standout,' going on to say: 'D.C. theater audiences love Justin Weaks. ...Weaks came to D.C. for a job about four years ago, not expecting to stay. But he kept getting cast in shows, and lucky for local theatergoers, he's still here.'
The Washington Stage Guild returns to the Nobel Prize-winning George Bernard Shaw, with a new production of the first play by GBS ever presented by the Stage Guild, Candida. Subtitled a?oeA Mystery,a?? in it, a preacher and a poet are in love with the same woman. The former is her husband, the latter wants to woo her away, and both are shocked by her ultimate choice and the reasons for it.
The John F. Kennedy Center for the Performing Arts hosts more than 120 outstanding theater students from colleges and universities across the nation as part of the 50th annual Kennedy Center American College Theater Festival (KCACTF), which runs April 16-20, 2019 in multiple locations throughout the Center. The Center also announced the national awardees for the KCACTF. Selected awardees and representatives will be brought to Washington, D.C. for an expense-paid trip to participate in the National Festival. These student artists from across the United States have been recognized for their outstanding work from the eight regional festivals that were held January 8 through February 28, 2019.
Even if you're not familiar with George Bernard Shaw's Pygmalion, you're most likely familiar with Lerner and Loewe's adaption, My Fair Lady. At the core of both is the classic question of how much can we really change our stripes? Tearrance Arvelle Chisholm gives us a modern take here with his world premiere of P.Y.G. or The Mis-Edumacation of Dorian Belle.
Right on the heels of the closing of Queen of Basel, a Miami-set rebirth of Strindberg's Miss Julie, Studio Theatre is breathing new life into another classic. Most audiences are familiar with Shaw's Pygmalion - or, more likely, its musical counterpart My Fair Lady - in which a low-born member of society is taught how to fit in with the upper class. In P.Y.G. or The Mis-Edumacation of Dorian Belle, playwright and director Tearrance Arvelle Chisholm brings Shaw's play right to the eye of our cultural hurricane, centering the relationship between race, fame and cultural appropriation. Dorian Belle, a Canadian pop superstar, idolizes hip-hop group Petty Young Goons, and hires them to help 'toughen up' his image - all while being filmed for television, of course. Chisholm and two of his actors, Gary L. Perkins III (as Alexand Da Great, ½ of Petty Young Goons) and Simon Kiser (Dorian Belle), were interviewed separately over e-mail about their experiences during the rehearsal process and to provide their perspectives on what P.Y.G. can offer audiences.
Now in its 41st season, Studio has carved out a distinctive place for itself by investing in excellence up close and by producing plays of big ideas on a human scale—plays that challenge assumptions, spark conversations, and offer both surprise and connection. Over its four decades, Studio has produced an eclectic mix of works that reflect the contemporary world, offering a repertoire of provocative new and contemporary writing from around the world and inventive stagings of contemporary classics.
Studio Theatre is at 1501 14th St NW, Washington, District of Columbia.
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