The latest instalment of LET THERE BE LIGHT, our series showcasing some of Britain's best theatrical lighting designers, focuses on Lucy Carter. A regular collaborator with Wayne McGregor, as well as numerous other leading choreographers and dance companies, she's also worked on operas and plays, including Husbands & Sons at the National Theatre and Oil, currently playing at the Almeida.

The latest instalment in our series showcasing Britain's best lighting designers focuses on the four-time Olivier and two-time Tony Award winner Paule Constable. She's worked on numerous landmark theatrical productions, including The Curious Incident of the Dog in the Night-Time, War Horse and Waves at the National Theatre and the RSC's Wolf Hall, as well as with leading opera and dance companies.

The second instalment of LET THERE BE LIGHT, our new series showcasing some of Britain's best theatrical lighting designers, focuses on Neil Austin. His diverse body of work ranges from productions at National Theatre and collaborations with directors like Howard Davies and Michael Grandage to Harry Potter and the Cursed Child.

Our new series, LET THERE BE LIGHT, focuses on some of Britain's finest theatrical lightning designers. First up is James Farncombe, whose projects range from plays at venues like the Royal Court, Young Vic and Donmar to a variety of opera and ballet productions. He received an Olivier Award nomination earlier this year for his work on the National Theatre's smash hit People, Places and Things.