In Ntozake Shange's powerful mid-'70s "choreo-poem," a group of African-Americans dramatizes the struggles and journey toward self respect experienced by black women in America.
Still, Shange's work remains as riveting as it was in 1976. Her words have become more than the unspoken and unrealized accounts of Black women's pain and promise; they have evolved into the gift of permission to heal and the agency to be seen and understood. It has become a memo to Black women to embrace their femaleness (no matter what that looks like) while looking to the rainbow as a sign of hope for the future of the collective, because they alone are enough.
This revival of 'for colored girls who have considered suicide/when the rainbow is enuf' is one link in a chain of productions re-introducing the work of our titans - Alice Childress, Adrienne Kennedy and more - to modern audiences. Only Shange's work has been on Broadway before, first premiering at the Booth Theatre, where the revival is currently playing, in 1976. It remains a seminal, sacred text; one I've been able to recite phrases from for the better half of my life. This revival, by director and choreographer Camille A. Brown, is the most essential production of Shange's masterwork to date.
1976 | Off-Broadway |
Original Off-Broadway Production Off-Broadway |
1976 | Off-Broadway |
Off-Broadway |
1976 | Broadway |
Broadway Transfer Broadway |
1979 | West End |
London Production West End |
1980 | Regional (US) |
Regional Revival Regional (US) |
2000 | Off-Broadway |
Off-Broadway Revival Off-Broadway |
2000 | Off-Broadway |
Off-Broadway |
2019 | Off-Broadway |
Public Theater Off-Broadway Revival Off-Broadway |
2022 | Broadway |
Broadway Revival Production Broadway |
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