Tessa is a thoroughbred. A young, brilliant barrister who loves to win. She has worked her way up from working-class origins to be at the top of her game; defending; cross-examining and lighting up the shadows of doubt in any case. An unexpected event forces her to confront the lines where the patriarchal power of the law, burden of proof and morals diverge. Suzie Miller’s award-winning Prima Facie takes us to the heart of where emotion and experience collide with the rules of the game. Justin Martin directs this solo actor tour de force from Jodie Comer.
The clipped, verse-like script buffets us with waves of vivid detail and quick cuts, mostly delivered at top speed by Comer. After twenty minutes of Tessa’s motor-mouthed triumphalism and lawyer-splaining one longs for strategic pauses to texture the tale, but perhaps fatigue is part of the tactic. We must tire of Tessa’s blustery assurance, so her reversal carries greater weight and complexity. Even so, Miller’s play seems padded at the top and overly preachy at the bottom, pressing home a case it has already won with metaphorical italics and boldface. Nevertheless, Comer’s astoundingly fluid, musical and passionate performance wins the day. She leaves nothing on the field.
I was captivated the first time I saw Comer perform this piece last year, in London’s West End. I was even more mesmerized the second time. The act is prodigious in every respect. Framed by set and costume designer Miriam Buether’s wall of case-filled binders — illuminated from time to time by Natasha Chivers as if they’re sacred manuscripts — Comer unspools Tessa’s nightmare at breakneck pace. A manic energy is apparent, a compulsion to relate the character’s experience with the precision of a member of London’s Inns of Court.
Digital Lottery:
Price: $10
Where: primafacieplay.com/ticket-lottery
When: Beginning April 5, 2023, tickets priced at $10 for the following week's performances will be released every Wednesday.
Limit: Two per customer
Information: Tickets are subject to availability.
2023 | Broadway |
Original Broadway Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2023 | BroadwayWorld Awards | Best Direction of a Play | Justin Martin |
2023 | BroadwayWorld Awards | Best Lead Performer in a Play | Jodie Comer |
2023 | BroadwayWorld Awards | Best Lighting Design | Natasha Chivers |
2023 | BroadwayWorld Awards | Best Play | Suzie Miller |
2023 | BroadwayWorld Awards | Best Scenic Design | Miriam Buether |
2023 | BroadwayWorld Awards | Best Sound Design of a Play | Ben Ringham |
2023 | Drama Desk Awards | Outstanding Lighting Design of a Play | Natasha Chivers |
2023 | Drama Desk Awards | Outstanding Play | Suzie Miller |
2023 | Drama Desk Awards | Outstanding Solo Performance | Jodie Comer |
2023 | Drama League Awards | Distinguished Performance Award | Jodie Comer |
2023 | Drama League Awards | Outstanding Production of a Play | Prima Facie |
2023 | Outer Critics Circle Awards | Outstanding Solo Performance | Jodie Comer |
2023 | Theatre World Awards | Theatre World Awards | Jodie Comer |
2023 | Tony Awards | Best Actress in a Leading Role in a Play | Jodie Comer |
2023 | Tony Awards | Best Lighting Design of a Play | Natasha Chivers |
2023 | Tony Awards | Best Scenic Design of a Play | Miriam Buether |
2023 | Tony Awards | Best Sound Design of a Play | Ben & Max Ringham |
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