Oklahoma! returns to Broadway! Stripped down to reveal the darker psychological truths at its core, Daniel Fish's production tells a story of a community circling its wagons against an outsider, and the violence of the frontier that shaped America.
Over 75 years after Rodgers & Hammerstein reinvented the American musical, this is Oklahoma! as you've never seen or heard it before - reimagined for the 21st century.
Daunno, who plays his guitar a good bit, and Jones sing out with gusto and swap insults not far from the level of Benedick and Beatrice in William Shakespeare's Much Ado About Nothing. Testa has fun with Aunt Eller's orneriness and adds to the evening's singing (in a traditionally non-singing role). Special praise has to be aimed the way of Ali Stroker, who's taken on the prairie-promiscuous Ado Annie. She bounds about with fervor in a wheel chair. It may be that her countrified version of 'I Cain't Say No' is the highest of the highlights on display. James Davis comes purty close with his sung and danced 'Everything's Up to Date in Kansas City.' Will Brill doesn't lift his voice in song much, but he nails down the meddling peddler well enough, particularly on his 'mind your own business' line.
Still, this Oklahoma! deserves credit for out-of-the-box thinking and casting. It earns its exclamation point, and it knows it. That emphatic punctuation mark is the biggest thing on the Playbill. All things considered, there should also be a giant question mark.
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