This dazzling world premiere from Jocelyn Bioh welcomes you into Jaja’s bustling hair braiding salon in Harlem where every day, a lively and eclectic group of West African immigrant hair braiders are creating masterpieces on the heads of neighborhood women. During one sweltering summer day, love will blossom, dreams will flourish and secrets will be revealed. The uncertainty of their circumstances simmers below the surface of their lives and when it boils over, it forces this tight-knit community to confront what it means to be an outsider on the edge of the place they call home.
Through tensions and extensions, Bioh’s day-in-the-life play never loses its comedic potency, and its ensemble shines throughout. When Jennifer (Rachel Christopher), an aspiring journalist who walks in at open to get micro-braids, everyone deflates with knowingly exhausted chagrin. By the time she leaves, almost at close, she, and us, can hardly believe it’s time to go.
The playwright does at the end of this wickedly entertaining evening give in to the urge to highlight her characters’ plights a bit too baldly (sorry). Other than that, though, she and White so skillfully orchestrate her workplace comedy that you’re put in mind of the beauty parlor in “Steel Magnolias,” or, more potently, of a master such as August Wilson portraying the cabbies dispatched from a Pittsburgh storefront in “Jitney.”
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