She Loves Me 1963 - Articles Page 3

I am here with my first BWW Blog Post to share with you all the best theatrical/musical content available right at your fingertips! 

Today's Theater Stories features the Eugene O'Neill Theatre! Learn about Neil Simon's special relationship with the theatre, the first Arthur Miller play to become a smash on Broadway, the history of Eugene O'Neill's plays and more.

Film at Lincoln Center announces the 25 films that comprise the Main Slate of the 58th New York Film Festival, September 17 - October 11.

BWW Reviewer Peter Nason chooses the 101 greatest Motown songs from 1960-1994. See if your favorite songs or artists made the list!

BWW Reviewer Peter Nason chooses the 101 greatest scenes in cinema from 1901 to 2020. See if your favorite movie moments made the list!

The 65th Annual Drama Desk Awards will celebrate the life and legacy of American theater producer and director Harold 'Hal' Prince with the Drama Desk's newly established lifetime achievement honor.

BWW Reviewer Peter Nason chooses the 101 greatest Beatles songs, including some of the fab four's solo works. They're all here: 'Twist and Shout,' 'In My Life,' 'Helter Skelter,' 'Imagine,' 'Something,' 'Maybe I'm Amazed,' 'Let It Be.' See if your favorites made the grade!

BWW Reviewer Peter Nason chooses the best musical theatre characters from 1940-2020; see if your favorites are on our list of the best characters from Broadway musicals.

Jane Krakowski took part in Roundabout's 'Roundabout Off-Script' series, where members of the company's family share their favorite moments from onstage or off.

The wait is over! Popejoy Hall announces the 2020-2021 season headlined by HAMILTON.

How do we make a list of the 101 greatest show tunes from the past 100 years? Well, we did the near-impossible task.  Check out our full list here! 

Though SCR's admirable new production of the 1963 Broadway musical SHE LOVES ME, for the most part, still has many charming, beautifully-staged, and well-sung moments, it also somehow feels like it is slightly reigned in, as if there was a purposeful attempt to downscale some of its built-in whimsy and spirited vivaciousness---particularly in the first act where emotional expressions all seem to sit in the same middle areaa?? never tipping over to too angry or too sad or too happy or too, well, anything. Now on stage in Costa Mesa through February 22, 2020, the production---directed by the theater's own artistic director David Ivers---is genuinely entertaining, but still needs a huge shot of joy, romance, and pep to make it feel complete.

Everyone loves a good Romantic Comedy, and when people find a good one, they latch onto it. Such a RomCom was the 1937 play a?oeParfumeriea?? by Miklos Laszlo. Now, if you're not familiar with that one maybe you're more familiar with some of the films that were based on it. There was the 1940 James Stewart-Margaret Sullavan film a?oeThe Shop Around the Cornera??, or how about the 1949 Judy Garland-Van Johnson musical version a?oeIn the Good Old Summertimea??. No? Well I'm sure you remember the 1998 Tom Hanks-Meg Ryan feature a?oeYou've Got Maila??. And beyond those, the play also spawned one of the most underrated and underappreciated shows in American Musical Theatre, a?oeShe Loves Mea?? by Jerry Bock and Sheldon Harnick with a book by Joe Masteroff, currently playing at Village Theatre. a?oeShe Loves Mea?? has been revived on Broadway since it's 1963 beginnings twice, plus a concert version in 1977, but still there are too many people who don't know the glory of this show. Well, Dear Readers, let's try and change that.

New Repertory Theatre dusts off an old chestnut for a family-friendly, non-holiday, crowd-pleasing offering as their gift for the season. Lionel Bart's OLIVER!, based on Charles Dickens' novel OLIVER TWIST, is known to be a little dark, with its themes of orphans, child exploitation, and vast income inequality (sound familiar?), but in the hands of New Rep's new Artistic Director, Michael J. Bobbitt, the darkness is lightened up with jaunty performances, a smattering of silly antics, and a set design (Luciana Stecconi) that skews to the cartoonish. With almost a dozen capable adults anchoring the cast, the seven children of all ages are given free rein to behave like children, albeit amazingly talented and spirited ones.

Called a?oethe most romantic of all Broadway musicalsa?? by The Wall Street Journal, Village Theatre is delighted to bring She Loves Me to the stage beginning this January. The charming musical, which inspired the hit film You've Got Mail, has been revered by critics and audiences alike since it first debuted on Broadway in 1963 a?' going on to be nominated for over 50 awards including the Tony, Drama Desk, and Olivier Awards. She Loves Me will run at the Francis J. Gaudette Theatre in Issaquah January 16 a?' February 23, 2020 before moving to the Everett Performing Arts Center February 28 a?' March 22, 2020. 

It's beginning to look a lot like Christmas. That's a sentiment that has been expressed for many years, sometimes merely through the utterance of the sentence, but usually through the singing of the popular song written by Meredith Wilson in 1951. While many attribute the song to the 1963 Broadway musical Here's Love, it was actually written simply as a Christmas song and singers have been crooning the tune ever since.

SHE LOVES ME is a rare gem in the 21st century. 

Wagner College Theatre continues its 2019-20 Mainstage Season with the charming, romantic musical She Loves Me, with performances November 14-24 in the Main Hall Theatre.

The American Songbook Association pays tribute to Sheldon Harnick, legendary Broadway songwriter of Fiddler on The Roof, She Loves Me and more.

Due to popular demand, the stunning award-winning musical Caroline, Or Change has been extended by an additional week. Featuring a spectacular cast and helmed by a stellar creative team, this Hayes Theatre Co production has captivated audiences and received rave reviews. Directed by four time Helpmann Award winner Mitchell Butel, this uplifting and profound musical by Tony Kushner (Angels in America) and Jeanine Tesori (Fun Home, Violet) will now play at the Hayes until 28 September with tickets available at hayestheatre.com.au.

Ted Sperling, Artistic Director of MasterVoices, announced details of the acclaimed ensemble's 78th season, celebrating the joy of choral singing and the power of the human voice to unite, inspire and connect since 1941. Highlights include three major musical presentations at top venues, including a New York premiere, and the World Premiere of a new work, commissioned by the Company. Throughout the season there will be collaborations with leading singers, artists, ensembles and organizations, some who are familiar with and others who are new to the Company.

The Broadway community mourns the loss of prolific producer, director, writer, and the individual recipient of the most Tony Awards in multiple categories in history, Harold Prince, who passed away on July 31, 2019 at age 91. To commemorate his life and work, the Committee of Theatre Owners will dim the lights of Broadway theatres in New York for one minute on Wednesday, July 31 at exactly 7:45pm.

Hayes Theatre Co is thrilled to announce the cast of the Australian Premiere of the Olivier Award-winning musical CAROLINE, OR CHANGE. Directed by four time Helpmann Award winner Mitchell Butel, this uplifting and profound musical by Tony Kushner (Angels in America) and Jeanine Tesori (Fun Home, Violet) will play at the Hayes from 23 August. Tickets are on sale now at hayestheatre.com.au.

Theatre for a New Audience founding artistic director Jeffrey Horowitz, having just received the Lifetime Achievement Award at the 2019 OBIEs, today announces TFANA's 40th anniversary season. The 2019-2020 programming exemplifies what makes TFANA, in the words of the OBIE committee, one of the city's most vital institutions championing adventurous and urgent productions of Shakespeare alongside other writers.

I must applaud Everyman Theatre's Artistic Director Vince Lancisi for having the brilliant idea of ending its season with two plays by Caleen Sinnette Jennings in repertory: QUEENS GIRL IN THE WORLD and QUEENS GIRL IN AFRICA. What a genius!