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Cat on a Hot Tin Roof at Harlequin Productions

Dates: (3/6/2014 - 3/29/2014 )

Theatre:

Harlequin Productions


502 Washington Street SE
Olympia,WA

Phone: 3607860151

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  3. Cat on a Hot Tin Roof


Cat on a Hot Tin Roof is a 1955 American drama written by Tennessee Williams . It is considered one of his greatest works and won the Pulitzer Prize for Drama in 1955.

The play takes place in the southern United States on the birthday of Big Daddy Pollitt, a wealthy cotton tycoon who is unaware that he is dying of cancer. The play centers on the dysfunctional relationships within the Pollitt family, particularly between Brick, Big Daddy's favorite son, and Maggie "the Cat", Brick's wife.

Brick is a former football hero who has become an alcoholic and withdrawn from life after the suicide of his close friend, Skipper. Maggie is a beautiful and determined woman who feels unfulfilled in her marriage and desperately wants a child. The couple's strained relationship is further complicated by the arrival of Brick's resentful brother Gooper and his conniving wife Mae, who are eager to inherit Big Daddy's fortune.

As the night unfolds, secrets are revealed, lies are exposed, and the characters are forced to confront their own desires and failures. The play explores themes of family legacy, desire, truth, and the destructive power of secrets.

Cat on a Hot Tin Roof has been adapted into a successful film starring Elizabeth Taylor and Paul Newman, and continues to be performed around the world. It is a classic of American drama that offers a powerful and timeless look at the human condition.

Harlequin Productions Frequently Asked Questions FAQ

Harlequin Productions is at 502 Washington Street SE, Olympia, WA.

A group of five people—James L. This, Scot Whitney, Linda Whitney, Phil Annis and Ronna Smith—got together in 1991 and decided that they wanted to produce a more challenging style of theater than was available locally. We wrote our mission statement, pooled our start-up capital—a whopping $400 cash—and began producing individual shows at the Washington Center Stage II, a “black box” venue that seated about 100. Seventeen months after beginning our capital campaign, we opened the doors on the beautifully remodeled State Theater. Suddenly we had a theater, a mortgage and a staff. Our budget jumped from $150,000 annually to $750,000. Our full-time staff increased from one to eight. To keep up with the bills and the building, we knew we had to increase income, so we planned to expand from a four-show season to a six-show, year-round season, but the first year we panicked and added two additional shows for a total of eight. And these were not small shows. It was as close as we ever came to failing as a result of driving all human beings involved to near collapse. Then… a bunch of years passed, during which no one has had the time to keep this up to date. But that’s how it started.

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