SUBMIT UPDATES
Magic Theatre (Loretta Greco, Artistic Director and Kevin Nelson, Interim Managing Director) announced today that the Company's 2020 Gala Fundraiser, Magic Masquerade: Spring Forward, will be held at Gallery 308 (Fort Mason Center, Landmark Building A, 2 Marina Blvd, San Francisco, CA 94123) on Thursday, March 19, 2020 at 6:00 p.m.
Loretta Greco, Artistic Director of Magic Theatre, has announced that she will depart the organization after twelve years as its artistic leader. Greco will leave at the end of the 2019-2020 season. a?oeIt has been a spectacular honor to lead the storied Magic Theatre,a?? said Greco. a?oeI am proud of the extraordinary array of groundbreaking writers Magic has launched and supported over time, who have bravely led our cultural conversation forwarda?"and the way those voices and the work we have premiered have elevated the field as a whole.
Magic Theatre (Loretta Greco, Artistic Director and Cierra Cass, Interim Managing Director) announced today the complete cast of Mfoniso Udofia's World Premiere In Old Age, the Company's first production of 2019. In Old Age will be directed by Victor Malana Maog. Previews begin on Wednesday, March 27, 2019 at Magic Theatre's Fort Mason location (Fort Mason, 2 Marina Blvd., Building D, 3rd Floor, San Francisco, CA 94123), with a press opening on Wednesday, April 3, 2019 at 8:00 p.m. Tickets range from $15 - $75 and are on-sale now at MagicTheatre.org.
Magic Theatre is at Magic Theatre, Fort Mason Center | 2 Marina Boulevard, Building D | San Francisco, CA 94123, San Francisco, CA.
Now celebrating its 55th year of continuous operation, Magic is dedicated to creative risk: we cultivate bold new plays and playwrights to produce explosive, entertaining, and ideologically robust stories that ask substantive questions about our place in humanity. Magic provides a nurturing yet rigorous artistic home where innovative writers can create a body of work. We believe that developing an evolved artistic vocabulary with the playwright at our side, over a long period of time, greatly improves a playwright’s chances to thrive. We believe that, by adding vanguard voices to the canon and expanding access to new theatre-goers, we ensure the future vibrancy of the American theatre.
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