Terese Wadden News

The Canadian Opera Company presents a double bill of one-act operas as part of its 2012 spring season with the Canadian premiere of Alexander Zemlinsky's A Florentine Tragedy and the return of Giacomo Puccini's Gianni Schicchi, last seen with the COC in 1996. The two operas are presented in a new COC production by the legendary soprano-turned-director Catherine Malfitano and world-renowned conductor Sir Andrew Davis. A Florentine Tragedy is sung in German and Gianni Schicchi is sung in Italian, both with English SURTITLES™. The double bill of A Florentine Tragedy/Gianni Schicchi runs for eight performances at the Four Seasons Centre for the Performing Arts on April 26, May 2, 5, 12, 15, 18, 20 and 25, 2012.

The Canadian Opera Company presents a double bill of one-act operas as part of its 2012 spring season with the Canadian premiere of Alexander Zemlinsky's A Florentine Tragedy and the return of Giacomo Puccini's Gianni Schicchi, last seen with the COC in 1996. The two operas are presented in a new COC production by the legendary soprano-turned-director Catherine Malfitano and world-renowned conductor Sir Andrew Davis. A Florentine Tragedy is sung in German and Gianni Schicchi is sung in Italian, both with English SURTITLES™. The double bill of A Florentine Tragedy/Gianni Schicchi runs for eight performances at the Four Seasons Centre for the Performing Arts on April 26, May 2, 5, 12, 15, 18, 20 and 25, 2012.

New York City Opera presents the second installment in director Christopher Alden's Mozart/Da Ponte cycle for the company with Così fan tutte, March 18-24 in the intimate space of the Gerald W. Lynch Theater at Manhattan's John Jay College.

Today, New York City Opera announced additional casting, creative team, and production details for the company's 2011/12 season.

The Adaptations Project will present their inaugural production, Kaddish (or The Key in the Window), based on the poem by Allen Ginsberg.

The Adaptations Project proudly presents their inaugural production, Kaddish (or The Key in the Window), based on the poem by Allen Ginsberg. Kaddish (or The Key in the Window) is created and performed by Donnie Mather and directed by Kim Weild. Their most recent collaboration was WeildWorks' New York Premiere of Charles Mee's Fêtes de la Nuit, a 2010 Drama Desk Award nominee for Unique Theatrical Experience that also garnered 7 New York Innovative Theatre Award nominations, including Outstanding Director.

New York City Opera today released full casting details for the 2009-2010 season, its first under the new leadership of General Manager and Artistic Director George Steel. The company will present five operas in 2009-2010, in fall and spring seasons, in the newly renovated David H. Koch Theater (formerly the New York State Theater).

New York City Opera today released full casting details for the 2009-2010 season, its first under the new leadership of General Manager and Artistic Director George Steel. The company will present five operas in 2009-2010, in fall and spring seasons, in the newly renovated David H. Koch Theater (formerly the New York State Theater).

Chicago Opera Theater opens their 2009 Spring Festival Season on April 18 with Mozart's La clemenza di Tito (through May 1) at the Harris Theater for Music and Dance in Millennium Park. Absent from Chicago stages in more than a generation, La clemenza di Tito has made a resurgence in the rest of the world. Most notably in New York City last year?both at the Metropolitan Opera and at the Lincoln Center's Mostly Mozart Festival. The New York Times declared, 'Clemenza emerges as a musically ravishing and dramatically complex opera of great immediacy.'

Under the new leadership of General Manager and Artistic Director George Steel, and with all performances taking place in the newly renovated David H. Koch Theater (formerly the New York State Theater), New York City Opera will present five operas in 2009-2010, in fall and spring seasons. With repertoire that spans opera history from the early 18th to the late 20th centuries - including the premiere of a new production - the 2009-2010 season reaffirms the company's historic mission to present innovative productions, to champion contemporary works, to rediscover early and lesser-known operas, and to promote American artists.

Chicago Opera Theater opens their 2009 Spring Festival Season on April 18 with Mozart's La clemenza di Tito (through May 1) at the Harris Theater for Music and Dance in Millennium Park. Absent from Chicago stages in more than a generation, La clemenza di Tito has made a resurgence in the rest of the world. Most notably in New York City last year?both at the Metropolitan Opera and at the Lincoln Center's Mostly Mozart Festival. The New York Times declared, 'Clemenza emerges as a musically ravishing and dramatically complex opera of great immediacy.'

The York Theatre Company's hit holiday revue That Time of Year is playing one last weekend, through December 24th

The holiday revue That Time of Year, presented by the The York Theatre Company in association with Whiskey Down Productions, opens tonight, December 7th at the York Theatre Company

This new musical revue spoofs all the dreaded stress that comes every December, like trying not to embarrass yourself at multiple holiday parties, keeping family gatherings civil, buying the right present for your better half and trying not to gain weight while everyone's throwing food in your direction

The York Theatre Company will continue with the series John Kenrick's Musical Conversations, the acclaimed discussion series at the York, with internationally recognized musical theatre and film authority John Kenrick, following matinee performances of That Time of Year

The York Theatre Company, in association with Whiskey Down Productions, will present the Off-Broadway premiere of That Time of the Year, beginning performances on Wednesday, November 29th at 8 PM with an opening night set for December 7th at 7 PM

Given a fine and well-sung premiere production by The York Theatre, this new musical about the widowed first lady is by turns engaging in its successes and frustrating in its failures