Stephen Powell News

On the Los Angeles Opera website, tenor Russell Thomas and collaborative pianist Kyung-Mi Kim present a program of song that includes Schumann's song cycle, Dichterliebe (Poet's Love),  Handel's aria “Total Eclipse” from Samson, and love songs by Adolphus Hailstork and Robert Owens that was filmed recently at Spivey Hall in Atlanta, Georgia. 

Utah Opera Artistic Director Christopher McBeth today announced Utah Opera’s 2021-22 season, sponsored by the George S. and Dolores Doré Eccles Foundation. In its upcoming season, Utah Opera presents four full-scale opera productions with live performances at the Janet Quinney Lawson Capitol Theatre.

The awards honored six musicals from Broadway, Off-Broadway, and the West End with nominations for Best Musical Theatre Album - 'Jagged Little Pill,' 'American Utopia,' 'Little Shop of Horrors,' 'The Prince of Egypt,' 'Soft Power,' and Amélie.'

Inspired by the success from their safe drive-in performances of La bohème in the Fall, which heralded the return of live, in-person, opera to San Diego County since the start of the pandemic, and provided over 300 jobs to many, San Diego Opera has announced a Spring season of safe, socially-distanced, drive-in performances.

Los Angeles Opera was the first to launch original programming in response to COVID-19 stay-at-home orders. Because of the success of its online  programming, LAO decided to make that feature a permanent part of its offering and to give it a name that reflects fresh and innovative interpretations of the art form. Welcome to LA Opera On Now.

Boston Baroque rings in a holiday season like no other with a line-up of virtual releases and programs scheduled in December 2020. Boston Baroque has recently released an all-star version of Handel’s Messiah as the next full-length concert release on Boston Baroque Live.

Releasing a CD of vocal works entirely made up of 20th and 21st century composers is a brave and bold effort on his part.

In October 2015, rising soprano Lisette Oropesa made her role debut as Violetta in a new production of Verdi's La traviata at the Academy of Music, serving notice that this would be one of the definitive roles of her career. “To judge from her first attempt at the role, Lisette Oropesa bids fair to be among its great exponents in her generation,” wrote David Shengold in Opera News.

The company is taking its next step into the future of the art form with the launch of the Opera Philadelphia Channel, a global broadcast platform that will bring a revised 2020-2021 season into opera lovers' homes via their television screens and streaming devices.

OPERA America is inviting artists, administrators, trustees, and audiences to 'A Toast to 50 Years,' a celebration of opera's progress and of OPERA America's 50th Anniversary, taking place today, Friday, May 15, from 4:30 to 5:00 p.m. EDT.

Here's a look at how 'Light Shall Lift Us; Singers Unite in Song' (for OPERA America), a video project featuring 107 opera singers in “a song of hope and solidarity” by Paul Moravec and Mark Campbell, came together to help raise up the spirits of their communities as we deal with COVID-19. It went 'live' on May 14 at 1:30 pm EST.

San Diego Opera's 2019-2020 main stage season comes to a close with Gioachino Rossini's classic comedy The Barber of Seville which opens on Saturday, April 25, 2020 at the San Diego Civic Theatre for four performances. Additional performances are April 28, May 1, and 3 (matinee), 2020.

San Diego Opera's 2019-2020 main stage season comes to a close with Gioachino Rossini's classic comedy The Barber of Seville which opens on Saturday, April 25, 2020 at the San Diego Civic Theatre for four performances.

Sinclair Theatre presents Ken Ludwig's Treasure Island, adapted from the novel by Robert Louis Stevenson, Oct. 11-19 in Blair Hall Theatre, building 2, of the Downtown Dayton Campus.

Single tickets for Michigan Opera Theatre's (MOT) 2019-20 season will go on sale Monday, Aug. 12. The MOT opera series features a?oeDon Giovanni,a?? a?oeSweeney Todd,a?? a?oeGianni Schicchi/Buoso's Ghost,a?? a?oeChampiona?? and a?oePagliacci.a?? The dance series includes performances by the Joffrey Ballet, Malandain Ballet Biarritz and Dance Theatre of Harlem and concludes with American Ballet Theatre's (ABT) a?oeSwan Lake.a??

Michigan Opera Theatre (MOT) announced today details of its 2019-20 season. The opera series features beloved classics "Don Giovanni" and "Pagliacci;" works long-absent from the MOT repertoire, "Sweeney Todd" and "Gianni Schicchi," and the highly-anticipated company premiere of "Champion," a contemporary American opera. The dance series features the return of American Ballet Theatre, Joffrey Ballet and Dance Theatre of Harlem, as well as the Detroit Opera House premiere of French contemporary ballet company Malandain Ballet Biarritz. An Oct. 12 gala concert, featuring acclaimed American Tenor Michael Fabiano and principal dancers from American Ballet Theatre, will serve to launch the season.

The San Diego Opera's opening-night production of Verdi's Rigoletto featured the powerful voice and convincing acting of baritone Stephen Powell in a title role he has sung often. In contrast, it was soprano Alisa Jordheim's debut as Rigoletto's naive ill-fated daughter Gilda. Her fresh innocent appeal and Powell's veteran portrayal of cynical darkness were perfect for their respective roles. Jordheim has an agile voice with a deliciously silky tone, and commendable projection. She delivered coloratura passages of perfect clarity, hit the role's highest note with startling volume and purity, and held it. This won't be her last production of Rigoletto, nor the last major role in her promising career. Tenor Scott Quinn was the more than reprehensible duke who takes advantage of Gilda. The pair's youthful voices and appearance make them unusually well suited for Verdi's marvelous music and Francesco Maria Piave's tragedy-soaked libretto.

Coloratura Alisa Jordheim will be debuting in the role of Gilda with baritone Stephen Powell in a San Diego Opera production of Verdi's Rigoletto. This is the fifth time he's sung the lead. The first time was in a Cincinnati Opera production in which Jordheim had only a few lines as a page. 'I feel like I've graduated. That was in 2011, and I was a graduate student at CCM (the University of Cincinnati College-Conservatory of Music). It was a wonderful experience for me just to soak up everything in the rehearsal process. One of my favorite singers, Sarah Coburn, was the Gilda. Just getting to see her portray that character and to work with Stephen was a master class.'

The San Diego Opera's 2018-19 season will feature three grand operas at the city's Civic Center and three smaller-scale productions at other venues. Seasoned opera buffs are likely to fill the 3000-seat Civic Center for The Marriage of Figaro, Rigoletto, and Carmen. But elaborate three-hour productions are a hard-sell for inexperienced listeners, many of whom believe that 45-seconds is about right for 'in-depth' news reporting. That's where the opera company's highly successful 'Detour Series' of shorter and more contemporary-feeling performances comes in. The two operas in that series next season are an English adaption of Engelbert Humperdinck's Hansel and Gretel, and Three Decembers, a chamber work by Jake Heggie, one of today's most successful operatic composers. The Detour series and the season conclude with 'One Amazing Night,' a recital devoted largely to Puccini and Verdi.