BWW Review: HOW CAN I LOVE YOU at Ancient Lakes Theatre Festival
by Jay Irwin
- Jul 20, 2021
Dear Readers, as we inch back into the world of live theatrical experiences, the excitement to put out incredible art is palpable. And when you have a stunning outdoor venue such as the Cave B Winery Estates in George, WA, not to mention some of the A-listers of Seattle theater talent involved, that excitement can be overwhelming. But don’t let that excitement blind you to when a show just is not there, as was the case with “How Can I Love You” from Composer Rand Bellar and Playwright, Librettist, and Lyricist Vince Bryan.
ACT - A Contemporary Theatre Brings All of the Magic of A CHRISTMAS CAROL Home for the Holidays
by A.A. Cristi
- Dec 2, 2020
The magic of A Christmas Carol, Charles Dickens' classic story of redemption and charity, comes to life as ACT - A Contemporary Theatre presents the timeless tale this year as a radio drama, complete with dialogue, Christmas carols, Adam Stern's musical score and sound effects. Imagine Scrooge, Marley, the Ghosts and all of the characters you know and love… coming to your home for the holidays.
2019 Gypsy Rose Lee Award Winners Announced
by Stephi Wild
- Jan 31, 2020
Seattle Theater Writers Seattle's theater reviewers circle announces the Winners of Excellence in Seattle theatrical productions. Spanning dozens of theater companies and productions, from large and prominent to small and humble, the Gypsy Rose Lee Awards honor the excellence found across the area.
BWW 2019 Seattle Critic's Choice Awards (Jay's Picks)
by Jay Irwin
- Jan 13, 2020
Oh my! What a year! We've seen bad-ass gospel singers, lost Jewish plays, mythical towns of excretion and even an octopus wrestler or two. No, those aren't allusions to the crazy theater going on in Washington D.C. but the crazy wonderful theater going on right here in the Seattle area. It was tough coming up with just one winner (or even just a few Honorable Mentions) but I managed to do it a?? for the most part. Plus, some shows that more of you should have seen. (Yes, that's me nagging you all, Dear Readers, to check out more of the smaller or obscure theaters around here.) But what it all comes down to is, we're blessed here in the Northwest with an over-abundance of theatrical riches and I'm so fortunate to be able to share some of my favorites of the year with you with the BWW 2019 Seattle Critic's Choice Awards (Jay's Picks). So, let's get started, shall we?
Lisa Estridge To Star In The 5th Avenue Theatre's New Production Of SISTER ACT
by A.A. Cristi
- Dec 5, 2019
The 5th Avenue Theatre is excited to announce initial casting for its disco ball and sequin-studded brand new production of Sister Act! Leading the cast as Deloris Van Cartier is the celebrated actor and singer Lisa Estridge, who returns to The 5th after starring in Mamma Mia! as Tanya. Her other 5th Avenue Theatre credits include Into the Woods, Company, and Most Happy Fella.
FROZEN Cast, Joe Iconis & Family, Norm Lewis And More Hit The Feinstein's/54 Below Stage In December
by A.A. Cristi
- Nov 28, 2019
This Month, FEINSTEIN'S/54 BELOW, Broadway's Supper Club & Private Event Destination, presents some of the brightest stars from Broadway, cabaret, jazz, and beyond. To purchase tickets or for more information, visit www.54Below.com/Feinsteins or call (646) 476-3551.
Seattle Rep Announces Cast for INDECENT
by Julie Musbach
- Aug 14, 2019
Seattle Rep today announced complete casting for its production of the Tony Award-winning play Indecent, a powerful drama from Pulitzer Prize-winning Jewish playwright Paula Vogel.
BWW Review: Don't Be the Bunny, Go See URINETOWN at ACT
by Jay Irwin
- Apr 12, 2019
Since the joint production between the 5th Avenue Theatre and ACT of "Urinetown" was announced I heard far too often from people that they wouldn't want to see that. A stupid musical about pee? "I don't care for shows that are all bathroom humor," I would hear. And I'd have to defend this wonderful show explaining that it's a super funny, well written show, yes with peeing as the basic setting, but that it was so much more as it pokes fun at government corruption and is an homage to famous musicals who came before. I guess Little Sally from "Urinetown" was right that nothing can kill a show faster than bad subject matter or a bad title. But then her stating that is why this self-referential, meta show works so well. It knows it's ridiculous and it embraces it. And the same could be said for this wonderful production that went for every bad joke with brilliant comic timing and then some.
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