Franz Lehár News

Think opera is just a bunch of bad actors standing around warbling depressing lyrics in a foreign language for four hours? Think again.

Transgressive Theatre-Opera announces its fourth season!

Opera Saratoga's Artistic and General Director Lawrence Edelson announced that the company's 2018 Summer Festival will feature new productions of four operas at The Spa Little Theatre in Spa State Park, along with a wide variety of free and ticketed concert events from May 26 through July 15 at venues throughout the region.

On Friday, September 23, 2016, the David H. Koch Theater was abuzz with excitement, as the company of the New York City Ballet prepared to take the stage. Each time I get to experience this group of artists perform, it's a completely unique adventure. But what remains constant is their collective ability to remain rooted in Balanchine's essence - in movement, character, and cadence. And this night proved no different.

At 3 p.m. on Sunday, February 14, four of OU's most promising music students will perform with the Oakland Symphony Orchestra (OSO) in the 19th Annual David Daniels Young Artists Concert. They are the winners of the 2015-2016 Oakland University Concerto Competition.

Richmond, Virginia - Join the Richmond Symphony, Music Director Steven Smith, and members from the Virginia Opera Herndon Foundation Emerging Artists Program for a special concert in the style of a Viennese New Year tonight, January 9 at 8pm and tomorrow, January 10 at 3pm.

December 15, 2015 – Richmond, Virginia Join the Richmond Symphony, Music Director Steven Smith, and members from the Virginia Opera Herndon Foundation Emerging Artists Program for a special concert in the style of a Viennese New Year on Saturday, January 9 at 8pm and Sunday, January 10 at 3pm. A New Year in Vienna is a celebration filled with selected works including waltzes, polkas, and arias by Johann Strauss Jr., Franz Lehár, and Richard Strauss. This concert is part of the Altria Masterworks series and will be held at Richmond CenterStage's Carpenter Theatre.

Lyric Opera of Chicago presents the sparkling operetta The Merry Widow by Franz Lehar in a new-to-Chicago production directed and choreographed by five-time Tony Award winner Susan Stroman. Presented in English with projected titles, the production opens tonight, November 14 with 10 performances through Sunday, December 13.

Lyric Opera of Chicago presents the sparkling operetta The Merry Widow by Franz Lehár in a new-to-Chicago production to launch the holiday season. It opens tomorrow, November 14, with 10 performances through Sunday, December 13. Performances are in English with projected titles. BroadwayWorld has a first look at the cast in action below!

Lyric Opera of Chicago presents the sparkling operetta The Merry Widow by Franz Lehar in a new-to-Chicago production to launch the holiday season. It opens on Saturday, November 14 with 10 performances through Sunday, December 13. Performances are in English with projected titles.

Lyric Opera of Chicago presents the sparkling operetta The Merry Widow by Franz Lehar in a new-to-Chicago production directed and choreographed by five-time Tony Award winner Susan Stroman. Presented in English with projected titles, the production opens on Saturday, November 14 with 10 performances through Sunday, December 13. Performance dates are November 14, 17, 20, 23, 25, 28 at7:30pm; and December 3, 9, 11, and 13 at 2pm. For tickets and information call (312) 827-5600 or go towww.lyricopera.org/merrywidow.

Lyric Opera of Chicago presents the sparkling operetta The Merry Widow by Franz Lehár in a new-to-Chicago production to launch the holiday season. It opens on Saturday, November 14 with 10 performances through Sunday, December 13. Performance dates are November 14, 17, 20, 23, 25, 28 at 7:30pm; and December 3, 9, 11, and 13 at 2pm. Performances are in English with projected titles.

The University of Cincinnati College-Conservatory of Music (CCM) is pleased to announce details for its 2015-16 Mainstage Series of opera, musical theatre, drama and dance productions. Between today, Sept. 30, 2015, and April 24, 2016, CCM's stars-of-tomorrow will present seven masterworks for the stage under the guidance of its internationally acclaimed faculty artists.

THE MET: LIVE IN HD will screen an encore of Susan Stroman's production of THE MERRY WIDOW by Franz Lehar (originally transmitted January 17, 2015), hosted by Joyce DiDonato, today, July 22nd.

Cape Town Opera and Magnet Theatre are proud to present a new musical adaptation of the Zakes Mda novel HEART OF REDNESS on stage at the Fugard Theatre from the 19th to the 22nd of August 2015 for four performances only.

THE MET: LIVE IN HD will screen an encore of Susan Stroman's production of THE MERRY WIDOW by Franz Lehar (originally transmitted January 17, 2015), hosted by Joyce DiDonato, on July 22nd.

The University of Cincinnati College-Conservatory of Music (CCM) is pleased to announce details for its 2015-16 Mainstage Series of opera, musical theatre, drama and dance productions. Between Sept. 30, 2015, and April 24, 2016, CCM's stars-of-tomorrow will present seven masterworks for the stage under the guidance of its internationally acclaimed faculty artists.

Utah OperaArtistic Director Christopher McBeth today announced Utah Opera's 2015-16 season. The company's 38th season will feature four productions between October 2015 and May 2016 that encompass some of opera's greatest tales of love and sacrifice.

La actriz Natalia Millán interpretará el papel protagonista de Hanna Glawari en la opereta 'La Viuda Alegre', que se representará del 13 al 24 de mayo de 2015 en el Teatro Arriaga de Bilbao. La producción estará dirigida por Emilio Sagi, y contará también en su reparto con Antonio Torres (Conde Danilo), José Manuel Díaz (Barón Mirko Zeta), Silvia Luchetti (Valencienne), Guido Balzaretti (Camille) y Enrique Viana (Njegus).

The Last Symphonies: Mozart's Instrumental Oratorium Nikolaus Harnoncourt 2-CD Set Now Available Preview: https://soundcloud.com/nikolaus-harnoncourt/sets/nikolaus-harnoncourt-mozart On The Last Symphonies, Nikolaus Harnoncourt explores his fascinating new interpretation of the composer's last three symphonies; that they are one whole work which he calls Mozart's “Instrumental Oratorium.” Harnoncourt argues that, in terms of structure, the first movement of Symphony No. 39 is the Prelude of the “Instrumental Oratorium,” while the last movement of Symphony No. 41 is the Finale.