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Austin Theatre Mourns The Loss of BroadwayWorld Austin's Frank Benge
by Lynn Beaver - Mar 17, 2020


BroadwayWorld Austin Senior Editor, Franklin Edward Benge passed away Saturday, March 14 at 11:37 AM.

Austin Critics Table Announces 2018-2019 Award Nominees
by Frank Benge - May 13, 2019


After considering hundreds of live stage productions, concerts, and art exhibitions in Austin between the dates of May 1, 2018, and April 30, 2019, members of the Austin Critics Table have announced their nominees for outstanding dance, classical music, visual art, and theatre with the nominees for the 2019 Critics Table Awards.

Frank Wo/Men Collective Presents RICK SAID SO
by Stephi Wild - Oct 22, 2018


Frank Wo/Men Collective presents its third evening-length physical theatre project, Rick Said So, November 2-4 at 8pm at ASoF's warehouse space at 2200 Tillery.

Frank Wo/Men Collective Presents RICK SAID SO
by A.A. Cristi - Oct 9, 2018


Frank Wo/Men Collective presents its third evening-length physical theatre project, Rick Said So, November 2-4 at 8pm at ASoF's warehouse space at 2200 Tillery.

Regional Roundup: Top New Features This Week Around Our BroadwayWorld 9/7 - THE KING AND I, NEWSIES, and More!
by BWW Special - Sep 7, 2018


BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature THE KING AND I, NEWSIES, and More!

Regional Roundup: Top New Features This Week Around Our BroadwayWorld 7/6 - THE CHER SHOW, THE KING AND I, and More!
by BWW Special - Jul 6, 2018


BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature THE CHER SHOW, THE KING AND I, and More!

BWW Review: MOAN THEM BLUES Soothes the Soul of patrons at The Sahara Lounge in Austin, TX
by Amy Tarver - Apr 11, 2018


Highlighting the old time blues and soul style of Bessie Smith AKA The Empress of The Blues, MOAN THEM BLUES provides a different style of theatrical entertainment. Essentially a one woman show starring Toni Ringgold, with her piano man sidekick Jawbone (played by Ke'Aier Mufasa Denson), the reminiscent blues of Bessie Smith is performed, while revealing deeper emotional connection to the material sung for the eager audience. Missing only cigarette smoke in the lounge, Frank Benge directs this show simply with a piano, a flask and tumbler and of course the traditional crowd work vintage vaudeville performances were known for. With a career beginning with a traveling vaudevillian performance troupe, Bessie Smith began to rise as a star in the early 1920's. Gaining a following in the Southern United States along with the east coast, Bessie quickly climbed monetarily to be the highest paid performer of her time and genre. With the show set towards the end of Bessie's career in the early 1930's, the rise of 'talkies' and the the great depression completely devastated performers and the music industry alike. Remembering the 'good ole days' of rising fame, men and the love of gin, Toni Ringgold performs Bessie's more memorable songs. The storytelling (written by Robert King Jr) in between the songs reveals more and more about her tumultuous life that has led her to the dim stage in The Sahara Lounge.

Regional Roundup: Top New Features This Week Around Our BroadwayWorld 2/9 - DOGFIGHT, MOTOWN, WAITRESS and More!
by BWW Special - Feb 9, 2018


BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature DOGFIGHT, MOTOWN, WAITRESS and More!

BWW Review: THE VOICES OF DONNY HATHAWAY - A Stellar Premier
by Lynn Beaver - Jan 24, 2018


Austin producer Robert King and The newly re-opened Ground Floor Theatre presented an original work; THE VOICES OF DANNY HATHAWAY for an extremely limited run of just two performances. Normally we don't review such short runs, but having seen King's first original theatrical effort, FOR THE LOVE OF MAHALIA, which I loved, and I was intrigued by his concept.

Vote For the 2017 BroadwayWorld Austin Awards; Just One Week Left!
by Alan Henry - Dec 22, 2017


The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.

Vote For the 2017 BroadwayWorld Austin Awards; Just Two Weeks Left!
by Alan Henry - Dec 15, 2017


The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.

Vote For the 2017 BroadwayWorld Austin Awards; Palace Playhouse Leads Theatre of the Year!
by Alan Henry - Dec 8, 2017


The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.

Vote For the 2017 BroadwayWorld Austin Awards; ROCK OF AGES Leads Best Musical Race!
by Alan Henry - Dec 1, 2017


The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.

Vote For the 2017 BroadwayWorld Austin Awards; Palace Playhouse Leads Theatre of the Year!
by Alan Henry - Nov 24, 2017


The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.

Vote For the 2017 BroadwayWorld Austin Awards; Palace Playhouse Leads Theatre of the Year!
by Alan Henry - Nov 17, 2017


The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.

Regional Roundup: Top New Features This Week Around Our BroadwayWorld 10/6 - HAIR, BILLY ELLIOT, and More!
by BWW Special - Oct 6, 2017


BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature HAIR, BILLY ELLIOT, and More!

Frank Wo/Men Collective Debuts TISKETTASKET in Austin
by Julie Musbach - Jul 5, 2017


Tiskettasket, an interactive physical theatre show centered around multi-purposing food. In a series of overlapping vignettes, this performance channels absurdity in many forms, allowing the audience to engage head-deep in fruitful, full-bodied episodes of goof.

Regional Roundup: Top New Features This Week Around Our BroadwayWorld 6/1 - FUN HOME, SOMETHING ROTTEN, and More!
by BWW Special Coverage - Jun 2, 2017


BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature FUN HOME, SOMETHING ROTTEN, BEAUTIFUL and More!

BWW Review: Agape Theatre's BONHOEFFER'S COST Sheds Light in The Shadows
by Joni Lorraine - May 18, 2017


A powerful study in standing by principle at a time when it is most needed. We can all take value in understanding what it means to care for those of us who are different.

BWW Interview: RKJB Entertainment - Making A Big Splash In The Austin Theatre Scene
by Lynn Beaver - May 15, 2017


In February of this year, fledgling production company RKJB Entertainment burst onto the Austin stage with an original play with music, FOR THE LOVE OF MAHALIA. Hailed by critics and audiences alike, the new work starred the amazing Jacqui Cross, who virtually transformed into the Gospel great. This month marks their second production MOAN THEM BLUES, a one woman show featuring legendary Blues pioneer, Bessie Smith (Sonia Moore). Moore's rendition of Gimme A Pigfoot And A Bottle Of Beer stopped the show, I can scarcely wait to see a show that features such powerful talent. It's time our readers are introduced to Robert King, Jr and Jeremy Brown, the men behind these shows about such important icons of American culture.

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