David T. Little News

The Coterie (Royce Vavrek and Lauren Worsham, Co-Artistic Directors), a downtown opera-theater company devoted to developing contemporary music theater works, will present The Coterie: Twelve12Twelve12 an evening of twelve world premiere songs from new musicals and operas by twelve different composers on December 12th, 2010 at 9:30pm.

Join us at Merkin Concert Hall as we explore the fertile terrain between classical and popular genres with artists who are redefining the sound of contemporary music!

Two Brooklyn opera companies, American Opera Projects (AOP) and Opera On Tap (OOT), will present the sixth installment of their 'Opera Grows in Brooklyn' series, a 90-minute evening of opera scenes and songs. The evening will feature OPERA ELVIS: A LAMENT FOR THE KING a classical take on the works of Elvis Presley; scenes from HENRY'S WIFE by composer Randall Eng and ROSENKRANTZ AND GUILDENSTERN ARE DEAD, based on the play by Tom Stoppard and adapted as an opera by composer/librettist Herschel Garfein; and 'A Poem Written For the Concrete Beneath the Bridge' by Caleb Burhans. The show will be held on Monday, October 18 at 8pm at Galapagos Art Space in Brooklyn's DUMBO neighborhood. Tickets are $20 ($15 for students/seniors) in advance at www.galapagosartspace.com and $25 at the door.

Two Brooklyn opera companies, American Opera Projects (AOP) and Opera On Tap (OOT), will present the sixth installment of their 'Opera Grows in Brooklyn' series, a 90-minute evening of opera scenes and songs. The evening will feature OPERA ELVIS: A LAMENT FOR THE KING a classical take on the works of Elvis Presley; scenes from HENRY'S WIFE by composer Randall Eng and ROSENKRANTZ AND GUILDENSTERN ARE DEAD, based on the play by Tom Stoppard and adapted as an opera by composer/librettist Herschel Garfein; and 'A Poem Written For the Concrete Beneath the Bridge' by Caleb Burhans. The show will be held on Monday, October 18 at 8pm at Galapagos Art Space in Brooklyn's DUMBO neighborhood. Tickets are $20 ($15 for students/seniors) in advance at www.galapagosartspace.com and $25 at the door.

Park Avenue Armory announced its first full season of cultural programming, comprising productions of visual art, dance, theater and music that are conceived and performed 'outside the box' of conventional theaters and museums. Dedicated to presenting works that cannot be realized in traditional institutions, Park Avenue Armory's season will include monumental, immersive installations by visual artists Peter Greenaway and Ryoji Ikeda; Tune-In, a contemporary music festival featuring new music ensembles curated by and including eighth blackbird, the New York premier of Inuksuit by John Luther Adams and a new site-specific commission by Sympho; a six-week residency by the Royal Shakespeare Company in a full-scale Shakespearean theater built inside the Drill Hall; and free-form performances by Shen Wei Dance Arts, Streb, and the Merce Cunningham Dance Company. With its soaring 55,000-square-foot Wade Thompson Drill Hall and array of dramatic period rooms, the Armory's unique spaces enable artists to create-and the public to experience- unconventional work in all genres that could not be realized elsewhere in New York City.

Two Brooklyn opera companies, AMERICAN OPERA PROJECTS (AOP) and OPERA ON TAP (OOT), will present the fifth installment of its Opera Grows in Brooklyn series, an evening of three 30-minute opera scenes and songs.

Two Brooklyn opera companies, AMERICAN OPERA PROJECTS (AOP) and OPERA ON TAP (OOT), will present the fifth installment of its Opera Grows in Brooklyn series, an evening of three 30-minute opera scenes and songs.

Re-affirming the role of New York City Opera as a leader in the development of American opera, the company's celebrated annual new music festival, the newly-renamed VOX Contemporary American Opera Lab will return. Now in its eleventh year, this showcase for new American operas offers both emerging and established composers and librettists the opportunity to hear their previously unproduced works performed by New York City Opera's soloists, orchestra and chorus in readings that are free and open to the public.

Re-affirming the role of New York City Opera as a leader in the development of American opera, the company's celebrated annual new music festival, the newly-renamed VOX Contemporary American Opera Lab will return. Now in its eleventh year, this showcase for new American operas offers both emerging and established composers and librettists the opportunity to hear their previously unproduced works performed by New York City Opera's soloists, orchestra and chorus in readings that are free and open to the public.

Affirming the role of New York City Opera as a leader in the development of American opera, the company's celebrated annual new music festival, the newly-renamed VOX Contemporary American Opera Lab, will return on Friday, April 30, and Saturday, May 1, to the Skirball Center for the Performing Arts (566 LaGuardia Place, at Washington Square South) at New York University.

New York City Opera's VOX Contemporary Opera Lab provides the invaluable opportunity for composers and librettists to hear their works in development performed by the full resources of the wonderful New York City Opera Orchestra and Soloists.

Re-affirming the role of New York City Opera as a leader in the development of American opera, the company's celebrated annual new music festival, the newly-renamed VOX Contemporary American Opera Lab will return. Now in its eleventh year, this showcase for new American operas offers both emerging and established composers and librettists the opportunity to hear their previously unproduced works performed by New York City Opera's soloists, orchestra and chorus in readings that are free and open to the public.

Two Brooklyn opera companies, AMERICAN OPERA PROJECTS (AOP) and OPERA ON TAP, will present the fourth installment of its Opera Grows in Brooklyn series, an evening of three 30-minute opera scenes and songs. The program will feature mezzo-soprano Abigail Fischer singing Absynth, a futuristic monodrama made up of newly-commissioned electronic songs from composers Nico Muhly, Andrew Staniland, and others; Clint Borzoni's new one-act opera Margot Alone in the Light, based on a Ray Bradbury short story; and Dreams of Pure Spirit: Songs of Tom Cipullo with the composer at the piano. The show will be held on Friday, April 16 at 8pm at Galapagos Art Space in Brooklyn's DUMBO neighborhood.

Two Brooklyn opera companies, AMERICAN OPERA PROJECTS (AOP) and OPERA ON TAP, will present the fourth installment of its Opera Grows in Brooklyn series, an evening of three 30-minute opera scenes and songs. The program will feature mezzo-soprano Abigail Fischer singing Absynth, a futuristic monodrama made up of newly-commissioned electronic songs from composers Nico Muhly, Andrew Staniland, and others; Clint Borzoni's new one-act opera Margot Alone in the Light, based on a Ray Bradbury short story; and Dreams of Pure Spirit: Songs of Tom Cipullo with the composer at the piano. The show will be held on Friday, April 16 at 8pm at Galapagos Art Space in Brooklyn's DUMBO neighborhood. Tickets are $20 ($15 for students/seniors) at www.galapagosartspace.com.

Two Brooklyn opera companies, AMERICAN OPERA PROJECTS (AOP) and OPERA ON TAP, will present the fourth installment of its Opera Grows in Brooklyn series, an evening of three 30-minute opera scenes and songs. The program will feature mezzo-soprano Abigail Fischer singing Absynth, a futuristic monodrama made up of newly-commissioned electronic songs from composers Nico Muhly, Andrew Staniland, and others; Clint Borzoni's new one-act opera Margot Alone in the Light, based on a Ray Bradbury short story; and Dreams of Pure Spirit: Songs of Tom Cipullo with the composer at the piano. The show will be held on Friday, April 16 at 8pm at Galapagos Art Space in Brooklyn's DUMBO neighborhood.

Two Brooklyn opera companies, AMERICAN OPERA PROJECTS (AOP) and OPERA ON TAP, will present the fourth installment of its Opera Grows in Brooklyn series, an evening of three 30-minute opera scenes and songs. The program will feature mezzo-soprano Abigail Fischer singing Absynth, a futuristic monodrama made up of newly-commissioned electronic songs from composers Nico Muhly, Andrew Staniland, and others; Clint Borzoni's new one-act opera Margot Alone in the Light, based on a Ray Bradbury short story; and Dreams of Pure Spirit: Songs of Tom Cipullo with the composer at the piano. The show will be held on Friday, April 16 at 8pm at Galapagos Art Space in Brooklyn's DUMBO neighborhood. Tickets are $20 ($15 for students/seniors) at www.galapagosartspace.com.

Affirming the role of New York City Opera as a leader in the development of American opera, the company's celebrated annual new music festival, the newly-renamed VOX Contemporary American Opera Lab, will return on Friday, April 30, and Saturday, May 1, to the Skirball Center for the Performing Arts (566 LaGuardia Place, at Washington Square South) at New York University.

The final performance for Colombia Stages' 'Black Snow' will be held on February 6, 2010.

Columbia Stages presents Black Snow by Mikhail Bulgakov, directed byMikhael Tara Garver and produced in association with The New Ensemble. On astormy night, Sergei sits alone with his first great novel in a small room inMoscow. A knock at the door propels him down the rabbit hole into an adventureof ridiculous proportions. This world premiere event melds together thehilarious and stunning adaptation by Keith Reddin with an epic original scoreby Andrew Gerle and Royce Vavrek. From the thunderous sound of the keys, thetrue music of a man's voice battles with your expectations. Performances for 'Black Snow' will be held February 3-6.

The Coterie, a downtown opera-theater company devoted to developing contemporary music theater works, will present a reading of the one-act comic opera PRAIRIE DOGS by Rachel Peters (Stretch (a fantasia)) and Royce Vavrek (Dog Days) on Monday, January 18th, at 7pm at A.R.T./New York (520 8th Avenue, New York City).