BWW Interview: Playwright Cyndi Williams on Austin Playhouse's World Premiere of ROARING
by Jeff Davis
- May 1, 2014
For the last several weeks, the Austin theatre scene has been buzzing about the World Premiere of Roaring, now entering its final weekend of performances at Austin Playhouse. The original play, written by Austin Playhouse company member Cyndi Williams, has earned fantastic word-of-mouth and glowing reviews, including a rave from BroadwayWorld-Austin's Brian Losoya. Ms. Williams recently shared her thoughts on the play and its development...
Photo Flash: First Look at Austin Playhouse's ROARING
by BWW News Desk
- Apr 2, 2014
When the ghosts of their past are unleashed, the residents of an exclusive retirement community must come to terms with lost love, triumphs, fears, and the choices that haunt and connect us all. This moving new play by award-winning local playwright Cyndi Williams, reminds us that the most important moments of our lives are often the ones that defy explanation.
Austin Playhouse to Premiere ROARING, 4/4-5/4
by Tyler Peterson
- Feb 28, 2014
When the ghosts of their past are unleashed, the residents of an exclusive retirement community must come to terms with lost love, triumphs, fears, and the choices that haunt and connect us all. This moving new play by award-winning local playwright Cyndi Williams, reminds us that the most important moments of our lives are often the ones that defy explanation.
BWW Reviews: BLOOD WEDDING Is Eerily Beautiful But Could Use Stronger Translation
by Jeff Davis
- Nov 23, 2013
It's not what you say, it's how you say it. That adage often runs through my head, both in my personal life and in my work as a theater critic. It also runs through my head when viewing productions, especially ones like Blood Wedding. With plays not originally in English, attention must be paid to the translation. Blood Wedding, originally written in Spanish by Frederico Garcia Lorca, offers an additional challenge in Lorca's poetic style. It's not what he says but how he says it that makes Lorca's Blood Wedding an interesting and engaging piece of theatre. While the current production at St. Edwards University manages to visually capture Lorca's poetry, the translation by James Graham Lujan and Richard O'Connell is less successful.
BLOOD WEDDING Plays the Mary Moody Northen Theatre, Now thru 11/24
by BWW News Desk
- Nov 14, 2013
Mary Moody Northen Theatre, the award-winning producing arm of the St. Edward's University professional theatre training program, continues its 41st anniversary season with Blood Wedding by Federico Garcia Lorca, running tonight, November 14 - 24, 2013.
BLOOD WEDDING to Play the Mary Moody Northen Theatre, 11/14-24
by BWW News Desk
- Oct 14, 2013
Mary Moody Northen Theatre, the award-winning producing arm of the St. Edward's University professional theatre training program, continues its 41st anniversary season with Blood Wedding by Federico Garcia Lorca, running November 14 - 24, 2013.
BWW Reviews: MUSEUM is a Quick-Paced, Rambunctious Satire
by Jeff Davis
- Sep 30, 2013
Though art about art has been all over Austin as of late, there's always room for one more production provided it's as good as this. Museum is a bold, laugh-out-loud farce that lovingly mocks the pretentiousness often found in both modern art and those who claim to love and understand it.
Mary Moody Northen Theatre to Open 2013-14 Season With MUSEUM, 9/26-10/6
by Tyler Peterson
- Aug 23, 2013
Mary Moody Northen Theatre, the award-winning producing arm of the St. Edward's University professional theatre training program, kicks off its 41st anniversary season in fine comedic style with Museum, by Tina Howe, running September 26 - October 6, 2013.
BWW Reviews: Road Trip Tale MAD BEAT HIP AND GONE Is a Bumpy Road
by Jeff Davis
- Apr 15, 2013
Anyone who's ever been on a road trip knows that they are either incredible adventures or events you hope to never repeat. Strangely, the world premiere comedy Mad Beat Hip and Gone, written and directed by Austin's own Steven Dietz, falls somewhere in the middle. While there is much to love about the production, now playing at Zach's Topfer Theatre, overall it's a bit dull and not entirely memorable.
BWW Reviews: Solid Cast Deserves More Than Stale Script of DESERT CITIES
by Jeff Davis
- Jan 28, 2013
Ever been to Palm Springs? It's that strange Californian land were a few glistening and brilliant buildings punctuate the otherwise cold, desolate and uninteresting landscape. The same can be said of the Palm Springs set play Other Desert Cities. While the play, now playing at the Austin Playhouse, has a few shimmering moments and features an incredible cast, the majority of the play is bleak, flat, and barren.
Austin Playhouse Presents OTHER DESERT CITIES, Beginning 1/25
by Kelsey Denette
- Jan 8, 2013
Austin Playhouse will bring Austin audiences Baitz' powerful family drama. In the award-winning Other Desert Cities, Baitz brings us an emotionally charged play about a family coming to terms with long-held secrets.
Nigel O'Hearn's THE ATTIC SPACE Opens Tonight at the Salvage Vanguard Theater
by BWW News Desk
- Dec 14, 2012
Three years ago, when opening their inaugural season with Samuel Beckett's Endgame, Palindrome Theatre promised it would expire in December 2012. Seven productions, one international festival, and a heap of critical praise (mostly) later, Palindrome is set to do just that after their premiere production of The Attic Space, by Resident Playwright, Artistic Director, and native Austinite Nigel O'Hearn.
BWW Reviews: Palindrome Theatre Presents an Exciting New Work in ATTIC SPACE
by Jeff Davis
- Dec 11, 2012
Austin's Palindrome Theatre certainly has a short but interesting history. When it opened three years ago, Palindrome stated they would close their doors in December 2012. In those three short years, they've staged seven productions and have earned plenty of critical acclaim. And now as it is December 2012, it's time for their swan song. While it's sad to see a theater bring the curtain down, The Attic Space is the perfect fit for Palindrome's finale. The original piece, written and directed by Nigel O'Hearn, is a refreshing, new, and haunting play. While it may borrow from various theatrical styles, The Attic Space is unique, innovative, and in many ways unprecedented.
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