NTPA REPERTORY AUDITIONS FOR
NTPA Repertory Theatre is proud to announce auditions are open effective November 8th, 2023 for the spring and summer productions of ALL SHOOK UP, THE PRODUCERS and ANASTASIA.
Actors shall be compensated with stipends ranging from $100 to $300, depending on the role to be paid at the conclusion of the performances. Actors will be expected to agree to the terms of the NTPA REPERTORY THEATRE ACTOR LETTER OF UNDERSTANDING and its Code of Conduct.
Please visit to secure an audition appointment via SignUpGenius. Auditions may be submitted in-person. No online auditions will be accepted at this time.
SIGN UP TO AUDITION:
https://www.signupgenius.com/go/ntparepertorygeneralaudition2024
AUDITION REQUIREMENTS:
Actors should prepare the following for their audition:
o Two contrasting 16 or 32 bar cuts and an optional 90 second monologue.
o Both Accompaniment tracks cued up to your pieces. No accompanist provided.
o Updated printed version resume of theatre and/or film work.
o Headshot and Resume attached to audition sheet provided at auditions with conflicts. Info sheet provided at auditions.
If selected for call backs you will be notified via email to attend callbacks after auditions no later than Sunday 12pm January 14th. If selected, we may send materials to prepare for call backs. Callbacks will include a dance call from 5:30-7:00 pm. You may be asked to participate in one, both or neither. There will be one section of tap, one section of musical theater dance.
5:30-6:15pm, general dance call.
6:15-7:00pm tap call.
AUDITION DATES AND TIMES: 12300 Inwood, Dallas Texas. Enter through back door of building. Please ring door bell to the left of the double doors for entry.
· Audition Date: Sunday January 7th 12pm-8pm and Monday January 8th 6-10pm, 2024, sign up https://www.signupgenius.com/go/ntparepertorygeneralaudition2024
· Call Backs: Tuesday January 16th 5:30-10pm, you will be notified via email for a callback and dance call. Two styles of dance: Tap and Musical Theater styles.
SHOWS
REHEARSAL DATES AND TIMES:
ALL SHOOK UP directed by Ashlee Elizabeth Bashore
· First Rehearsal February 12th, 2024
· First Promo Shoot Feb 5th 5pm, 2024
· Rehearsals Monday- Friday 6-10pm, Saturdays 10am-10pm. Rehearsals take place at 12300 Inwood, Dallas Texas.
· Tech Rehearsals March 9th 10am-10pm. March11th-March 14th 5-11pm 2024 (No Rehearsal Sunday 3/10)
· Performances held at Rodenbaugh Theater, 6-11pm, 6121 Willow Bend Mall, Plano, Texas.
· ALL ROLES OPEN
Performance Dates:
Friday 3/15 7:30 Opening
Saturday 3/16 2:30
Saturday 3/16 7:30
Sunday 3/17: 2:30pm
Thursday 3/21 7:30 (Thursday)
Friday 3/22: 7:30
Saturday 3/23 ASL Performance
Saturday 3/23 7:30
Sunday 3/24 2:30 Closing
Character Breakdown:
NATALIE HALLER – A young woman and an excellent mechanic. She’s much more at home in greasy overalls than in a dress.
CHAD – A great-lookin’, motorcyclin’, guitar-playin’, leather-jacketed roustabout.
JIM HALLER – Natalie’s widowed father. Middle-aged and messy, he still longs for his wife.
SYLVIA – The no-nonsense, African-American owner of SYLVIA’S HONKY-TONK.
LORRAINE – Sylvia’s teenage daughter. Pretty, smart and a total romantic.
DENNIS – An awkward young man. He aspires to be a dentist.
MISS SANDRA – The beautiful, intellectual caretaker of the town’s museum.
MAYOR MATILDA HYDE – The town’s very conservative mayor.
DEAN HYDE – Matilda’s teenage son. He has spent his youth at military boarding schools, and he has never disobeyed his mother.
SHERIFF EARL – The law in town and a man of not many words. He loyally follows the Mayor wherever she goes.
HENRIETTA – A townsperson, one of NATALIE’S friends.
MALE & FEMALE ENSEMBLE play an assortment of TOWNSPEOPLE.
THE PRODUCERS directed by Anthony Pound
· First Rehearsal March 18, 2024
· First Promo Shoot March 4th 5pm, 2024
· Rehearsals Monday- Friday 6-10pm, Saturdays 10am-10pm. Rehearsals take place at 12300 Inwood, Dallas Texas.
· Tech Rehearsals April 13th-April 18th, 6-11pm (No Rehearsal 3/14)
· Performances held at Rodenbaugh Theater 6121 Willow Bend Mall, Plano, Texas.
· ALL ROLES OPEN
Character Breakdown:
Max Bialystock
The consummate con man. Naturally animated and bombastic, he is never at a loss for charm and manners. Typically conspires with Leo.
Gender: Male
Age: 40 to 55
Vocal range top: F#4
Vocal range bottom: A2
Leo Bloom
An accountant. Boring and mousy, he is a hesitant optimist who longs for something more. Dragged into a scheme by Max.
Gender: Male
Age: 35 to 45
Vocal range top: F4
Vocal range bottom: A2
Franz Liebkind
German loyalist playwright. From his lederhosen to his pigeon, Adolph, his love for the motherland is unmistakable. He is imposing yet tender.
Gender: Male
Age: 35 to 55
Vocal range top: G4
Vocal range bottom: F2
Rogers Debris
New York's most famous and flamboyant stage director. Surrounds himself with deliciously beautiful clothing, people, and possessions. In a crowd, it would be impossible to miss him.
Gender: Male
Age: 50 to 60
Vocal range top: G4
Vocal range bottom: G#2
Carmen Ghia
Roger Debris' faithful assistant. Carmen is severe in looks and passion for Roger. He may appear younger than he actually is thanks to skilled surgeons.
Gender: Male
Age: 25 to 35
Vocal range top: A4
Vocal range bottom: C3
Ulla Inga Hansen Benson Yonsen Tallen-hallen Svaden-svanson
A young and hopeful actress. Though her beauty might eclipse her talent, Ulla is passionate about life and art. Quite a clueless seductress in some ways.
Gender: Female
Age: 20 to 30
Vocal range top: G5
Vocal range bottom: A3
Ensemble
Accountants; Bavarian Peasants; Convicts; First Nighters; Little Old Ladies; Storm Troopers; Chorus Girls; Girl Prisoners; Usherettes
Performance Dates:
4/19 7:30 OPENING
4/20 2:30 Mat
4/20 7:30
4/21 2:30 Mat
4/25 7:00 (Thursday)
4/26: 7:30
4/27: 2:30 ASL Performance
4/27: 7:30pm
4/28: 2:30pm
ANASTASIA directed by Ashlee Elizabeth Bashore
· First Rehearsal May 6th, 2024
· First Promo Shoot March 4th 5pm, 2024
· Rehearsals Monday- Friday 6-10pm, Saturdays 10am-10pm. Rehearsals take place at 12300 Inwood, Dallas Texas.
· Tech Rehearsals June 8 10am-10pm, June 10th-June 13 6-11pm (No Rehearsal 6/9)
· Performances held at Rodenbaugh Theater 6121 Willow Bend Mall, Plano, Texas.
· ALL ROLES OPEN
Male, Lead, Tenor
Female, Lead , Soprano, Mezzo-Soprano
Male, Supporting, Baritone, Tenor
Male, Supporting, Baritone
Countess Lilly Malevsky-Malevitch
Female, Supporting, Mezzo-Soprano
Dowager Empress Maria Feodorovna
Female, Supporting, Mezzo-Soprano
Young Princess Anastasia/Prince Alexei Romanov
Female, Featured, Soprano
Either Gender
Ensemble
Soprano, Alto, Tenor, Bass
·
6/14 7:30 Opening
6/15 2:30
6/15 7:30
6/16 2:30
6/20 7:30
6/21 7:30
6/22 2:30 ASL Performance
6/22 7:30
6/23 2:30 Closing
Character Breakdown Available:
https://www.signupgenius.com/go/ntparepertorygeneralauditions2024
NTPA Repertory Theatre Casting Expectations & Guidelines
This is a list of principles NTPA Repertory Theatre will adhere to in regards to all auditioning and casting activities. This includes all Producers, Directors, Assistant Directors, Stage Managers, Choreographers, Musical Directors, or other personnel involved in the production.
1. NTPA Repertory Theatre casts from open auditions. First consideration for roles will be given to those who choose to audition for the show.
2. In the event that NTPA producers elect to pre-cast a role, notice will be given BEFORE the audition.
3. NTPA Repertory Theatre will always cast those they feel will best suit the role and production.
4. NTPA Repertory Theatre will never allow favoritism to be shown at an audition. Every audition will begin from a level playing field.
5. NTPA Repertory Theatre will always strive to make the audition process open and polite. Every auditor will be shown appreciation for their willingness to audition.
6. NTPA Repertory Theatre will always present a prepared audition process. Actor’s time will always be a consideration.
7. NTPA Repertory Theatre will strive to provide timely notification throughout the casting process for callbacks.
8. NTPA Repertory Theatre reserves all casting determinations and NTPA casting decisions should be considered final.
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