HOUSTON THEATER SHOWS - MUSICALS

by Brett Cullum - May 01, 2024

It is not a flashy musical with special effects and huge dance numbers, but rather a somber meditation on Depression Era America and deep cuts of Bob Dylan’s songbook. It’s brilliant, and it will make you think. It’s akin to watching ghosts sing Americana arias, something you will never quite shake....

by Brett Cullum - April 18, 2024

I am unsure if I know of any other music diva who needs three different actresses to play her, but Cher seems to have required that. We have not one, not two, but three Chers in this show. And do they trot on, do their part of life, and leave? Heck no! They all talk to each other, advise each other,...

by Brett Cullum - April 16, 2024

Should you avoid seeing the show? For God’s sake, no. You will miss what is surely going to be one of the most talked about pieces of work in Houston’s theatrical history. Go see it, and make your own call whether you love or hate it. But don’t let them brainwash you into thinking this is only about...

by Brett Cullum - April 15, 2024

I don’t think you are going to find a funnier TAMING OF THE SHREW easily. Director Dana Bowman has lucked out to get the cast and crew that could pull this off, and she had extreme insight into how to handle the problems the show represents to women today. You will laugh, and you will find it a deli...

by Brett Cullum - April 08, 2024

STAGOLEE AND THE FUNERAL OF A DANGEROUS WORD is a wonderful meditation on the power of words, folklore, and the human condition. It soars and becomes electric any time actors TiMOThY ERiC and Seth Carter Ramsey confront each other. It has a power and heft you do not see in most theater. It goes to a...

by Brett Cullum - April 04, 2024

Part of the genius of THE OUTSIDER is it is pure farce. Characters and plots are played larger than life, and doors constantly swing open with new surprises behind them. We’re not in the sturm and drang of THE WEST WING, but rather the territory of a silly sitcom like VEEP. Physical comedy, verbal b...

by Brett Cullum - March 23, 2024

Patti Lupone has always known how to merge pop culture with her theatrical training, and she can craft a story around any song she chooses. And that is why we come, to hear the storyteller tell her tale....

by Brett Cullum - March 18, 2024

It’s fun, a bit quirky, and has a Fellini-sized cast that should make your head spin in all the right ways. Apparently, it takes an army to make a diva, but then again, is that a surprise?...

by Brett Cullum - March 10, 2024

Malinda L. Beckham has always been a master of directing testosterone-fueled plays where men fight and abuse each other. She and her cast bravely take on Martin McDonagh’s script and make wise decisions. The pace is breakneck, never allowing the viewer to wallow much in the muck. She brings out the ...

by Brett Cullum - March 06, 2024

THE NERD is frankly still THE NERD, and the director, Brandon Weinbrenner, doesn’t reinvent much of anything. There’s nothing new or fresh, and the script is presented almost as if it would have run back in 1981. There is no discernable reason to remount this show save for the idea that it was fun b...