THE WHO'S TOMMY (Broadway) Equity Ensemble Singers - See Me Broadway LLC Auditions

Posted October 27, 2023
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THE WHO'S TOMMY (Broadway) - See Me Broadway LLC

THE WHO'S TOMMY (Broadway) - NYC ECC Singers (Afternoon-All Genders)

See Me Broadway LLC | New York, NY

Notice: Audition Call Type: ECC

AUDITION DATE

Friday, November 3, 2023

2:00 PM (E)

BREAK: 1:00PM - 2:00PM

CONTRACT

Production (League)

$2537 weekly minimum

SEEKING

Equity chorus singers for The Who's TOMMY (see breakdown).

PREPARATION

Please prepare 16-bars of a pop/rock song of your choice in the style of the show. Please bring sheet music and a stapled together headshot and resume.

LOCATION

Pearl Studios (519)

519 8th Ave

12th Fl

New York, NY 10018

Holding room: Studio G, Audition room: Studio H

PERSONNEL

Producers: See Me Broadway, LLC, Stephen Gabriel, Ira Pittleman

Director: Des McAnuff

Choreographer: Lorin Latarro

Music Supervisor: Ron Melrose

Music Director: Rick Fox

Music & Lyrics: Pete Townshend

Book: Pete Townshend & Des McAnuff General Manager: Bespoke Theatricals Casting Director: Tara Rubin Casting / Merri Sugarman, CSA

Casting Assistant/Associate: Spencer Gualdoni, CSA

EXPECTED TO ATTEND:

Rick Fox (Music Director)

Merri Sugarman (Casting Director)

OTHER DATES

1st Rehearsal: on or about February 5th, 2024 1st Preview: on or about March 8th, 2024 Opening Night: on or about March 28th, 2024

OTHER

ECC Procedures are in effect for this audition. An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination.

Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

BREAKDOWN

The Who's TOMMY

SYNOPSIS: After witnessing his father shoot his rival, the young Tommy Walker is lost in the universe, endlessly and obsessively staring into the mirror. An innate knack for pinball catapults him from reticent adolescent to celebrity savior.

Content Warning: The Who’s Tommy contains acts of violence, including gun violence and abuse, including sexual abuse. Auditioning actors should feel comfortable with the subject matter when submitting.

SEEKING:

MALE-PRESENTING ENSEMBLE #1: PINBALL LAD #1 Male-Presenting; 20s; Open Ethnicity. This Track May Cover One Or More Roles. Excellent Dancers (Including Partnering) And Singers. Tumbling A Plus. Standard British Dialect. Power Tenor. THIS ROLE IS ON OFFER.

MALE-PRESENTING ENSEMBLE #2: PINBALL LAD #2 Male-Presenting; 20s; Open Ethnicity. This Track May Cover One Or More Roles. Excellent Dancers (Including Partnering) And Singers. Tumbling A Plus. Standard British Dialect. Power Tenor. THIS ROLE IS ON OFFER.

MALE-PRESENTING ENSEMBLE #3: HAWKER/SPECIALIST Male-Presenting; 30s – 40s; Open Ethnicity. This Track May Cover One Or More Roles. Excellent Dancers (Including Partnering) And Singers. Tumbling A Plus. Standard British Dialect. Baritone – Strong And Powerful (G#3 – F#5). THIS ROLE IS ON OFFER.

MALE-PRESENTING ENSEMBLE #4: MINISTER Male-Presenting, 40s – 50s; Open Ethnicity. This Track May Cover One Or More Roles. Excellent Dancers (Including Partnering) And Singers. Tumbling A Plus. Standard British Dialect. Baritone. THIS ROLE IS ON OFFER.

MALE-PRESENTING ENSEMBLE #5: LOVER Male-Presenting; 20s – 30s; Open Ethnicity. This Track May Cover One Or More Roles. Excellent Dancers (Including Partnering) And Singers. Tumbling A Plus. Standard British Dialect. Powerful Bluesy Rock Tenor (G3 – B4). THIS ROLE IS ON OFFER.

MALE-PRESENTING ENSEMBLE #6: VENDOR Male-Presenting; 20s; Open Ethnicity. This Track May Cover One Or More Roles. Excellent Dancers (Including Partnering) And Singers. Tumbling A Plus. Standard British Dialect. Tenor.

MALE-PRESENTING ENSEMBLE #7: HARMONICA PLAYER Male-Presenting; 20s – 30s; Open Ethnicity. This Track May Cover One Or More Roles. Excellent Dancers (Including Partnering) And Singers. Tumbling A Plus. Standard British Dialect. Powerful Bluesy Rock Tenor (G3 – B4). Harmonica Playing Ideal, But Not Required. THIS ROLE IS ON OFFER.

MALE-PRESENTING ENSEMBLE #8 Male-Presenting; 20s; Open Ethnicity. This Track May Cover One Or More Roles. Excellent Dancers (Including Partnering) And Singers. Tumbling A Plus. Standard British Dialect. Power Tenor. THIS ROLE IS ON OFFER.

MALE-PRESENTING ENSEMBLE #9 Male-Presenting; 20s; Open Ethnicity. This Track May Cover One Or More Roles. Excellent Dancers (Including Partnering) And Singers. Tumbling A Plus. Standard British Dialect. Power Tenor. THIS ROLE IS ON OFFER.

MALE-PRESENTING ENSEMBLE #10 Male-Presenting; 30s – 40s; Open Ethnicity. This Track May Cover One Or More Roles. Excellent Dancers (Including Partnering) And Singers. Tumbling A Plus. Standard British Dialect. Baritone – Strong And Powerful (G#3 – F#5).

FEMALE-PRESENTING ENSEMBLE #1: PSYCHIATRIST/KEVIN’S MOM Female-Presenting; 20s – 30s; Open Ethnicity. This Track May Cover One Or More Roles. Excellent Dancers (Including Partnering) And Singers. Tumbling A Plus. Standard British Dialect. THIS ROLE IS ON OFFER.

FEMALE-PRESENTING ENSEMBLE #2: SALLY SIMPSON Female-Presenting; Early 20s; Open Ethnicity. This Track May Cover One Or More Roles. Excellent Dancers (Including Partnering) And Singers. Standard British Dialect. Big Range – Lyrical, But With A Bright Pop Belt As Well (F3 – D5). THIS ROLE IS ON OFFER.

FEMALE-PRESENTING ENSEMBLE #3 Female-Presenting; 20s – 30s; Open Ethnicity. This Track May Cover One Or More Roles. Excellent Dancers (Including Partnering) And Singers. Tumbling A Plus. Standard British Dialect. THIS ROLE IS ON OFFER.

FEMALE-PRESENTING ENSEMBLE #4: NURSE/MANAGING DIRECTOR Female-Presenting; 20s – 30s; Open Ethnicity. This Track May Cover One Or More Roles. Excellent Dancers (Including Partnering) And Singers. Tumbling A Plus. Standard British Dialect. THIS ROLE IS ON OFFER.

FEMALE-PRESENTING ENSEMBLE #5: MRS. SIMPSON Female-Presenting; 30s; Open Ethnicity. This Track May Cover One Or More Roles. Excellent Dancers (Including Partnering) And Singers. Standard British Dialect. Mezzo Soprano – Lyrical. THIS ROLE IS ON OFFER.

FEMALE-PRESENTING ENSEMBLE #6: HEAD NURSE Female-Presenting; 30s; Open Ethnicity. This Track May Cover One Or More Roles. Excellent Dancers (Including Partnering) And Singers. Standard British Dialect. Mezzo Soprano – Lyrical. THIS ROLE IS ON OFFER.

FEMALE-PRESENTING ENSEMBLE #7: THE ACID QUEEN/SPECIALIST’S ASSISTANT Female Presenting; 20s – 50s; Open Ethnicity. A Sex Worker And A Drug Dealing Addict. Excellent Singer/Actor/Mover. Mix Belt, Huge Range – Bluesy And Soulful Voice (G3 – F5). THIS ROLE IS ON OFFER.

TWO (2) MALE-PRESENTING SWINGS Male-Presenting; 20s; Open Ethnicity. These Tracks May Cover One Or More Roles. Excellent Dancers (Including Partnering) And Singers. Tumbling A Plus. Standard British Dialect. Tenor.

TWO (2) FEMALE-PRESENTING SWINGS Female-Presenting; 20s – 30s; Open Ethnicity. This Track May Cover One Or More Roles. Excellent Dancers (Including Partnering) And Singers. Tumbling A Plus. Standard British Dialect. ONE OF THESE TRACKS IS ON OFFER.

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