STAGES 2023-24 SEASON - HOUSTON EPA
STAGES
Stages Repertory Theatre
800 Rosine St
Houston, TX 77019
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Mon, Mar 13, 2023
2:00 PM to 8:00 PM (CST)
To obtain an in-person audition time, it is mandatory to complete the form available at: www.stageshouston.com/join-our-team by Wednesday, March 8 2023, at 11:59 PM CT. Time slots will be finalized by Thursday, March 9, 2023.
SPT
$523 weekly minimum (SPT 6)
Equity actors for roles in Stages 2023-24 Season (see breakdown).
Houston-local Actors/Singers are encouraged to audition.
Submit video auditions through the form available at: www.stageshouston.com/join-our-team . You have two minutes to show whatever you like: monologue(s) and/or song(s). If you choose to include a song, it may be a cappella or you may use accompaniment. Video formats accepted: .mp4, .MOV, Vimeo, Google Drive, and YouTube, with a preference for a URL over a file. Presentation: Slate your name, union status, location, and the piece(s) you’re auditioning with. Video Submission Deadline: Monday, March 13, 2023 by 11:59 PM CT.
You have two minutes to show whatever you like: monologue(s) and/or song(s). Songs may be sung a cappella, or a pianist will be present.
Expected to attend:
Kenn McLaughlin, Artistic Director
Eboni Bell Darcy, Inclusion, Engagement & Training Director
Mitchell Greco, Associate Artistic Director
Elizabeth Keel, Artistic Administrator
See Breakdown for specific production dates.
OTHER
Please direct any questions to Artistic Administrator Elizabeth Keel – ekeel@stagehouston.com.
All productions rehearsed and performed indoors at Stages.
An Equity Monitor will not be provided. The producer will run all aspects of audition.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
Equity encourages everyone participating in the auditions to wear a two-ply cloth face mask, surgical mask, singer’s mask or respirator (N95, KN95 or KF94). Single-ply face masks, gaiters and bandanas are not recommended. Singer’s masks can be found at www.broadwayreliefproject.com/singersmask.
Equity encourages members to prepare for their audition prior to arriving at the audition venue, to the extent that they can (e.g., get dressed, hair/make-up, etc.) to avoid crowding in bathrooms and dressing rooms.
Holding/Audition room information:
The audition room can accommodate no more than 49 individuals at a time.
The holding room can accommodate no more than 100 individuals at a time.
by Ted Swindley
Submissions viewed by: Kenn McLaughlin (Director, and Stages’ Artistic Director), Eboni Bell (Inclusion, Engagement and Training Director), Mitchell Greco (Associate Artistic Director), Elizabeth Keel (Artistic Administrator)
Dates:
First Rehearsal: on or around 06/26/23
Closing Performance on: 10/29/23
Seeking:
LOUISE SEGER, A Texas housewife and a fan of Patsy Cline, age 40-60.
PATSY CLINE, the role of Patsy has been cast at this time.
by Selina Fillinger
From the playwright, “In America: Bernadette is white. Margaret is Black. Chris is Black. Jean, Harriet, Dusty and Stephanie can be played by actors of any ethnicity, but be aware that lines and relationships will land differently depending on the racial breakdown of the cast… At least three of the characters must be women of color. Actors can be cis or trans. Age is flexible. Beauty is subjective. So long as they’re fast, fierce, and [*******] hilarious.”
Submissions viewed by: Eboni Bell (Director, and Stages’ Inclusion, Engagement and Training Director), Kenn McLaughlin (Artistic Director), Mitchell Greco (Associate Artistic Director), Elizabeth Keel (Artistic Administrator).
Dates:
First Rehearsal: on or around 07/31/23
Closing Performance: 10/08/23
Seeking:
HARRIET, His chief of staff.
JEAN, His press secretary.
STEPHANIE, His secretary.
DUSTY, His dalliance.
BERNADETTE, His sister.
CHRIS, A journalist.
MARGARET, His wife, the First Lady.
by Joanna Murray-Smith
Submissions viewed by: Kenn McLaughlin (Director, Stages’ Artistic Director), Eboni Bell (Inclusion, Engagement and Training Director), Mitchell Greco (Associate Artistic Director), Elizabeth Keel (Artistic Administrator).
Dates:
First Rehearsal: on or around 9/11/23
Closing Performance: 11/12/23
Seeking:
PATRICIA, An older woman, distinct vestiges of beauty. White.
TOM, Twenties, handsome. White.
by TEATRX: Anthony Almendárez, Marissa Castillo, Jorge Diaz, Ash Parra, and Benito Vasquez
Submissions viewed by: TBD (Director), TBD (Assistant Director), TBD (Music Director), Kenn McLaughlin (Artistic Director), Eboni Bell (Inclusion, Engagement and Training Director), Mitchell Greco (Associate Artistic Director), Elizabeth Keel (Artistic Administrator).
Dates
First Rehearsal: on or around 10/30/23
Closing Performance: 12/31/23
Seeking:
Script still in process.
by Alexis Scheer
Notes: “The Miami natives in this play, all except Jenny, code-switch throughout the play... affecting their dialect, style, and vocabulary based on who they are speaking to.”
Submissions viewed by: TBD (Director), TBD (Assistant Director), TBD (Music Director), Kenn McLaughlin (Artistic Director), Eboni Bell (Inclusion, Engagement and Training Director), Mitchell Greco (Associate Artistic Director), Elizabeth Keel (Artistic Administrator).
Dates:
First Rehearsal: on or around 1/16/24
Closing Performance: 3/24/24
Seeking:
MARIANA, female, late 20s. Half Colombian/Half Jewish. Born in Miami. Director of Studio Six, an art gallery.
CAROLINA, female, late 20s. Cuban American. Born in Miami. A painter and intern at Studio Six.
JUAN, male, late 20s. Colombian. Born in Medellín. Miami-Dade police officer, Caro’s boyfriend.
ESTELLA, female, mid 50s. Colombian. Born in Medellín. A movie star and Mari’s mom.
JENNY, female, mid-20s. Caucausian-American. Born in Westchester. Estella’s assistant.
by the Q Brothers, GQ & JQ.
Note: All scenes are played/rapped over hip hop beats, making it as much an opera as it is a musical. Actors frequently float from being Narrators into their respective characters and back. Actors frequently finish each other’s sentences and speak as one voice.
Submissions viewed by: TBD (Director), TBD (Assistant Director), TBD (Music Director), Kenn McLaughlin (Artistic Director), Eboni Bell (Inclusion, Engagement and Training Director), Mitchell Greco (Associate Artistic Director), Elizabeth Keel (Artistic Administrator).
Dates:
First Rehearsal: on or around 4/1/24
Closing Performance: 6/9/24
Seeking:
POS - Narrator, Othello.
GQ - Narrator, Iago, Brabantio.
JAX - Narrator, Cassio, Emilia.
JQ: Narrator, Roderigo, Loco Vito, Bianca.
by Samuel D. Hunter
Submissions viewed by: Mitchell Greco (Director, Stages’ Associate Artistic Director), Kenn McLaughlin (Artistic Director), Eboni Bell (Inclusion, Engagement and Training Director), Elizabeth Keel (Artistic Administrator).
Dates:
First Rehearsal: on or around 4/22/24
Closing Performance: 6/30/24
Seeking:
KEITH, male, mid-to-late-thirties, black.
RYAN, male, mid-to-late-thirties, white.
Videos
