STAGEONE FAMILY THEATRE 2017-18 SEASON Equity Principal Auditions - StageOne Family Theatre Auditions

Posted May 18, 2017
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STAGEONE FAMILY THEATRE 2017-18 SEASON - StageOne Family Theatre

StageOne Family Theatre 2017-18 Season - Louisville, KY EPA

Stage One: Louisville Children


AUDITION DATE

Jun 17, 2017

10:00 am - 6:00 pm (EDT)

1:30p - 2:30p lunch

APPOINTMENTS

Please contact Tracy Schwab at tschwab@stageone.org or 502.498.2300 for audition appointment.

CONTRACT

TYA

TYA - $499/week

SEEKING

Male and female actors for the following shows:
MISS NELSON IS MISSING, THE BEST CHRISTMAS PAGEANT EVER, HAMLET & AMERICAN TALES

PREPARATION

Please prepare 1 contemporary monologue, 1 classical monologue, and 16 bars up-tempo Broadway-style song. Bring sheet music in your key; an accompanist will be provided. Bring TWO headshots/resumes, each stapled together. Actors may be asked to read one or more sides.

LOCATION

StageOne Family Theatre Rehearsal Studio

315 W. Market Street, Suite 2S

Louisville, KY 40202

2nd Floor

PERSONNEL

Peter Holloway, Producing Artistic Director
Andrew D. Harris, Associate Artistic Director

OTHER DATES

Callbacks on Tuesday evening, 6/20/17
See Breakdown for more information.

OTHER

An Equity Monitor will not be provided. The producer will run all aspects of this audition.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

BREAKDOWN

*Dates subject to change*

MISS NELSON IS MISSING
Adapted from the book by Harry Allard & James Marshall
Book, Music & Lyrics by Joan Cushing
First rehearsal 8/18/17; Opens 9/7/17; Closes 9/28/17

Female #1 (mezzo, alto) — Miss Nelson & Viola Swamp
Male #1 (tenor) — Principal Blandsworth, Detective McSmogg, Pop Hanson (janitor)
Female #2 (soprano) — Allison (a Kid in 207)
Female #3 (alto) — Cheryl (a Kid in 207)
Male #2 (tenor) — Adam (a Kid in 207)
Male #3 (bari) — Gregory (a Kid in 207)

THE BEST CHRISTMAS PAGEANT EVER:
by Barbara Robinson
First rehearsal 10/31/17 or 11/7/17; Opens 11/20/17; Closes 12/21/17.

Bob Bradley/Fireman - Male character actor; 30's-40's
Grace Bradley - Female lead; 30's-40's
Helen Armstrong/Reverend Hopkins - An overbearing church lady; female character actor
Edna McCarthy - Patronizing church lady; female character actor
Irma Slocum - Gossiping church lady; female character actor

HAMLET:
First rehearsal 1/3/18; Opens 1/22/18; Closes 2/9/18 (possible extension into following week)

Hamlet – Prince of Denmark, must have stage combat/rapier experience, male (age 20’s)
Claudius/Ghost – King and ruler of Denmark, slick politician with dark secret, male (age 30-50)
Gertrude – Hamlet’s Mother and Queen of Denmark, the First Lady, female (age 30-50)
Polonius/1st Gravedigger/Osric - male, comedic/character actor, Lord Chamberlain/advisor and busybody (age 30-50)
Horatio/Player Queen – Hamlet’s trusted, loyal best friend, male (age 20’s)
Laertes/Francisco/Rosencrantz/Player Villain – Ophelia’s protective and vengeful brother, stage combat/rapier experience, male (age 20’s)
Ophelia/Bernardo/2nd Gravedigger - Hamlet’s girlfriend, female (age 20’s)
Marcellus/Player King/Guildenstern/Gentleman/Priest – multiple characters, male (age 20-30)

AMERICAN TALES:
(World Premiere), by Idris Goodwin
First rehearsal 3/6/18; Opens 3/26/18; Closes 4/20/18. Dark: 4/2-4/8/18

Play is still in development; roles TBD


Actors of all ethnic and racial backgrounds are strongly encouraged to audition.


Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.

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