PERFECT WEDDING -Pittsburgh EPA by Appt
Pittsburgh Civic Light Opera
AUDITION DATE
Sat, Feb 17, 2018
7:00 pm - 3:00 am
Dinner from 6 – 7pm
APPOINTMENTS
Requests for an audition appointment should be e-mailed to CabaretAuditions@pittsburghclo.org and include a preferred time range, which will be honored as sign-ups permit. Equity members without appointments will be seen throughout the audition day as time permits.
CONTRACT
SPT
SEEKING
Actors for the Pittsburgh CLO Cabaret production of PERFECT WEDDING. See breakdown. Actors of all ethnicities are encouraged to audition for all roles.
PREPARATION
Audition Requirements: * prepare a contemporary comedic monologue of your choice (memorized; no longer than 1 minute). * Please note that you may be asked to read sides. Sides will be provided at the audition.
Please Bring: * A typed resume and headshot (stapled). * a completed audition application. (audition Applications can be downloaded here: http://bit.ly/2BPMeXI; Paper copies will also be available on the day of auditions.)
LOCATION
Pittsburgh CLO Academy
130 CLO Academy Way
Pittsburgh, PA
PERSONNEL
Author: Robin Hawdon
All personnel listed below will be present at the EPA:
Director: Michael Barakiva
Producing Director (CLO): Mark Fleischer
Manager of New Work Development (CLO): Olivia O’Connor
OTHER DATES
First Rehearsal: Monday, April 23, 2018
Rehearsal Schedule: April 23 – May 10, 9am – 5pm
Opening: Thursday, May 10, 2018
Closing: Sunday, August 12, 2018
Potential Extension through Sunday, August 26, 2018
Performance Schedule: Wed – Fri, 7:30pm; Sat, 2pm & 8pm; Sun. 2pm
1pm Thursday matinees May 24, June 21, and July 26
OTHER
Please be prepared to clear your schedule on Sunday, February 18 for callbacks
An Equity Monitor will not be provided. The producer will run all aspects of this audition.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
BREAKDOWN
BILL, the groom (early 30s to late 30s) – One of those effortless handsome straight guys who’s so used to having everything done for him that he’s lost the ability to do anything for himself.
RACHEL, the bride (mid 20s to late 30s) – A put-together, organized, composed woman who’s used to getting what she wants and she wants a perfect wedding and she’s going to get that perfect wedding come hell or high water.
TOM, the best man (early 30s to late 30s) – A put-together, organized, composed guy who’s well on his way to becoming the eccentric bachelor he’s destined to be.
JUDY, his girlfriend (mid 20s to late 30s) – One of those effortlessly attractive women who’s so used to having people accommodate her desires that she’s grown accustomed to it.
JULIE, a chambermaid (early 20s to late 30s) – A true eccentric whose grasp on reality is shaky enough that the events of this farce don’t feel that far-fetched to her.
DAPHNE, the bride’s mother (mid 40s to late 50s) – Mother of Bridezilla. This wedding is more important to her than it is to anyone else in the play, and she’s going to make sure everybody knows.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.
Videos
