Hippodrome State Theatre 18-19 Season - Gainesville FL EPA
Hippodrome State Theatre
AUDITION DATES
Tue, May 01, 2018
9:00 am - 4:00 pm (EDT)
no scheduled lunch break
Wed, May 02, 2018
9:00 am - 4:00 pm (EDT)
no scheduled lunch break
APPOINTMENTS
For an appointment, email hippauditions@gmail.com . Appointments by phone will be taken on Tuesday April 24th from 10:00am-2:00pm at 352-373-5968 ext. 236. Non Union actors will be seen as time permits.
CONTRACT
SPT $572/week
SEEKING
Equity actors for various roles in the upcoming season (note: auditions for the Summer Musical still TBD will be held at a later date).
PREPARATION
Preparation: Please prepare 2 contrasting one-minute monologues. Auditions for the summer musical will be held at a later date
Please bring a picture and resume, stapled together.
If you are unable to attend, you may submit a video of the requested materials to hippauditions@gmail.com no later than Tuesday, May 1st at noon
LOCATION
Hippodrome State Theatre
25 SE 2nd Pl
Gainesville, FL 32601-6567
3rd floor
PERSONNEL
Artistic Director: Lauren Warhol Caldwell
Casting Director: Stephanie Lynge (expected at the EPA)
OTHER DATES
Season begins on Aug 7 and runs through June 2019
Shows generally run T-R 7:30pm, F 8pm, Sat 5 & 8:30pm, Sun 2pm (exception for A Christmas Carol)
OTHER
An Equity Monitor will not be provided. The producer will run all aspects of this audition.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
BREAKDOWN
THE WOLVES
by Sarah DeLappe
Director: Lauren Warhol Caldwell 1st rehearsal: Aug 7 Run: Aug 31 – Sept 23
Left quad. Right quad. Lunge. A girls indoor soccer team warms up. From the safety of their suburban stretch circle, the team navigates big questions and wages tiny battles with all the vim and vigor of a pack of adolescent warriors. A portrait of life, liberty, and the pursuit of happiness for nine American girls who just want to score some goals.
#00: female, 18+ to play 17; goalie. Intense performance anxiety, an extreme perfectionist, high achiever; she is the heart of the team; the pressure she puts on herself stems from her parents and the constant need to try to prove herself; she feels the weight of winning on her shoulders; actor must have strong soccer passing and kicking skills.
#2: female; 18+ to play 16; defense; innocent, unlucky, kind, petite person; naïve, sheltered; she does not like gossiping about others; she is kind, humble, generous and often trying to reach out to those in need in a sincerely genuine way; she has suffered multiple concussions from soccer and wears headgear; actors with soccer experience is a plus.
#7: female; 18+ to play 16; striker; too cool for school; sarcastic, “fuck” is very much in her lexicon, thick eyeliner; “16 going on 21”; she hit puberty before all the other girls in her class; dating a college boy; she finds worth through her sexual value; she’s tough, abrasive, has problems with authority; actors with soccer experience is a plus.
#8: female; 18+ to play 16; defense; plays dumber than she is; porcelain upbringing, in her own bubble, uses “omigosh” often; uses naiveté as a façade; a crier, a whiner, a giggly, excitable girl; actors with soccer experience is a plus.
#11: female; 18+ to play 17; midfield; brainy, morbid, budding elitist, thoughtful; seventeen; she is super smart and knows it, but her sentences are still strung with “like”; she has an air of intellectual superiority; facts matter to her; doesn’t like to be wrong; she has a more global view of the world than her teammates; actors with soccer experience is a plus.
#13: female, 18+ to play 16; midfield; class clown, sincere love of sports, jock, bit of a “bro”; she is into being the “wacky one”; she refuses to take anything too seriously and loves to tease, poke fun at her teammates; actors with soccer experience is a plus.
#14: female; 18+ to play 16, Armenian-American; midfield. #7’s insecure sidekick; just switched to contacts; her dad is Armenian; her teammates inappropriately speak about her being Mexican; she has a firm understanding of right and wrong; an emotionally developed individual; actors with soccer experience is a plus.
#25: female; 18+ to play 17; defense; captain; classic (ex) coach’s daughter; she is well respected by the team, a hard worker and a strong leader; she keeps them on track and loves a great pep talk; she isn’t afraid to police her teammates with language and behavior; she is exploring her sexual identity; actors with soccer experience is a plus.
#46: female; 18+ to play 16; bench, later striker; the new girl; awkward, different, just wants to fit in; she is homeschooled and has traveled and lived all over the world; her nomadic lifestyle has left her with a lack of social skills and the understanding of American teen culture; actor must have sharp humor, can carry a tune and impressive soccer skills; actor must juggle a soccer ball for one minute or perform a similarly impressive soccer skill during the show.
Soccer Mom: female, 40-59, mom of #14; warm, generous, suburban mom who prides herself on her involvement in her kid’s lives; she never misses a game; she played soccer in her youth and has coached a few youth teams; all the teammates know and love her; verbal dexterity is essential; no soccer experience necessary.
________________
LET THE RIGHT ONE IN
adapted by Jack Thorne
based on Swedish novel and screenplay by John Ajvide Lindqvist
Director: Lauren Warhol Caldwell. 1st rehearsal: Sept. 21 Run: Oct. 12 - Nov. 4
A brutal and tender vampire myth told through the turbulence of a coming-of-age romance. Oskar, a lonely boy from a broken home, is bullied at school and longing for friendship. Eli, the young girl who moves in next door, doesn’t attend school and rarely leaves home. When a series of mysterious killings plagues the neighborhood, these two young misfits, sensing in each other a kindred spirit, forge a deep connection. But the shocking truth about one of them tests their young friendship – and love – beyond all imaginable limits.
Eli: pre-teenage; seems like an (admittedly perhaps rather eccentric) 12-year-old girl, is in fact a centuries old non-binary vampire. Extremely agile. Can seem somewhat cold and distant, but their relationship with Oskar exposes a warmer side of their personality.
Oskar: male, pre-teenage; a fairly typical lonely, bullied 12-year-old. His troubled home life and struggles with school bullies render him a quiet and vulnerable boy. However, again, his relationship with Eli draws out a soft, playful, and also resilient aspect of his character.
Jonny: male, pre-teenage; a classic school bully. Enjoys making Oskar's life miserable. Not really a nice guy.
Micke: male, pre-teenage; Jonny's sidekick. Joins in bullying Oskar, but with less relish than Jonny. There is a sense that the two have probably been friends at some point, but Micke has decided to join the winning side in becoming a bully, probably at least for reasons of self-preservation.
Kurt/Jocke/Nils/Dad/Stefan: male, 30s-40s, a multi-role part. Kurt is a world-weary sweetshop owner who doesn't really have much time for annoying children, but still looks out for Oskar a little and regards him with sympathy. Also plays Jocke, a drunk; Nils, a hospital receptionist; Stefan, a conductor; and Oskar’s Dad.
Halmberg/Mr. Avila: male, 40s-50s, a multi-role part; Halmberg is a policeman, thoroughly perplexed by the goings-on but trying his best to keep everyone safe and calm. Also plays Mr. Avila, the boys’ gym teacher
Hakan: male, 30s-50s, sort of Eli's guardian. Neighbors believe him to be their father, but this is not the case. He loves Eli very deeply, and consequently kills people for blood to feed them. A somewhat questionable guy.
Oskar’s Mum: female, 30s-40s, long-suffering, probably alcoholic. Most likely loves Oskar and is well-meaning, but struggles with looking after him and resents his father's post-divorce lack of involvement in his life.
Torkel/Janne/Jimmy: male, 20s, a multi-role part; Torkel is a wandering drunkard; Janne is a friend of Oskar’s father; Jimmy is Jonny’s dangerous older brother
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EVERY CHRISTMAS STORY EVER TOLD (AND THEN SOME)
by Michael Carleton, Jim Fitzgerald, and John K. Alvarez; original music by Will Knapp
Director: TBA 1st rehearsal: Nov. 2 Run: Nov. 23 - Dec. 16
What begins as an annual production of “A Christmas Carol,” soon devolves into an irreverent look at all of our favorite Holiday classics including “It’s a Wonderful Life,” “Frosty,” “Rudolph,” “Charlie Brown,” and more. Three actors (with the help of Santa) send up everything from Dickens to Dr. Seuss in 90 minutes of high-octane jollity and frivolity.
Jim: male or female, 20s-40s, should be versatile as they will be required to play many characters, strong improv, character work & singing a plus; enthusiasm and willingness to play an absolute must.
John: male or female ,20s-40s, should be versatile as they will be required to play many characters, strong improv, character work & singing a plus; enthusiasm and willingness to play an absolute must.
Mike: male or female , 20s-40s, should be versatile as they will be required to play many characters, strong improv, character work & singing a plus; enthusiasm and willingness to play an absolute must.
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A CHRISTMAS CAROL
adapted by Janet Allard and Michael Bigelow Dixon from Charles Dickens
Director: TBA. 1st rehearsal: Nov. 8 Run: Nov. 22 - Dec. 21
Join Scrooge, Marley, the Cratchits and a host of Christmas ghosts for this classic holiday story in an adaptation new to the Hippodrome. Most actors play multiple roles.
Scrooge, CAST 50s-60s. Vicious old man.
Jacob Marley: 40s, narrator, back from the dead to guide (and torture) Scrooge
Marley’s Ghosts 1 & 2: any age, Marley’s companions, play Ghost of Xmas Past and Present and more
Bob Cratchit, 30s-40s, Hopeful middle-aged man
Mrs. Cratchit: 30s-40s, Kindly, hopeful, loving, strong
Mr. and Mrs. Fezziwig: 30s, jolly, fun and funny, looking for Singers or actors who play instruments
Young Belle: 20s, in love with young Scrooge, strong and honest
Young Scrooge: 20s, torn by his love for Belle and his love of money
Children: Male and Female to play all Cratchit children, Fan, Scrooge as Boy, Belle as Girl, Dick, Turkey Kid, Want, Ignorance
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A DOLL’S HOUSE, PART 2
by Lucas Hnath
Director: Lauren Warhol Caldwell 1st rehearsal: Dec. 17 Run: Jan. 11 – Feb. 3
After 15 years away, Nora Helmer has returned home. And now that she’s back, the heroine of Henrik Ibsen’s A Doll’s House is taking no prisoners. This award-winning theatrical sequel crackles with razor-sharp humor that speaks directly to today’s audiences, giving a new voice to its predecessor’s themes of marriage, fidelity and personal independence.
Nora: Female, 40-59; an independent, intelligent and very successful author.
Torvald: Male, 50-59; Nora’s estranged husband; mild-mannered, keeps his feelings and emotions close to the vest, though he has many.
Ann Marie: Female, 55-75; the Helmer’s nanny; honest, blunt and big-hearted.
Emmy: Female, 18-25; Nora’s and Torvald’s daughter; an old soul and a romantic; wise and mature in some ways, but still 18.
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MIRACLE ON SOUTH DIVISION STREET
by Tom Dudzick
Director: TBD. 1st rehearsal: Feb 8 Run: March 1 - March 24
Buffalo, NY might be depressed, but Clara Nowak is not. Staunchly religious, the mother of three is an organizer for her soup kitchen and the caretaker of her family's local claim to fame: a 20-foot shrine to the Blessed Mother commemorating the miraculous night in 1942 when she appeared to Clara's father in his barbershop. But one fateful Christmas Eve, her daughter Ruth announces that she's writing a one-woman play about her grandpa's story - the real story - this family's foundations are shaken to the core.
Clara: female, 60+, family matriarch; lovably forward and direct; no-nonsense, says what’s on her mind. Born in Poland, came to Buffalo as an infant; still lives in the same urban Buffalo neighborhood; there is a charmingly naïve “old world peasant”
Beverly: female, 30s; eldest daughter; loud, outspoken, opinionated; her mother’s daughter; avid bowler; product of her urban environment; sarcastic, wickedly funny.
Ruth: female, 30s; middle daughter; a bit gangly, awkward, not the type men throw themselves at.; but with an appealing energy and spark; very intelligent and a little classier than her siblings; aspiring actress, wants to move to New York City.
Jimmy: male, 30s; the baby; simple but witty guy who enjoys needling his sisters; a garbage man, happy in his work; loves living in Buffalo; big heart, kind disposition
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DISGRACED
by Ayad Akhtar
Director: Lauren Warhol Caldwell. 1st rehearsal: March 29 Run: April 19 - May 12
Amir Kapoor is a successful Pakistani-American lawyer who is rapidly moving up the corporate ladder while distancing himself from his cultural roots. Emily, his wife, is white; she's an artist, and her work is influenced by Islamic imagery. When the couple hosts a dinner party, what starts out as a friendly conversation escalates into something far more damaging.
Amir: Male, 35-45, Pakistani-American; a well-educated and well-dressed New York corporate lawyer at odds with his Muslim heritage, and in denial about the depth of his faith; American born of Pakistani descent and speaks perfect American English; like all the characters in the play, he is glib, urban, driven, and extremely intelligent; Emily is his wife; feels he is on the verge of a career breakthrough, but is insecure about his standing at the firm.
Emily: Female, 30-39, Amir's wife; attractive and warm, articulate and compassionate; strives to be even-handed and level-headed in both her personal and professional relationships; a truly talented painter on the cusp of significant success, her work focuses on Islamic themes; has worked hard to educate herself and broaden her personal and world views; on the verge of a major breakthrough in her career; finds herself and her marriage increasingly threatened by her husband's complicated relationship to his Islamic faith, and her own secrets.
Abe: Male, 18-26, Pakistani-American; as American as American gets; vibrant and endearing in his hoodie, skinny jeans, and high-tops; smart and engaging with an awakening sense of social and personal justice; Amir's nephew.
Isaac: Male, 35-45, a successful Jewish art curator married to Jory; a vibrant and seductive personality, he draws people in with his charmingly quick wit, easy manner and passion--passion about art, about politics, about his family, about his Jewish faith--you name it; Jory’s husband.
Jory: Female, 30-39, African-American, a lawyer in Amir's firm; married to Isaac; a strikingly beautiful, intelligent, commanding, and forthright woman; articulate and confident, and has wrestled her way to the top; not afraid to fight for what she wants and get her hands dirty if necessary.
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Summer Musical TBD
Director: TBD. 1st rehearsal: May 10 Run: May 31 - June 23
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.
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