Greater Philadelphia Annual Auditions (GPAA) 2017 - Equity Only Audition Day
Various Producers
AUDITION DATE
Apr 03, 2017
10:00 am - 6:00 pm (EDT)
lunch tbd
APPOINTMENTS
Beginning on Monday February 20, 2017 — Please email PhillyAnnualAuditions@gmail.com. Include the following: Your name, phone number, 1st and 2nd choice of appointment times, AEA #, as well as any time during the day that you are NOT available. Lunch break will be from 1:00-2:00PM. You will be contacted by a staff member to confirm your appointment and will be required to send forty (40) photocopies of your double sided headshot/resume by Friday, March 31, 2017.
CONTRACT
Other Each Participating Theatre is under its own contract. See each theatre's individual breakdown
SEEKING
Equity performers.
The Walnut Street Theatre is excited to host the continuation of the annual audition program. Each year, participating theatres across the tri-state area join together at a series of audition days for local actors. This program gives actors the opportunity to be seen by multiple theatre professionals at once. These auditions are instrumental in helping the region's theatres both to discover local actors and to cast their shows for the upcoming season.
PREPARATION
All actors will be given 3 MINUTES to perform:
•2 contrasting monologues
•2 song selections with an accompanist provided
•or 1 of each.
There is no accompanist fee.
There is no application fee.
Headshots will not be copied for applicants. All actors with appointments will be required to submit their own set of forty (40) photocopied headshots/resumes before the audition date.
LOCATION
Walnut Street Theatre
825 Walnut St
Philadelphia, PA 19107-5107
PERSONNEL
For the AEA participating theatres using these auditions as part of their annual AEA audition requirements, the attached breakdown for that theatre will contain personnel information for the theatre, as well as any seasonal information.
OTHER
An Equity Monitor will not be provided. The producer will run all aspects of this audition.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
BREAKDOWN
ARDEN THEATRE 2017-18 LORT SEASON
40 N. 2nd St., Philadelphia, PA 19106
ardentheatre.org
Producing Artistic Director: Terrence J. Nolen
Associate Artistic Director: Matthew Decker (at auditions)
Casting Associate: Sarah Scafidi (at auditions)
2017 - 2018 Season with Available Roles.
Arcadia Stage: LORT D, $637/week minimum (pending new LORT/AEA agreement on 5/13/17)
F. Otto Haas Stage: LORT C, $799/week minimum (pending new LORT/AEA agreement on 5/13/17)
(For cast roles, auditioning performers will be considered as possible replacements only.)
MUSICAL TBD
By TBD
Directed by Matthew Decker
1st Rehearsal: 08.22.17
1st Preview: 09.21.17
Opening: 09.27.17
Closing: 10.29.17
Roles Available:
TBD
Roles Cast:
TBD
TOUCHTONES (World Premiere Musical)
Story by Michael Hollinger and Robert Maggio
Book and Lyrics by Michael Hollinger
Music by Robert Maggio.
Directed by Emmanuelle Delpech
1st Rehearsal: 09.19.17
1st Preview: 10.19.17
Opening: 10.25.17
Closing: 12.03.17
Possible Extension: 12.17.17
Roles Available:
TERESA
BRAD
GARY
HOLLY
Roles Cast:
CHRISTINE
JUSTIN
PEARL
A DOLL’S HOUSE
By Henrik Ibsen
Directed by Terrence J. Nolan
1st Rehearsal: 12.19.17
1st Preview: 01.11.18
Opening: 01.17.18
Closing: 02.25.18
Possible Extension: 03.11.18
Roles Available:
KRISTINE LINDE
NILS KROGSTAD
HELNE
ANNA
CHILDREN
Roles Cast:
NORA HELMER
TORVALD HELMER
DR. RANK
THE BLUEST EYE
By Toni Morrison
Adapted by Lydia Diamond
Directed by Raelle Myrick-Hodges
1st Rehearsal: 02.06.18
1st Preview: 03.01.18
Opening: 03.07.18
Closing: 04.08.18
Possible Extension: 04.15.18
Roles Available:
ALL ROLES AVAILABLE
Roles Cast:
MUSICAL TBD
By TBD
Directed by Terrence J. Nolen
1st Rehearsal: 04.17.18
1st Preview: 05.17.18
Opening: 05.23.18
Closing: 06.24.18
Possible Extension: 07.01.18
Roles Available:
TBD
Roles Cast:
TBD
Arden Theatre Company is an EOE/AA employer and values diversity in the workplace. All ethnicities are encouraged to attend.
MEDIA THEATRE 2017-18 SEASON
104 East State Street, Media, PA 19063
www.mediatheatre.org
Jesse Cline Artistic Director/Director; Dann Dunn Director/Choreographer; Bill Van Horn, Director
(if unable to attend the GPAA, actors may submit pictures and resumes (and Stage Managers may submit cover letter and resumes) to
jlcline100@comcast.net. Deadline 7/1/17
CAROUSEL
by Rodgers and Hammerstein
1st Rehearsal 9/4 opens 9/20 close 10/22;
BILLY BIGELOW - late 20s to mid 30s. Carousel barker with plenty of sex appeal and charm. A rough diamond, popular with women, good at heart but with a violent streak that can surface in moments of frustration. Must be a strong baritone.
Vocal Range: Baritone B to G
JULIE JORDAN - mid to late 20s. Pretty, young mill girl. Shy but determined, knowing her mind to the point of being headstrong.
Vocal Range: Soprano Db to Gb
CARRIE PIPPERIDGE - to late 20s. Julie's friend and co-worker at the mill.. Great sense of fun with a comic quality that is attractive.
Vocal Range: Soprano D to G
ENOCH SNOW - of mid to late 30s. Enthusiastically pompous love interest for Carrie. with comic overtones that amuse but also endear.
Vocal Range: Tenor B to A
NETTIE FOWLER - late 30s/40s. Julie's worldly-wise older cousin. She's the sort that is always there in times of need. A good sense of fun and an appreciation of the follies of human life.
Vocal Range: Mezzo C to G
JIGGER CRAIGIN - late 20s to mid 30s. Mean and manipulative sailor friend of Billy. He has an edgy, seductive and opportunistic criminal mind that inevitably leads to trouble
Vocal Range: Baritone C - D
STARKEEPER – non singing role; late 50s to mid 60s. actor with the capacity to communicate a sense of authority and wisdom
LOUISE - female dancer. 15-year old teenage girl. Principally a dancer but with lines, Louise is Julie and Billy's troubled, young daughter.
MRS. MULLIN - non-singing female role. 40s. Mrs Mullin is a widow who runs the Carousel attracted to Billy tough, hard-nosed, world-weary and manipulative.
ENSEMBLE MEMBERS All Ages and vocal ranges
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BEAUTY AND THE BEAST
music Alan Menken and lyrics by Howard Ashman and Tim Rice, book by Lynn Woolverton
1st Rehearsal 10/30 opens 11/14 closes 1/14/18;
Belle: Female, 20-29: plays 18, classically beautiful face, her eyes shine with intelligence, seems entirely unaware of her looks, strong-willed, adventurous, and noble, a true heroine, sensitive and smart, should move very well, vocal range: lyrical pop theatre voice to an E with a very strong and clear belt.
Beast: Male, 25-39: this role requires an exceptional actor (classical training helpful), who is also a major singer, a tortured soul trapped in the body of the Beast, angry, volatile, and hopeless, when he meets Belle, she awakens his warm, loving human side and is able to overcome his bestial nature to break the spell, should be handsome and well-built, vocal range: baritone to an F.
Maurice: Male, 45-59: Belle’s father, eccentric inventor, comic, warm, sincere, and immensely loveable, devoted to his daughter, short and stout is good, not obese, vocal range: character voice to a D.
Gaston: Male, 20-39: very handsome muscular build, sexy with a larger-than-life chiseled face, actor must be a strong comedic farceur capable of playing a larger-than-life style, rude, self-centered bully, egomanical, narcissistic, should move very well, vocal range: big Broadway baritone with a solid F.
Le Fou: Male, 20-39: Gaston’s adoring hanger-on buddy, a true fall guy, buffoon, must be able to handle physical comedy and move well, seeking an accomplished stage comedian/stage clown, must be able to sing and be able to do a character voice, vocal range: to a G.
Mrs. Potts: Female, 40-59: plump sweet-faced English teapot, kind-hearted maternal cook, sings the title song, vocal range: lyrical alto down to a low F sharp with a convincing English accent.
Lumiere: Male, 30-45: a candelabra, very charming, very suave, very French, maitre D’ who fancies himself as a ladies’ man, passionate, prone to dramatic displays of emotion, the Beast’s coach in the love department, must have a credible French accent, must move well, vocal range: baritone to a G.
Cogsworth: Male, 30-49: manic, officious English major domo, someone wound him up way too tight and he has never wound down, slightly snooty Brit, with a heart of gold, English accent required, vocal range: character voice–baritone, not much singing.
Babette: Female, 20-35: beautiful feather duster, continually teases Lumiere, must dance, not too bright, voluptuous, tall with a show-girl body, French accent required, vocal range: Broadway belt with a legit soprano.
Wardrobe: Female, 40-55: warm, friendly, comedic, vain old girl, very theatrical, had pretensions to an operatic career, should have an ample build, but not obese, loud laugh, the life of the party, vocal range: legit operatic mezzo to G or B flat.
Chip: Male, 8-10: pre-adolescent boy, to play an adorable, inquisitive, eight-year-old teacup, must sing.
Adult Ensemble: Males & Females, 18+: strong dancer/singers or singer/dancers with strong ballet and jazz technique
______________
OUR TOWN
by Thornton Wilder
1st Rehearsal 1/15/18 opens 1/31 closes 2/25/18;
Stage Manager - A narrator, commentator, and guide through Grover's Corners. He joins in the action of the play periodically, as the minister at the wedding, the soda shop owner, a local townsmen, etc., and speaks directly to Emily after her death.
Emily Webb - One of the main characters; we follow her from a precocious young girl through her wedding to George Gibbs and her early death.
George Gibbs - The other main character; the boy next door, a kind but irresponsible teenager who matures over time and becomes a responsible husband, father and farmer.
Frank Gibbs - George's father, the town doctor
Julia (Hersey) Gibbs - George's mother. She dreams of going to Paris, but doesn't get there. Dies while visiting her daughter in Ohio. She saved $350 for the trip from the sale of an antique furniture piece, but ultimately willed it to George and Emily.
Charles Webb - Emily's father, editor of the Grover's Corners Sentinel
Myrtle Webb Emily's mother
ENSEMBLE Men and women of all ages to play characters in the town
_____________
IF/THEN
music by Tom Kitt ,book and lyrics by Brian Yorkey
1st Rehearsal 2/26 opens 3/14 closes 4/1/18;
ELIZABETH
Female, late 30s. Newly single and newly returned to New York City, where she was a grad student years ago, eager to start her life over and determined to get it right this time. In recovery from a long, bad marriage, she’s capable but not always confident, ambitious but often anxious. Smart, straightforward, deliberate, hungry for joy but afraid it may never come. Low G-flat with a belt to a high E-flat. Along with big belt, must have ability to float and mix higher notes.
KATE
Female, 30s – 40s. A native New Yorker, incurable romantic, and tough-as-sparkly-nails kindergarten teacher, she manages to be a fancy lady, a fierce friend, an unapologetic feminist, and a pal to all. Tends to see the best in everyone and to strike up conversations with strangers. Big belt to an E with a nice mix.
JOSH
Male, late 30s – early 40s. Raised in the midwest, trained in medicine, tempered by two tours as an Army doctor. Confident in his work, but less so in his love life, he feels a little out of step in New York City. Steady, pragmatic, plainspoken, but with a calm, gentle humor. Tenor. Belt to an A/B-flat.
LUCAS
Male, late 30s. An activist, blogger, urban farmer, homesteader, barista, and citizen of the world. Intelligent and ideological, well-read and well-spoken, dedicated to fighting injustice and dismissive of normative values, be they political or personal. Sexually flexible. Baritone. Belt to an A-flat.
STEPHEN
Male, late 30s – early 40s. A charismatic, confident mover and shaker in city government. Passionate about the issues but wise to political reality, he's smart and somewhat glib, idealistic but also slick. An operator. Attractive, and he knows how to use it. High baritone/low tenor. Belt to an A-flat or A.
ANNE
Female, 30s – 40s. Kate’s girlfriend, and then wife, and in many ways her perfect counterpart. Logical, frank, calm, unflappable, with a more grounded energy, and a more practical nature, but a heart just as big as her lover’s. Quite at home in her body and in touch with her sexuality. Belt to a D with a nice mix.
DAVID
Male, 30s. Lucas’ boyfriend. Charming but not glib, handsome but not unattainable, smart but without the need to show it. A successful surgeon who’s ready to meet the right man, settle down, and start a family, he’s got fairly traditional values—but doesn’t require them in a mate. Belt to A-flat/A.
ELENA
Female, mid-late 20s. Ambitious, enthusiastic, fresh-faced but familiar with the ups and downs of life. Fresh from receiving her MA in urban studies, becomes Elizabeth’s protégé. Big belt to an E with a nice mix.
____________
NEWSIES
music by Alan Menken, lyrics by Jack Feldman, book by Harvey Fierstein
1st Rehearsal 04/02 opens 4/18 closes 6/10/18
JACK
Male, 17 - 22 years old, Caucasian. Handsome, passionate and charismatic leader of the Newsies. A street-smart kid with a dark artistic soul right beneath the bluster. Not a blowhard. This kid's the real thing. Must have a great pop tenor voice.
DAVEY
Male, 16 - 21 years old, Caucasian. A thinker. Raised in a home as opposed to the other Newsies, Davie is the book-smart counterpoint to the other boys. The voice of reason. A nice Jewish boy. Must have a great contemporary tenor voice.
LES
Male, 10 -12 years old, Caucasian. The fearless kid brother of Davey. Excited by everything the world has to offer and eager to join in the adventure. Fun is this kid's middle name. Must sing really well.
JOSEPH PULITZER
Male, 40s, Caucasian. The boisterous forefather of Wm. F. Buckley Jr, Glen Beck and Rupert Murdoch. An on point, know it all, politician. Impolite and impatient with the world. Must sing well.
KATHERINE PLUMBER
Female, 17 - 22 years old, Caucasian. The strong willed daughter of Pulitzer. This young lady drips smarts, opinions and confidence. A young Katherine Hepburn or Ellen Page. This damsel needs no prince to save her. Must have a great pop/contemporary musical theater voice with a high belt.
CRUTCHIE
Male, 17-22 years old, any ethnicity. A slight, sickly boy with a huge heart. He walks with the aid of a crutch due to a bad leg, but that doesn't hold him back from being right in the middle of any mischief. A real charmer.
MEDDA
Female, 40s – 60s, any ethnicity. A vaudeville star of the Bowery variety. Risque, tough, with a big voice and GREAT comic delivery.
MALE DANCERS
Characters are Male, 16-22, all ethnicities. Strong, technically trained dancers with a knack for physicality. Should also tap and sing very well. Possible principal understudy assignments.
FEMALE DANCERS
Characters are Females, 16-22, all ethnicities. Should move well, but most importantly tap and sing very well.
WALNUT STREET THEATRE - 17-18 MAINSTAGE SEASON
BRIAN KURTAS, CSA, Casting Director, Assistant to the Producing Artistic Director
A FUNNY THING HAPPENED ON THE WAY TO THE FORUM
Frank Ferrante –Director
Michelle Gaudette -Choreographer
1st Rehearsal – August 15, 2017
Performances - September 6 – October 22, 2017
SEEKING - HERO, PHILIA, HYSTERIUM, ERRONIUS, and strong physical comedic singer/movers for ENSEMBLE.
-----------------
ANNIE
Glenn Casale – Director
Michelle Gaudette – Choreographer
1st Rehearsal – October 17, 2017
Performances – November 7 – January 7, 2018
Seeking – ANNIE, WARBUCKS, GRACE, MISS HANNIGAN, and strong singers and character actors for ENSEMBLE. Orphan girls are intended be Non-Union, Local, and Double-cast.
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THE HUMANS
Bernard Havard – Director
1st Rehearsal – December 26, 2017
Performances – January 16 – March 4, 2018
Seeking
BRIGID BLAKE:
late 20s Irish Catholic, younger daughter of the Blake clan, well-meaning but often impractical and dreamy. Half-heartedly pursuing a career in music and attempting to live her perception of an adult lifestyle with her boyfriend in NYC.
AIMEE BLAKE:
late 30s Irish Catholic, daughter of the Blake clan. Both self-conscious and self-deprecating, her career as a lawyer once held promise. Now, her physical and emotional health both suffer.
MOMO BLAKE:
70+ woman. Grandmother and severely afflicted with dementia.
RICHARD SAAD -
late 30s – Brigid's older boyfriend. A graduate student. Ethnically ambiguous.
Roles of ERIK and DIERDRE are CAST.
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NOISES OFF
1st Rehearsal - February 20, 2018
Performances - March 13 - April 29, 2018
ALL Roles available
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MAMMA MIA
(Co-Production with Riverside Theatre)
Richard Stafford - Director/Choreographer
1st Rehearsal - TBD March 2018
Performances - Riverside Theatre in April 2018 - Walnut Street through July 2018
ALL Roles Available
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17-18 STUDIO SEASON
SOUVENIR
1st Rehearsal – August 22, 2017
Performances – September 12 - October 15, 2017
Seeking the role of COSME
Role of FLORENCE FOSTER JENKINS is cast.
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IT'S A WONDERFUL LIFE: A LIFE RADIO PLAY
Jesse Bernstein - Director
1st Rehearsal – October 10, 2017
Performances – October 31 - December 17, 2017
Seeking 5 strong actor/singers, 3 men and 2 women, who will play multiple roles.
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BASKERVILLE: A SHERLOCK HOLMES MYSTERY
Bill Van Horn - Director
1st Rehearsal – December 12, 2017
Performances – January 2 - February 4, 2018 + National Tour
All Roles CAST.
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A STEADY RAIN
1st Rehearsal – January 30, 2018
Performances – February 20 - March 25, 2018
All Roles Available
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TELL ME ON A SUNDAY
1st Rehearsal – March 20, 2018
Performances – April 10 - July 1, 2018
Seeking
GIRL:
A young English Girl newly arrived in NYC. Seeking an actress 18+ who is a very strong singer
WILMA THEATRE 2017-18 SEASON
265 S. Broad Street, Philadelphia PA 19107
in attendance at auditions:
Kellie Mecleary, Producing Artistic Associate
Gianna McDevitt, Literary Intern
Ava DeFrancesco, Literary Intern
BLOOD WEDDING
by Frederico Garcia Lorca, directed by Csaba Horvath
First Rehearsal: 9/12/2017
First Preview: 10/25/2017
Opening: 11/1/2017
Closing: 11/19/2017
All roles have been CAST.
__________________
PASSING STRANGE
by Stew and Heidi Rodewald, directed by Tea Alagic
First Rehearsal: 12/12/2017
First Preview: 1/10/2018
Opening: 1/17/2018
Closing: 2/18/2018
Optional Extension Closing: 2/23/2018
NARRATOR: Male, Middle-aged, African American. All-knowing, clever, charismatic. Tenor
YOUTH: Male, teenage-early twenties, African American. Intelligent. Awkward. Lost . Tenor
MOTHER: Middle aged, middle class, African American. Smart, isolated, composed. Soprano
ENSEMBLE: Male, African American, plays Terry (a bad kid at church), Christope (an academic who moonlights, Dutch), and Hugo (a militant essayist, German) Tenor
ENSEMBLE: Female, African American, plays Sherry (a bad kid at church), Renata (an abstract artist and café waitress, Dutch), and Desi (a den mother and social engineer, German). Soprano
ENSEMBLE: Female, African American, plays Edwina (a teenage goddess), Marianna (a neo-hippy, Dutch), and Sudabey (an avant-garde filmmaker and writer, German) . Soprano
ENSEMBLE: Male, African American, plays Franklin (church pianist, choir director, reverand's son), Joop (a body liberationist, Dutch,) and Mr. Venus (a performance artist). Tenor
____________
PASSAGE
by Christopher Chen, directed by Blanka Zizka
First Rehearsal: 3/13/2018
First Preview: 4/18/2018
Opening: 4/25/2018
Closing: 5/13/2018
Optional Extension Closing: 5/20/2018
B: Doctor. Citizen of a colonized country. Any race, any gender.
G: Professor. Citizen of a colonized country. Any race, any gender. Also plays Mosquito and Gecko
H: Activist. Citizen of a colonized country. Any race, any gender.
O: Friend of B, G, and H. Citizen of a colonized country. Any race, any gender.
S: Servant of B. Citizen of a colonized country. Any race, any gender.
D: Doctor. Head of a hospital. Citizen of a colonizing country, living in the country it colonized. Any race, any gender.
J: Member of law enforcement. Citizen of a colonizing country, living in the country it colonized. Any race, any gender.
Q: Engaged to R. No current occupation. Citizen of a colonizing country, living in the country it colonized. Any race, any gender.
R: Engaged to Q. Occupation unclear. Citizen of a colonizing country, living in the country it colonized. Any race, any gender.
F: Teacher. Citizen of a colonizing country, living in the country it colonized. Any race, any gender.
ACT II PLAYHOUSE 2017-18 SEASON
56 East Butler Avenue, Ambler PA 19002
www.act2.org
Artistic Director: Tony Braithwaite
Show Directors: Tony Braithwaite, David Bradley, Mary Carpenter
Which Reminds Me
by Tony Braithwaite
directed by Tony Braithwaite
August 29, 2017 – October 1, 2017
A one man show combining stand up, storytelling, songs and video to recount a collection of great theatre stories: both famous and local! Mishaps, triumphs, and even head-scratching letters from patrons will all make their way into these hilarious tales from Ambler’s chief raconteur.
This is a one-man show and is already CAST. Actors to be considered for understudy.
____________
Red Herring
By Michael Hollinger
Directed by David Bradley
October 24, 2017 – November 19, 2017
Three love stories, a murder mystery, and a nuclear espionage plot converge in this noir comedy about marriage and other explosive devices. It's 1952: America's on the verge of the H-bomb, Dwight Eisenhower's on the campaign trail, and I Love Lucy's on Monday nights. Meanwhile, Senator Joe McCarthy's daughter just got engaged to a Soviet spy, and Boston detective Maggie Pelletier has to find out who dumped the dead guy in the Harbor—or else lose out on a honeymoon in Havana. A blunt-nosed, sharp-eyed look at love and tying (and untying, and retying) the knot.
All roles have been CAST. Actors to be considered for understudies.
MAGGIE PELLETIER, mid 30s. Must have Boston accent.
FRANK KELLER, mid 30s (also plays: PRIEST, MAJOR HARTWELL). Must have Boston accent.
LYNN MCCARTHY, early 20s (also plays: CLERK). Must have Upper Mid West accent.
JAMES APPEL, early 20s (also plays: WOODY, HARRY, BARTENDER). Must have Boston accent.
MRS. KRAVITZ, late 40s-early 50s (also plays: MRS. MCCARTHY, MRS. VAN NOSTRAND). Must have Boston and Upper Mid West accents.
ANDREI BORCHEVSKY, late 40s-early 50s (also plays: PETEY, DR. KASDEN, HERBERT, CORPSE). Must have Russian accent.
________________
Bad Dates
By Theresa Rebeck
Directed by Mary Carpenter
December 12, 2017 – December 31, 2017
And then I realize, in this sort of strange, hallucinatory moment, that the bug guy is looking kind of good, and the things he's saying about bugs are really kind of fascinating and it is then that I realized that maybe it has been too long since I've been on a date.--So confesses a single mother and self-described restaurant idiot-savant in this thoroughly charming and slyly sweet one-woman play by the author of The Butterfly Collection and Spike Heels. This idiosyncratic journey of self-discovery involving the Romanian mob, a Buddhist rainstorm, a teenage daughter, shoes, and a few very bad dates enjoyed an extended run Off-Broadway at Playwrights Horizons starring Julie White.
This is a one-woman show; the role is already CAST.
_____________
I Ought To Be in Pictures
By Neil Simon
Directed by Tony Braithwaite
February 27, 2018 – March 31, 2018
Herb, a Hollywood scriptwriter currently at liberty is surprised when his forgotten past reappears in the form of Libby, a teenage daughter who's trekked from Brooklyn with dreams of movie stardom. With Steffy, his sometime paramour at his side, Herb decides to take another stab at fatherhood and hopefully this time, get it right...
Seeking 1 role: Libby
LIBBY: Herb's daughter. Yearns to be a Hollywood actress and work on a damaged relationship with her father. Actress cast must believably play age 19.
__________
Camelot
Book and Lyrics by Alan Jay Lerner, Music by Frederick Loewe, Based on “The Once and Future King” by T.H. White
Directed by Tony Braithwaite
May 15, 2018 – June 24, 2018
In Medieval England, young King Arthur hopes to create an idyllic kingdom guided by honor and righteousness, embodied by his Knights of the Round Table. But Arthur’s perfect world is an illusion; his wife Guinevere secretly loves the handsome and noble knight, Lancelot. With enchantment, pageantry, and glorious melodies, Lerner and Loewe’s classic won’t “Let it be forgot / That once there was a spot / For one brief shining moment that was known as Camelot.”
Seeking 3 male roles:
MERLIN: 50's/60's/70's: The famous wizard who teaches Arthur almost all he needs to know. Actor will also play Lancelot's squire, Dap, and several smaller roles. Singing and British accent required.
TOM OF WARWICK: Actor should believably play age 8 to 13. British accent required.
KNIGHT: 20’s/30’s: Singing and British accent required.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.
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