FLORIDA FESTIVAL OF NEW MUSICALS 2022 SEASON Equity Principal Audition - Winter Park Playhouse Inc Auditions

Posted April 1, 2022
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FLORIDA FESTIVAL OF NEW MUSICALS 2022 SEASON - Winter Park Playhouse Inc

FLORIDA FESTIVAL OF NEW MUSICALS 2022 SEASON - WINTER PARK EPA

Winter Park Playhouse Inc

AUDITION DATES

Tue, Apr 12, 2022

10:00 am - 5:00 pm (EST)

Tue, Apr 19, 2022

10:00 am - 5:00 pm (EST)


CONTRACT

Staged Reading Contract $215 total pay ($10.00 per hour) Rehearsal week- 15 hours Performance week- 6.5 hours


SEEKING

Equity actors for roles in Florida Festival of New Musicals 2022 Season (see breakdown).


PREPARATION

Prepare 16-32 bars of an up-tempo and a ballad (classic musical theatre pieces preferred) and a one minute comic monologue. Bring sheet music in your key- an accompanist will be provided. No tapes or CDs permitted. Bring 3 non-returnable headshots and resumes.


LOCATION

Winter Park Playhouse Inc

711 Orange Ave Ste B

Winter Park, FL 32789-4757



PERSONNEL

See breakdown for production specific personnel.


OTHER DATES

CIAO BAMBINO
First rehearsal: June 16, 2022
Runs: June 24 - 26, 2022

KHAN!!! THE MUSICAL
First rehearsal: June 14, 2022
Runs: June 23 - 25, 2022

NAKED: THE MUSICAL
First rehearsal: June 14, 2022
Runs: June 23 - 26, 2022

THIRTY SECONDS: A MUSICAL
First rehearsal: June 14, 2022
Runs: June 23 - 25, 2022

STONE CROSSED
First rehearsal: June 14, 2022
Runs: June 24 - 26, 2022

THE GOLDILOCKS VARIATIONS
First rehearsal: June 15, 2022
Runs: June 23 - 26, 2022


OTHER

www.winterparkplayhouse.org

Contact: Roy Alan / 407-645-0145 / auditions@winterparkplayhouse.org / Tues. - Fri. 11am - 5pm

An Equity Monitor will not be provided. The producer will run all aspects of audition.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.


BREAKDOWN

NAKED: THE MUSICAL

Book & Lyrics by Germaine Shames

Music by Tareq Abuissa

Tay Anderson, Director

John Wilkins, Musical Director

SEEKING:

GRACE (mezzo-soprano): C4 to E5 - a former painter, now head docent, primed to take a second shot, 39.

VICTORINE (alto): F3 to D#5 - a self-made Parisian painter once the model of Edouard Manet, eternally 19.

RON (tenor 2): A2 to F#4 - curator in the throes of a mid-life crisis, Grace’s husband, 40.

MADAME DUFFEE (soprano): Ab3 to D5 - an affluent nineteenth century woman with little to do but read, 20 to 30.

MANET (baritone): C3 to G4 - the famous French nineteenth century painter, 31 to 51.

FEMALE DOCENT-IN-TRAINING (mezzo-soprano): Bb3 to C5 - an outspoken feminist, any age.

KHAN!!! THE MUSICAL

Music, Lyrics, & Book by Brent Black

Co-conceived and additional material by Alina Morgan

George Colangelo, Director

Christopher Leavy, Musical Director

SEEKING:

CAPTAIN KIRK (Tenor/Bari) – He's a faded diva and a schlubby shell of his formerly heroic self. He’s rusty after such a long time without an adventure, but the swashbuckling space captain of his past slowly re-emerges over the course of the story. – no doubling

SPOCK (Bass/Baritone) - He is an outwardly emotionless half-human/half-alien with a touch of haughtiness, but his warmth and concern for others can be seen in subtle ways. – doubles Terrell and 2 others.

KHAN (Tenor) - This is not the Khan from the movie. This Khan is campy, scenery-chewing, and has fun with the audience. – no doubling.

SAAVIK (Mezzo/Soprano) - This version of Saavik is different from her movie portrayal; here, she’s a driven bookworm who is very concerned about her academic performance – doubles 3 others.

DATA (Tenor)– 5 characters.

UHURA(Mezzo) – doubles Carol and 1 other.

SCOTTY (Mezzo/Alto) – doubles Bones and 3 others.

SULU (Bari/Tenor) – doubles as Chekov and 1 other.

STONE CROSSED

Music, Lyrics, & Book by Philip David Stern

Joshian Morales, Director

Christopher, Musical Director

SEEKING:

STONEY (Bari-tenor) - a handsome, strong young caveman with a strong moral compass. Although expected to be a hunter, he cannot bring himself to hurt a living creature and longs for more.

TUFF (Tenor) - Stoney’s loyal best friend, like a little brother, with a rare genetic trait that makes him pant instead of sweat (like a dog). He is happy with the way things are, reluctant to change.

JEWEL (Mezzo-Sop) - a romantic. Promised at birth to be joined to Basalt. Starting to question the rules of the tribe and all that is expected of her. When she meets Stoney she realizes that is more than what has been painted in stone.

PEG(Mezzo) - Jewel’s quirky and loyal best friend. Brash and ballsy to make up for her insecurities. Always felt inferior to Jewel in that department. She is a closet ‘panter’.

CHERT(Mezzo) - Tuff’s tween sister. Social media queen, a gossip. Always writing on her stone tablet. Quick witted and smart. Secretly crushes on Stoney.

OBSIDIAN (Bari-tenor) - Stoney’s father. A widow. He is a gifted carver who makes weapons for a living. Heart centered, he loves his son very much and tries very his best to be a good father to him. (Doubles as Fossil)

BASALT (Bari) - Next in line to be the leader of his tribe. Born into marrying Jewel. Handsome and menacing. What is written is working in his favor, and he’d like it to stay that way.

FELDSPAR (Tenor) - Basalt’s friend and wingman. Secretly has feelings for Basalt. Feels important by association.

2-4 Chorus/Ensemble

THE GOLDILOCKS VARIATIONS

Concept by Steve Wolf

Music by Charles Baker

Book and Lyrics by Steve Wolf and Charles Baker

Janine Papin, Director

Bert Rodriguez, Musical Director

SEEKING:

GOLDILOCKS (Soprano)

MAMA BEAR (Alto)

JUNIOR BEAR (Tenor)

PAPA BEAR (Bass/Baritone)

BROCK (Baritone)

BALTHAZAR McBRUIN* (baritone) (*Can also play the Narrator/rabble rouser, sportscaster)

THIRTY SECONDS: A MUSICAL

Book & Lyrics by Michael Rogers

Music by Bill Wandel

Faith Boles, Director

Ned Wilkinson, Musical Director

SEEKING:

BILL (Tenor. Age: 25-35) - a young, virtuous adman. His quest for success and ravenous ambition is in part a vain attempt to fill the gloomy void created after being “declared dead” by his mother. Bill is demanding, principled and willing to suffer the consequences for standing up for what he believes. Bill’s blind spot is a naive belief that others share his high-minded principles. He revels in attention and has a weakness for taking credit for the ideas of others. And though he champions the truth, he can have difficulty living by it.

NANCY (mezzo soprano. Age 25-35) - Bill’s beautiful, devoted and adoring secretary. Not wanting to outshine Bill, she typically hides that fact that she is often the smartest person in the room and the one with all the best ideas. She is juicily seductive yet touchingly vulnerable, full of passion and longing. She is insightful about everything and everyone but herself. Her loyalty to Bill is blind, her commitment, unshakable. She is Bill’s conscience, sword and shield. Young and single, she can have any man she wants but only yearns for Bill.

EMPTY SUITS (Barbershop quartet style tenor 1, tenor 2, bass 1 and bass 2. Any age) - If advertising has a bad name you can blame it on the backslapping, glad-handing Empty Suits. These wheeler-dealer power mongers in their gray flannel suits are scheming weathervanes, going whichever way the wind is blowing. They represent everything that is wrong with the advertising industry. Spewing untruths with gleeful velocity, they’ll do anything to get ahead. Despite all their faults, chicanery and misdeeds, they are surprisingly likable in their pathetic buffoonery.

ROSI (Age: 40-50) - The classic New York wisecracking waitress at the coffee shop Bill and Nancy frequent. Rosie is the one who always has all the answers. She is street smart and able to cut through the clutter and point Bill and Nancy to the right answer. She gives good advice and without trying comes up with catch phrases and tag lines that Nancy will go on to use.

CONNIE/ENSEMBLE (mezzo soprano. Age 25-35) - Bill’s wife

MOTHER/ENSEMBLE (alto. Age 40-50)

FATHER/ENSEMBLE (male, baritone. Age 40-50)

EMPTY

EMPTY SUIT 1

EMPTY SUITS 2,3,4 (A little louder)

CIAO BAMBINO

Music, Lyrics, & Book by Elizabeth Allen Turner

Orchestrations & Arranging by Andreas Häberlin

Steven Flaa, Director

Harrison Light, Musical Director

All are Italian New York types

SEEKING:

RHONDA (G3 - Eb5. Age 30’s) - Gelato Girl Young, fun, full of spunk.

JUDY (G3 - D5. Age 30’s) - Gelato Girl Sarcastic, dare devil, honest.

ELIZABETTA GARIBALDI (Gb3 - E5. Age 30’s) – Vocalist, Smart, but sensitive, follows her heart.

ZIA (G3 - C#5. Age 50’s) - Elizabetta's Aunt. Burnt out from life, but hopeful for Elizabetta.

MOTHER MARIE (C4 - Bb4. Age 50‘s) - Head Nun. Strict, humorous, and very religious.

ANDY (G2 - G4. Age 30‘s) - Pianist. Kind, funny, wants to make others happy.

MAXIMO D'AMICO(A2 - Bb3. Age 30’s) - Angelo’s Son. Wannabe Italian, show off, dumb.

ZIO (G2 - C#4. Age 50’s) - Elizabetta's Uncle. Strong willed, Hard worker and has temper.

ANGELO D'AMICO(A2 - A3. Age 50’s) - Gelato Vendor. Very Italian, very proud, boastful.

DOMINIC (G#3 - F4) – Male student, age 10. Rebellious, wise guy.

PETER (G#2 - F4) - Male student, age 10. Complainer, needy.

FRANCES (G#3 - D5) – Female student, age 10. Grumpy, not motivated.

CATHERINE (G#3 - D5) - Female student, age 10. Fresh, rude.

Requirement for proof of vaccination/negative test.

Everyone entering the audition venue (i.e., venue employees, Equity members, non-members, casting personnel, creatives, producers, musicians, COVID Safety Managers, etc.) will be required to undergo a symptom check and provide one of the following prior to entry into the venue:

- Proof of full vaccination. “Fully vaccinated,” as defined by the CDC, is more than 14 calendar days following receipt of a final dose of an FDA or World Health Organization authorized or approved vaccine.

Two-ply cloth face masks, surgical masks, singer’s masks and respirators (N95, KN95 or KF94) will be allowed for face coverings. Single-ply face masks, gaiters and bandanas are not acceptable face coverings. Everyone in the holding room and audition room will always wear a face covering as described above, except for the actor when they are actively auditioning. The time spent unmasked should be as minimal as possible. Face coverings must be worn correctly (covering the nose and mouth). Singer’s masks can be found at www.broadwayreliefproject.com/singersmask.

If the risk level for [the county or city in which the auditions will be held] is trending upwards and may rise to High (Red) we will contact members with appointments at least 24 hours before the first audition appointment time to let them know there is a chance that the auditions Revised March 14, 2022 may need to be postponed or cancelled. All members with appointments will be notified if the auditions must be postponed or cancelled. (See “Community Risk Level” below.)

We encourage members to prepare for their audition at home, to the extent that they can (e.g., get dressed, hair/make-up, etc.) to avoid crowding in bathrooms and dressing rooms. Additional information required in notice:

Holding/Audition room information:

The audition room is 1,462 square feet and can accommodate no more than 14 individuals at a time.

The holding room is 1,680 square feet and can accommodate no more than 46 individuals at a time.


Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.

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