EVER AFTER - St. Paul EPA
Ordway Center for the Performing Arts
AUDITION DATE
Tue, Apr 16, 2019
10:00 am - 6:00 pm (CDT)
Lunch: 1-2pm
APPOINTMENTS
RSVP by sending an email to casting@ordway.org to secure a slot.
CONTRACT
COST COST; $1,019/week
SEEKING
Actors for the upcoming production of EVER AFTER. See breakdown for details. Local hires preferred.
PREPARATION
Please prepare 32 bars of a vocal selection that displays range from the musical theatre canon. Females should bring a quirky comedic selection. (Please avoid Heisler & Goldrich pieces.)
You may be asked to read, sides will be sent upon scheduling of appointment.
LOCATION
Ordway Center
345 Washington St
Saint Paul, MN 55102-1419
Please enter through Traveler's Artist Entrance (Stage Door) on 5th Street.
PERSONNEL
Director: Susan V. Booth
Book/Lyricist: Marcy Heisler
Composer/Vocal Arranger: Zina Goldrich
Associate Choreographer: Patrick O’Neill
Casting Director: Sheena Janson Kelley
Producing Artistic Director: Rod Kaats
OTHER DATES
First Rehearsal: Tuesday, November 5, 2019
First Performance: Tuesday, December 3, 2019
Closing: Sunday, December 29, 2019
OTHER
An Accompanist will be provided for all auditions
EPA Procedures are in effect for audition.
An Equity Monitor will not be provided. The producer will run all aspects of audition.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
BREAKDOWN
Danielle (Female, 20s) Spirited, independent, athletic problem solver – Strong Broadway/legit mix to high F with the ability to belt.
Rodmilla (Female 40s- 50s) Cold stepmother to Danielle – Belter with alto/mezzo range (Must belt a C).
Henry (Male, mid 20s- mid 30s) Headstrong, funny, stubborn prince. Legit tenor to high Ab, light pop sensibility.
Leonardo (Male 40s- 50s) Wise, genius, artist; confidante and advisor to Henry and Danielle. Can be baritone or tenor but must have high F.
Marguerite (Female 20s- mid 30s) Entitled, cruel; favored daughter of Rodmilla. Belter and ability to vocally turn on a dime with an excellent legit mezzo soprano.
Gustave (Male, 20s) Danielle’s loyal best friend from childhood – artist in training, Tenor.
Pierre Mallette (Male, 50s- 60s) Wealthy landowner, has sights on Danielle. Baritenor – needs a high F.
King Francis (Male, 40s- 60s) Monarch who asserts his authority over his own family. Competitive and stubborn. Baritone, must have a high F.
Queen Marie (Female, late 40s- 60s) Tolerant, kind, compassionate. Alto/Mezzo.
Jacqueline (Female, 20s- early 30s) Awkward, open-faced daughter of Rodmilla. Warm, smooth mix.
Laurent (Male, 30s) Captain to Francis, sidekick to Henry. Long suffering caretaker, loyal. Tenor, High G.
Young Danielle (Female Child, 8-12 yrs) Male/Female
Ensemble: (20s – 40s) Versatile singers and strong dancers to play various ensemble members: Courtiers, Servants, Cargo Master, Boemian Wanderers, Maurice, Louise, Auguste, etc.
16 Chorus Roles 8 Female, 8 Male
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.
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