BEAUTIFUL: THE CAROL KING MUSICAL Equity Principal Actors - Marriott Theatre Auditions

Posted February 6, 2023
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BEAUTIFUL: THE CAROL KING MUSICAL - Marriott Theatre

BEAUTIFUL: THE CAROL KING MUSICAL - Equity video submissions (principal)
Marriott Theatre | Lincolnshire, IL

CONTRACT

Dinner Theatre
$862 weekly minimum

SEEKING

Equity actors for roles in BEAUTIFUL: THE CAROL KING MUSICAL (See breakdown).

All roles will be understudied. We also welcome performers with disabilities to submit. Please reach out to Sana Selemon at Sana.Selemon@MarriottTheatre.com or 847-465-1326 ex. 1 if you have any questions or access needs.

SUBMISSION INSTRUCTIONS

FOR PREPARATION INSTRUCTIONS SEE

BREAKDOWN

. Please submit your headshot, resume and audition video via the following google forms.
https://forms.gle/z2Bn2kK9vvsnRaAYA . If you have questions, please email Sana Selemon at Sana.Selemon@MarriottTheatre.com.

Deadline: 02/16/2023

PERSONNEL

Viewing submissions:
Director: Jessica Fisch
Choreographer: Christopher Windom
Musical Director: Ryan T. Nelson
Artistic Director: Peter Marston Sullivan
Executive Producer: Peter Blair
Associate Artistic Director: Katie Johannigman
Artistic Assistant: Sana Selemon

OTHER DATES

In-person callbacks will be in Lincolnshire, IL
March 7th and 8th, 2023.
Rehearsal: October 12th, 2023
Preview: November 1st, 2023
Opening: November 8th, 2023
Closing: on sale through December 31st,
2023, with one possible two week extension
Rehearsals are typically Mondays-Saturdays,
10am to 6pm, six days a week
Show schedule: Wednesday-Sunday with two
shows on Wednesday, Saturday, and Sunday

OTHER

www.marriotttheatre.com

Please head to www.marriotttheatre.com/audition/beautiful for more information.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

BREAKDOWN

PREPARATION INSTRUCTIONS:

Please go to www.marriotttheatre.com/audition/beautiful for specific details regarding what to prepare.

The material to prepare is located at:
https://www.dropbox.com/sh/6461kmdndk2bggo/AABySSgg3jP6wYqQ8tTbNsEFa/EPA? /> dl=0&subfolder_nav_tracking=1 .

DIRECTOR NOTE:

From behind a grand piano on the Carnegie Hall stage, Carole straddles where she’s come from and
where she is going. Like Alice falling down the rabbit hole, Beautiful: The Carole King Musical is a
journey of remembrance and a celebration of what it takes to capture a dream. Beautiful: The Carole
King Musical falls into one of my favorite categories of theater: plays in which a character on the
precipice of a momentous life event stops and takes stock of all the people, places, and things that got
them where they are. In telling Carole’s story, I hope to honor the profound history of the songwriters
and musicians of the 1960’s and 1970’s and, above all, lift up the joy of artistic creation. I am on the
hunt for curious, thoughtful actors who love this music as much as I do and are excited to play!

A note about casting (adopted from language with consent originally created by Kevin Kantor and
Emily Trarquin of Actors Theatre of Louisville):
Most characters we encounter currently are on the binary and are written with he/him or she/her
pronouns and you will see that in the following character descriptions. However limiting the
descriptions are, our casting seeks to be inclusive as possible and we invite gender non-conforming,
genderqueer, transgender, and non-binary actors to submit for the roles they most identify with. We
will also list race/ethnicity when specific to the character but are otherwise seeking all races and
ethnicities. Please let us know if you have any questions, concerns, or if there are any
accommodations we can provide.

We are currently not able to transpose audition music at the moment but are open to performers
singing the role that they’re most vocally comfortable with. If the song doesn’t showcase you at your
best, you can submit another song in the world of the show.

SEEKING:

CAROLE KING: Female identifying, White, Mezzo-Soprano (plays late teens-late 20’s). Female
identifying, White, Mezzo-Soprano (plays late teens-late 20’s). Carole has aspirations of becoming a
songwriter but never dreams of becoming a star. She is a funny and vulnerable girl from a Jewish
family in Brooklyn with a rare talent. Carole is often the peace maker in difficult situations. She is most
comfortable behind a piano. Given the unique performance space, She is proficient in piano and able
to accompany herself in key moments in the show. If this is not possible, she should have strong
musicianship to convey “playing on stage”. Please send any footage of you playing and singing or if
you'd like to accompany yourself on these songs, that would also work.

GERRY GOFFIN: Male identifying, any ethnicity, Tenor (plays late teens-late 20’s). Gerry is Carole’s
songwriting partner and eventual husband. He is brooding and ambitious with a rebel vibe but has the
innate lyric-writing talent to back it up. Under his slick exterior is an innately sympathetic, wounded
person. He always seems to want what he can’t have.

CYNTHIA WEIL: Female identifying, any ethnicity, Mezzo-Soprano (plays late teens-late 20’s).
Cynthia is a talented songwriter and best friend to Carole. She becomes romantically involved with her
writing partner Barry and the couple share an office wall with Carole and Gerry. Cynthia is whip-smart,
chic and very playful. She knows what she wants and isn’t afraid to go for it. She has excellent
comedic timing.

BARRY MANN: Male identifying, any ethnicity, Tenor (plays late teens-late 20’s). Barry is Cynthia’s
songwriting partner and romantic interest. He is very neurotic but instantly likable. Barry is his own
worst enemy and is stronger because of his partnership with Cynthia. He has excellent comedic
timing.

GENIE KLEIN: Female identifying, White (40’s-50’s). Carole’s Jewish mother. Genie had her own
artistic dreams, but life, motherhood and an unfaithful husband got in her way. She is very protective of
Carole and wants to make sure her daughter avoids the same mistakes. She is proficient in piano.
Singing is a plus but not mandatory.

DON KIRSHNER: Male identifying, any ethnicity, Baritone/Bass (40’s-50’s). Don is an influential music
publisher and boss to Carole, Gerry, Cynthia and Don. He is fast-talking, energetic, and sometimes

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