Arvada Center 2017-2018 Black Box Season - Arvada EPA Days
Arvada Center for the Arts & Humanities
AUDITION DATE
Apr 17, 2017
9:00 am - 5:00 pm (MDT)
Lunch: 1:00PM - 2:00PM
Apr 24, 2017
9:00 am - 5:00 pm (MDT)
Lunch: 1:00PM - 2:00PM
APPOINTMENTS
Auditions are by appointment only and can be scheduled by calling Arvada Center Box Office (720) 898-7200. Do not contact the production staff.
CONTRACT
LORT Non-Rep LORT D Minimum - $637/wk
SEEKING
Experienced performers with strong acting abilities are needed.
PREPARATION
Please prepare two, two minute contrasting monologues. A current headshot and résumé are required.
LOCATION
Arvada Center for the Performing Arts
6901 Wadsworth Blvd
Arvada, CO 80003-3448
PERSONNEL
Artistic Producer: Rod A Lansberry. The Foreigner: Directed by Geoffrey Kent, Sense and Sensibility: Directed by Lynne Collins, The Electric Baby: Directed by TBD, All My Sons: Directed by Lynne Collins
OTHER DATES
See breakdown.
OTHER
No stage management positions available. Actors unable to attend this call may submit headshot/resume to: Lisa Hoffman, Artistic Associate 6901 Wadsworth Blvd. Arvada, CO 80003
An Equity Monitor will not be provided. The producer will run all aspects of this audition.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
BREAKDOWN
ARVADA CENTER 2016-17 BLACK BOX SEASON
Shows shows will be performed in Repertory.
Rehearsals for The Foreigner begin on September 12, 2017 . The production opens on October 13 and runs through November 18, 2017.
Rehearsals for Sense and Sensibility begin on October 24, 2017. The production opens on January 26, 2018 and runs through May 6, 2018.
Rehearsals for The Electric Baby begin on October 31, 2017. The production opens on February 9 and runs through May 4, 2018.
Rehearsals for All My Sons begin on December 27, 2017. The production opens March 2 and runs through May 3, 2018.
Performances are Thursday through Saturday evenings with matinees on Wednesdays and Sundays for a total of five or six per week.
The Foreigner-Larry Shue
Charlie Baker –Male, 30-40’s
Sgt. Froggy LeSueur –Male, 30-50’s
Betty Meeks –Female, 60-70’s
Rev. David Marshall Lee – Male, 30-40’s.
Catherine Simms –Female, 20-30’s
Ellard Simms – Male, 20-30’s
Owen Musser – Male, 30-60’s
Sense and Sensibility—Adapted by Kate Hamill
With the exception of Elinor and Marianne, actors will play multiple roles a various genders.
ELINOR DASHWOOD—Female, 20-30’s
MARIANNE DASHWOOD—Female, 20-30’s
MARGARET DASHWOOD--10–13 years old girl, played by an adult.
MRS. DASHWOOD — mother to the Dashwood sisters.
JOHN DASHWOOD— half-brother to the Dashwood sisters
EDWARD FERRARS— a gentleman; a bachelor.
FANNY (FERRARS)DASHWOOD— wife to John Dashwood
COLONEL BRANDON — an older bachelor; over 45 years old.
JOHN WILLOUGHBY — an unusually handsome young man.
SIR JOHN MIDDLETON— a country gentleman
MRS. JENNINGS — a good-natured, boisterous woman
LADY MIDDLETON — an over-bred lady.
LUCY STEELE— a young girl from no fortune.
ANNE STEELE— Lucy’s sister
ROBERT FERRARS—Edward Ferrars’ younger brother.
GOSSIPS 1–5 — a chorus of high-society creatures.
The Electric Baby—Stefanie Zadravec
NATALIA—Female, 30-40s. Romanian.
HELEN CASEY—Female, 50-60s.
REED CASEY—Male, 50-60s.
AMBIMBOLA—Male, 30-40s. Nigerian.
ROZIE—Female, 20’s
DAN / DON / DAVE—Male, 20-30s.
All My Sons—Arthur Miller
Kate Keller—Female 50-60
Chris Keller Male 25-35
Ann Deever—Female 25-35,
George Deever — Male, 30’s
Jim Bayliss — Male 30-50
Sue Bayliss —Female, 30-50
Frank Lubey — Male, 30’s
Lydia Lubey — Female, 20-30’s
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.
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