4TH WALL THEATRE COMPANY 2019-20 SEASON Equity Principal Auditions - 4th Wall Theatre Company Auditions

Posted May 31, 2019
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4TH WALL THEATRE COMPANY 2019-20 SEASON - 4th Wall Theatre Company

4th Wall Theatre Company 2019-2020 Season - Houston EPA Days

4th Wall Theatre Company


AUDITION DATES

Mon, Jun 10, 2019

12:00 pm - 8:00 pm (CDT)

Tue, Jun 11, 2019

12:00 pm - 8:00 pm (CDT)

APPOINTMENTS

Equity members should email a photo and resume to info@4thwalltheatreco.com, for an appointment.

CONTRACT

SPT Minimum - $300/wk

SEEKING

4th Wall provides full and fair consideration to actors of all ethnicities (including but not limited to African American, Asian/Asian, Pacific American, Hispanic American, Native American, multi-cultural), women, seniors, and actors with disabilities. Unless otherwise textually indicated, all parts/roles shall be open to all actors without prejudice.
As such, actors of all ethnicities are encouraged to audition for all roles except as noted. See breakdown.

PREPARATION

Please prepare one or two monologues not to exceed two minutes total.

LOCATION

Spring Street Studios

1824 Spring Street

Houston, TX 77007

PERSONNEL

Auditions will be attended by one or both of 4th Wall’s Co-Artistic Directors, Kim Tobin-Lehl and Philip Lehl

OTHER DATES

See breakdown.


OTHER

4thwalltheatreco.com

An Equity Monitor will not be provided. The producer will run all aspects of audition.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

BREAKDOWN

Glass Menagerie

by Tennessee Williams, directed by Philip Lehl

1st Reh 9/10/19

Opening 10/11/19

In Tennessee Williams’ shattering classic, an aging Southern Belle longs for her youth and dreams of a better life for her children. Her restless son Tom—a would–be poet and the story’s narrator—gets swept up in his mother’s funny and heartbreaking schemes to find his painfully shy sister, Laura, a husband. This quintessential “memory play” looks at the American family at a turning point in world history, and lets us contrast who we are and where we’ve come since the play was first produced in the 1940’s.

Tom (20’s to 40’s)

Gentleman Caller (20’s to 30’s)

Amanda (precast)

Laura (precast)

The Realistic Joneses

by Will Eno, directed by Matt Hune

1st Reh 12/10/19

Opening 1/17/20

Bob Jones and his wife Jennifer meet their new next-door neighbors, John and Pony Jones. They discuss their lives, giving an inside look at the people who live next door, the truths we think we know and the secrets we never imagined we all might share.[8] Eno said that he wrote The Realistic Joneses because he 'wanted to really just write a naturalistic and realistic play.' Not that 'Realistic Joneses' is precisely realistic. [It reads] like a sitcom broadcast from a weirder, more melancholy world.

John Jones (30’s to 40’s)

Pony Jones (precast)

Bob Jones (precast)

Jennifer Jones (precast)

Between Riverside and Crazy

by Stephen Adly Guirgis, directed by Bill Pruitt

1st Reh 2/11/20

Opening 3/13/20

Walter Pops Washington is a retired New York City policeman. His wife has died and his son, Junior, has just been released from jail. They live in a rent-controlled apartment on Riverside Drive in New York City. Junior's girlfriend, Lulu, and Oswaldo, a recovering addict, also spend time at the apartment. Walter has been pursuing a discrimination suit against the Police Department, because he was accidentally shot by another police officer.

Pops (African-American 60’s to 70’s)

Lulu (20’s)

Church Lady (30’s to 50’s)

Oswaldo (20’s to 30’s)

Junior (precast)

Caro (precast)

O’Connor (precast)

The Pavilion

by Craig Wright, directed by Kim Tobin-Lehl

1st Reh 4/14/20

Opening 5/15/20

Hailed by critics as an an Our Town for our time, this play is by turns poetic and comic, romantic and philosophical. Peter returns to his twenty-year high-school reunion with dreams of winning back Kari, the girl he left behind after an unexpected pregnancy ended their relationship. Standing in Peter's way is Kari's bitter-as-ever resentment, her husband and the fact that Peter still hasn't grown up. As the night progresses, both Peter and Kari are led, through their interactions with a host of characters all played by a virtuosic Narrator, to face the consequences of choices made long ago and start back into life with newfound strength and bittersweet resolve.

Peter (precast)

Kari (precast)

Narrator (precast)


Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.

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