Rose Marija has always been focussed on ballet and contemporary ballet: training, performance, health, prevention and rehabilitation of injuries. She shares her expertise and point of view with professional and serious, professional track students. Marija is happy to be writing dance reviews for broadwayworld.com.
BWW Interviews: Michele Wiles Dancing On...
January 27, 2014
January 27, 2014
Let's begin with a short history of Michele Wiles. What are the origins of your desire to dance? How did you begin?
BWW Reviews: Dance Conservatory Project Presents THE NUTCRACKER
December 16, 2013
December 16, 2013
Artistic Director Valentina Kozlova presented her Dance Conservatory of New York in The Nutcracker on Saturday, December 7, 2013 for two performances at 3:00pm and 7:00pm. I had the pleasure of attending the 3:00pm performance.
BWW Reviews: Misty Copeland Shines at American Ballet Theatre
November 16, 2013
November 16, 2013
Whether dancing principal or soloist roles, soloist with ABT, Misty Copeland, glows. At present, a soloist with the company, her presence on the stage demands attention; and she gets it.
BWW Reviews: Ballet Next Brings Michele Wiles' Next Chapter
November 7, 2013
November 7, 2013
Monday night, October 21st, 2013, at the Alvin Ailey Studios Michele Wiles presented her young company, Ballet Next, with three works in process.
BWW Reviews: Cloud Gate 2 is 'ON THE ROAD'
October 7, 2013
October 7, 2013
Cloud Gate 2, of Taiwan, performs at the Joyce Theater
BWW Reviews: Fall for Dance 2013 Opens at City Center
October 2, 2013
October 2, 2013
Every year, New York City Center offers performances by several dance companies, local and international, performing on this stage in the same evening, for affordable ticket prices. All tickets, this year, are $15.00. This is a two week Festival.
BWW Reviews: Miro Magloire's New Chamber Ballet Brings Contemporary Music and More to City Center Studio
September 11, 2013
September 11, 2013
Miro Magloire's New Chamber Ballet opened its 2013-14 season on September 6 & 7 with performances at City Center Studios in New York. It's a simple setting with no lighting, which adds to direct connection it has with the audience.
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