Lauren Yarger - Page 7

ABUNDANCE, Beth Henley's tale of two mail order brides out west in the last part of the 19th century, packs in everything you'd expect from a tall tale of life on the American frontier - and much more. Maybe too much.

Subtitled 'An American Musical,' it is in the truest sense the story of striving for the American Dream. Haskell (Max Bisantz) arrives in the small town of Hamilton, in Central Texas shortly after the turn of the century, pushing a banana cart and unable to speak English. Wary at first of the stranger, who also turns out to be a Jew, Milton and Ima (Paul Blankenship and Sarah Knapp) take him in. Milton, the town's banker, partners with Haskell to help build his business, which eventually turns into a dry goods store. When Haskell finally saves enough to bring his wife, Leah (Rita Markova), over from Russia, the friendship is tested, however. Haskell no longer is the observant Jew she married. The new country has changed him. He doesn't wear his hat, keep a Kosher home or observe the Sabbath any more.

It's April 3, 1968 and the Rev. Martin Luther King, Jr., arrives at a Memphis motel after delivering his 'I've Been to the Mountaintop' speech. There, a mysterious maid bringing him a cup of room service coffee causes him to reflect on his life and destiny in Katori Hall's Olivier-winning play THE MOUNTAINTOP, running at TheaterWorks in Hartford.

Giamatti, a little older and less handsome-of-face than most Hamlets these days, brings out the tortured Dane prince's humorous side and in doing so, engages a younger generation that might not normally think several hours in a theater listening to Shakespeare could be a fun way to spend an evening. It sure is, however, thanks to Bundy's skill in allowing his actors to find fresh new interpretations while keeping them true to the classic.

In a basement rec room in the 1950s, four guys dream of being the next big thing in rock 'n' roll and of winning the girl who has stolen their hearts in Life Could Be A Dream, a jukebox musical that has them clapping and singing along at the Ivoryton Playhouse.

If you're a Beatles fan, you'll enjoy the music-jammed two and a half hours (with an intermission). The music and vocals are good. It's the next best thing to seeing Paul, George, John and Ringo in person. Four generations were represented in the audience who sang and clapped along with the music.

Love in the newsroom, corrupt politics and a murder trial combine for screwball comedy in HIS GIRL FRIDAY over at Connecticut Repertory's Nafe Katter Theatre on the UConn campus.

Dramatic music plays, people talk in short sentences expressing their deepest feelings, video mimics what is happening on stage - or the stage action depicts what already has happened - in an atmosphere that feels depressing and foreign. We have stepped into the world premiere of Man in a Case starring former ballet-sensation-turned-actor Mikhail Baryshnikov at Hartford Stage.

A group of friends, loud music, drugs, sex, war and rebellion against parental authority. If you're thinking Spring Awakening or Hair, you're close, but just a generation or two off. This one is American Idiot, a Punk Rock musical featuring songs from Green Day and making a tour stop at the Bushnell.

The darker side of the production is offset by riveting performances by Ivey and Tighe - and that really adorable scene-stealing lamb handled by William Berloni.

The play is as much a love letter from Burns to his comedy partner and wife and a tribute to his friendship with comedian Jack Benny as it is a memoir of his career, which spanned 90 years until he turned 100.

One of A.R. Gurney's lesser known works, ANCESTRAL VOICES, is getting a run over at Music Theatre of Connecticut, where the intimate setting is just right for the nostalgic look at one family, seen through the eyes of a boy growing up in Buffalo before World War II.

The play has cool charm, blustery humor and just enough frostbite to keep it from being too sweetly romantic.

When I first saw Marie Jones's play STONES IN HIS POCKETS, I wasn't reviewing, but was working as the Front of House Manager at the Bushnell where Bronson Pinchot was starring in the tour stop there in 2002. About half of the audience left at intermission, most of them asking what the play was about. I couldn't answer. I had no idea myself.

The Beautiful Soup Theater Collective's production of the first ever revival of Arthur Bicknell's Moose Murders, the most notorious flop in the history of modern theater, celebrated its opening last night, January 30, 2013 at The Connelly Theater. BroadwayWorld was there for the festivities and you can check out full coverage from the after party below!

Humor, drama, history and passion are keys used to play a lovely chord as Roland hears music in everything he does and Tresnjak is the conductor who puts visual artistry to the emotions and plot.

It's 1956 and Carl Perkins (Connecticut native James Barry) is trying to record 'Matchbox,' the song he hopes will put him back at the top of the charts. Providing some distraction during the recording session (and adding to the music), however, are showoff Jerry Lee Lewis (Benjamin Goddard) and legends Johnny Cash (David Elkins) and Elvis Presley (Billy Woodward).

Kready, dressed in full elf garb that incudes candy-cane tights (Margaret Charbonneau, costume design), often reclining in an ornate Santa throne decorated with a background of Christmas trees (Michael Lenaghan, set design), brings personalities to life with recreations of SantaLand moments under the direction of Rob Ruggiero, TheaterWorks' newly appointed producing artistic director.

It's amazingly sad yet funny, intense yet whimsical, deep yet obvious, revealing yet obscure -- all at the same time and both Fisher and Mays capture our imaginations as they creating characters experiencing the wide range of emotions.