Chris McCormack - Page 2

Michael Glen Murphy's play returns to the late days of Dublin's Theatre Royal.

Barry McStay's nail-bitingly good play asks timely questions in the wake of the Marriage Equality Referendum. However, politics aren't the extent of its reach.

Louise White's pastoral promenade inside a disused commercial building suggests the possibility of regrowth, drawing on the experiences of The Abbeyleix Bog Project.

Goerge Brant's unsettling play asks questions about the changing state of warfare.

A fictional Irish town becomes victim to a sinister wind-farm plot in Jane Madden's brilliant farce.

Aisling O'Mara and Robbie O'Connor summon two Abbey actors who fought in Easter week 1916.

In this beguiling co-production, junk ensemble and Brokentalkers place confidence in a cast of strangers.

Alice Malseed is exemplifiable of millennials burnt out by their late twenties, their hopes dashed in the bust. What can be made of this world stung into paralysis?

Jarlath Tivnan's debut play is written in the strokes of black comedy but points to darker truths under the surface in rural Ireland.

The return of the Spiegeltent lends greater diversity to the Tiger Dublin Fringe Festival, and may usher in a new maturity in time for its 21st birthday.

Ill-Advised is a rare case in Ireland as a company dedicated to musical theatre. How will they mount Spring Awakening?

Neil Murray and Graham McLaren believe in the concept of a National Theatre that 'reaches all of the country'.

The Anti-Racism Group that Campaigns Against Exhibit B around the World are now demanding Galway International Arts Festival to cancel its run.

It's about time transgender characters arrived in the Irish theatre. Amy Conroy's new play is a fascinating look at the construction and deconstruction of masculinities.

In WB Yeats's mythic drama, an Old Man and the hero Cuchulainn seek drops of immortality at a magic well. Can they they survive its otherworldly Guardian?

A month on from Ireland's historic passing of same-sex marriage, what role did the arts play in the lead-up to the referendum.

With encouragement by an 'Intersections' funding award from the local university, a group of artists recount the tale of two Irish friars who left for Jerusalem in 1323.

Tom Lane's audio trail looks at the underground water system that influenced the building of Cork City.

Jimmy McAleavey's new play meditates on the complex legacies of The Troubles in Northern Ireland.

It's worth welcoming the return of Yeats's three plays, revived by Mouth on Fire, in a theatre scene where his work has gone mostly unproduced for two decades.