Bob Rizzo

Dana Moore, having appeared in twelve Broadway musicals, is the true embodiment of a 'Broadway Gypsy.' She's worked with some of Broadway's most influential choreographers including Michael Bennett, Bob Fosse, Tommy Tune, Twyla Tharp, and Graciela Daniele. Dana currently teaches musical theater dance in New York City at Marymount Manhattan College and Steps on Broadway.

This year's crop of 'Best Choreography' Tony nominees, several of whom helped guide their show to a Best Musical nod, receive heartfelt shout-outs from cast members.

Tony-nominee Denis Jones talks HOLIDAY INN, his journey as a choreographer, and MARY POPPINS at Papermill Playhouse

ANASTASIA choreographer Peggy Hickey talks all things dance on her journey with the romantic and adventure-filled new musical......

The revival of Miss Saigon marks the fifth Broadway show for Julius Sermonia. It's also the first time he's been hired for a swing position-- one that covers potentially nineteen roles. Considering the sheer size of the forty-plus member cast, it's no surprise he was called to suit up for two roles soon after previews began.

Dancer and actor Shane Carrigan discusses playing Darius, the menacing antagonist of iLUMINATE at New World Stages.

Director/Choreographer Dana Solimando discusses adapting RUDOLPH, the iconic television special, for the stage.

The iconic Rockettes remain supreme with their eye-high kicks, razor-sharp precision and synchronized choreography. They prance as reindeer, dance as teddy bears, march as wooden soldiers, and tap as rag dolls, all to stunning effect.

Broadway icon Chita Rivera discusses her upcoming concerts, playing rooms both big and small, getting the job done, and how she discovered her voice.

If there is one thing director/choreographer Austin McCormick can be accused of it's that he consistently puts on a titillating, atmospheric and imaginative show.

Choreographer Larry Fuller is responsible for the staging of some of Broadway's most iconic musicals. Whether it was his Tony Award nominated dances in Evita, or his staging for the murderous Sondheim musical Sweeney Todd, his stylized movement always held your attention. Larry has staged both the Tony Awards and the Emmy Awards and has worked numerous times with legendary Broadway director Hal Prince.

The new Broadway production of Paramour marks dancer Reed Kelly's fourth Broadway show. No stranger to the Lyric Theatre, he last flew around that stage in Spider-Man: Turn Off The Dark. He also took flight as a monkey in Broadway's Wicked and danced in The Addams Family. In addition to performing, Reed continues to interact with a legion of reality show fans from his stint on CBS's Survivor: San Juan Del Sur in 2014.

You may know him as Broadway's bespectacled 'Newsie' who whipped off multiple ballet turns atop a sheet of newspaper. Maybe you spotted him as a lost boy in NBC's Peter Pan Live!, or caught his sensitive portrayal of Baby John in the revival of West Side Story. But Ryan Steele has graduated from adolescent roles and is ready to take on leading man status this fall in the national tour of AN AMERICAN IN PARIS.

After her breakout performance as Ruby in last season's toe-tapping revival of Dames At Sea, Eloise Kropp joins a cast of exceptional dancers and singers in the new Broadway revival of CATS. CATS marks Eloise's third Broadway show in just two years, having also danced in the ensemble of the hit revival of On The Town. But it was her expert tap dancing skills in Dames that really put her on the map. In her big number 'Star Tar,' she executed lightning fast and intricate tap rhythms worthy of Eleanor Powell and Ann Miller from MGM's musical heyday.

In iLuminate you're transported on a thrill seeking yet mind-boggling ride. The energetic nine-member troupe is full of expert dancers who dance full-throttle the entire show. Their unified razor-sharp work is worthy of the precision of the Radio City Rockettes.

Choreographer Jonathan Cerullo returns to the New York Musical Festival (NYMF) with the new musical, Lisa and Leonardo. His mentor, acclaimed choreographer Patricia Birch, first introduced him to the festival in its inaugural season. Cerullo had been assisting Birch for thirteen years, and moved into the role of executive producer with her NYMF production of Orphan Train. Subsequently, he went on to stage two other musicals at the festival and also became an evaluator reading new scripts.