Ben Rimalower - Page 3

In this episode, Ben and Daniel talk to Tony-winning Broadway star Laura Benanti about Tori Amos's 1992 album 'Little Earthquakes.' They also discuss Patti LuPone, Arthur Laurents, Joni Mitchell, Elaine Stritch, Liza Minnelli, Marni Nixon, Lizzo, Brandi Carlile, and Julie Andrews. Laura talks about her starring roles in Broadway hits such as 'The Sound of Music,' 'Women on the Verge of a Nervous Breakdown,' 'Gypsy,' 'She Loves Me,' and 'My Fair Lady.' She shares stories from her career, including her 'up-the-octave' portrayal of Dolly Levi in high school. In addition to the theater, Laura has appeared on TV in 'Supergirl,' 'Nashville,' and 'The Sound of Music Live' opposite Carrie Underwood. She is also a regular on 'The Late Show with Stephen Colbert,' and has tickled viewers nationwide with her hilarious portrayal of Melania Trump.

In this episode, Ben and Daniel talk to Tony-winning lyricist and director Scott Wittman about Frank Sinatra's 1966 live album, 'Sinatra at the Sands.' They also discuss Bette Midler, Patti LuPone, Sammy Davis Jr, Edie Beale, Christine Ebersole, Count Basie, Barbara Cook, Dusty Springfield, Ute Lemper, and Bridget Everett. Scott talks about playing 'cocktail lounge' growing up, and how his love for live albums influenced his career in theater and cabaret. Scott has worked on a number of successful Broadway shows such as 'Hairspray,' 'Catch Me If You Can,' and 'Charlie and the Chocolate Factory,' as well as the TV show 'Smash' and the movie 'Mary Poppins Returns.'

In this episode, Ben and Daniel talk to cabaret superstar Natalie Douglas about Nina Simone's 1961 album 'Forbidden Fruit.' They also discuss The Eagles, 'South Pacific,' Mitzi Gaynor, Roberta Flack, Barbra Streisand, Karen Mason, Joe Williams, and Dolly Parton. Natalie shares stories about moving to New York and working at famous piano bars such as Brandy's and The Duplex. She now sings to audiences around the world and can be seen performing at her monthly residency at Birdland in New York City.

In this episode, Ben and Daniel talk to legendary writer and New York nightlife fixture Michael Musto about the 1968 album 'Diana Ross and The Supremes Sing and Perform Funny Girl.' They also discuss 'The Wiz,' Motown, Barbra Streisand, 'Mahogany,' Liza Minnelli, Madonna, 'Evita,' Nancy Walker, Mary Wilson, 'Follies,' and Marilyn Maye. Michael talks about the first time he saw the movie 'Funny Girl,' as well as his attempt to see Diana Ross live in Central Park. Michael can be seen performing live at venues around New York City, and his weekly column can be found on NewNowNext.

In this episode, Ben and Daniel talk to playwright, composer, and lyricist Michael R. Jackson about Tori Amos's 1994 album 'Under the Pink.' They also discuss Liz Phair, Joni Mitchell, Mariah Carey, alt rock, Fiona Apple, 'Show Boat,' William Finn, 'In Trousers,' 'Raisin,' Sondheim, 'Company,' 'Rent,' and 'Passing Strange.' Michael talks about how he discovered his favorite songwriters and how they influenced his own writing process. Michael's acclaimed new musical 'A Strange Loop' recently played to sold-out audiences, and the cast recording is now available from Broadway Records.

In this episode, Ben and Daniel talk to playwright, composer, and lyricist Michael R. Jackson about Tori Amos's 1994 album 'Under the Pink.' They also discuss Liz Phair, Joni Mitchell, Mariah Carey, alt rock, Fiona Apple, 'Show Boat,' William Finn, 'In Trousers,' 'Raisin,' Sondheim, 'Company,' 'Rent,' and 'Passing Strange.' Michael talks about how he discovered his favorite songwriters and how they influenced his own writing process. Michael's acclaimed new musical 'A Strange Loop' recently played to sold-out audiences, and the cast recording is now available from Broadway Records.

In this episode, Ben and Daniel talk to playwright, composer, and lyricist Michael R. Jackson about Tori Amos's 1994 album 'Under the Pink.' They also discuss Liz Phair, Joni Mitchell, Mariah Carey, alt rock, Fiona Apple, 'Show Boat,' William Finn, 'In Trousers,' 'Raisin,' Sondheim, 'Company,' 'Rent,' and 'Passing Strange.' Michael talks about how he discovered his favorite songwriters and how they influenced his own writing process. Michael's acclaimed new musical 'A Strange Loop' recently played to sold-out audiences, and the cast recording is now available from Broadway Records.

In this episode, Ben and Daniel talk to actress and singer Bridget Everett about Prince's legendary 1984 album Purple Rain. They also discuss Bread, Barry Manilow, Bette Midler, Patti LuPone, Little Richard, Lillias White, The Life, Tina Turner, Kiki & Herb, Murray Hill, Allison Janney, Brooks Ashmanskas, RuPaul, karaoke, lowbrow brilliance, and finding solace in music. Bridget talks about growing up with six siblings and how she found her way from Kansas to New York's electrifying downtown scene. Bridget can be seen in a number of TV shows such as Inside Amy Schumer, Lady Dynamite, Unbelievable, and Camping, as well as the upcoming AJ and the Queen on Netflix.

In this episode, Ben and Daniel talk to Tony, Grammy, and Academy Award-winning composer and lyricist Stephen Schwartz about Judy Collins' 1967 album 'Wildflowers.' They also discuss Joni Mitchell, Laura Nyro, The Supremes, 'Who's Afraid of Virginia Woolf,' Motown, 'Bye Bye Birdie,' and Leonard Cohen. Stephen talks about the conception and creation of a number of his works, including 'Wicked,' 'Godspell,' 'Pippin,' 'The Baker's Wife,' 'Working,' 'Rags,' and 'The Prince of Egypt.' He tells stories about working with artists such as Howard Ashman, Charles Strouse, Steven Spielberg, and Whitney Houston, and talks about collaborating with Alan Menken, with whom he wrote the songs for the hit Disney films 'Pocahontas,' 'The Hunchback of Notre Dame,' and 'Enchanted.'

Actor-singer-dancer-choreographer Adam Fleming became a part of Broadway history originating the roles of Sketch in Hairspray and Lucas in Bare. In 2005, he starred in David Brind and Adam Salky's acclaimed short film, Dare, about two teenage boys' tense, spark-filled encounter in a pool following high school play practice. Dare gained a cult following as part of Strand Releasing's 'Boys Life' series and ultimately achieved worldwide popularity via more than 12 Million views on Youtube. The fan fervor (and fan fiction!) eventually inspired a sequel, ten years later. The original and the sequel are now being presented together as The Dare Project and attracting new legions of fans.

In this episode, Ben and Daniel talk to Tony, Grammy, and Academy Award-winning composer and lyricist Stephen Schwartz about Judy Collins' 1967 album 'Wildflowers.' They also discuss Joni Mitchell, Laura Nyro, The Supremes, 'Who's Afraid of Virginia Woolf,' Motown, 'Bye Bye Birdie,' and Leonard Cohen. Stephen talks about the conception and creation of a number of his works, including 'Wicked,' 'Godspell,' 'Pippin,' 'The Baker's Wife,' 'Working,' 'Rags,' and 'The Prince of Egypt.' He tells stories about working with artists such as Howard Ashman, Charles Strouse, Steven Spielberg, and Whitney Houston, and talks about collaborating with Alan Menken, with whom he wrote the songs for the hit Disney films 'Pocahontas,' 'The Hunchback of Notre Dame,' and 'Enchanted.'

In this episode, Ben and Daniel talk to actor and comedian Cole Escola about Judy Garland's beloved 1961 Grammy-winning live album Judy at Carnegie Hall. They also discuss Bernadette Peters, Liza Minnelli, Barbara Cook, and Marin Mazzie. Cole talks about how he discovered each of these legendary performers and how live albums and concert patter have helped inform his own career. Cole currently writes for and stars in Amy Sedaris's Emmy-nominated show At Home with Amy Sedaris on truTV.

BroadwayWorld is excited to announce the official launch of the site's first self-produced podcast - Ben Rimalower's Broken Records, The Albums You Wouldn't Shut Up About. On each weekly episode Rimalower and co-host Daniel Nolen chat with guests about one album that they were obsessed with, how they discovered it, what it led them to, where they were in life when it impacted them and how it's stayed with them since.

Cabaret is one of the most successful, popular and influential musicals ever written. You can call it's Kander and Ebb's masterpiece or a defining triumph for Hal Prince or Bob Fosse and in any case, you'll be right on the money. So it's no wonder I have so many damn recordings of the score. The good news is they are all available for streaming on various platforms and so I can throw out all these CDs without having to do any uploading.

I can remember so well senior year of college when my friend Claudio came back from a trip to New York all abuzz over little drag rock show he'd seen Off-Broadway called Hedwig and the Angry Inch. I was grilling him for details on Audra and Marin in Ragtime and whether there was anything we could steal from Sam Mendes for our off-campus production of Cabaret, but Claudio only wanted to talk about Hedwig. The clincher for me was when he mentioned the star--and author--was John Cameron Mitchell. I was obsessed with John on the original cast albums of The Secret Garden and Hello Again. 'Okay, okay,' I agreed. I would see this Hedwig when I moved to New York four months later.

The West End and Broadway musical Song & Dance has taken up a lot of space in my CD collection. In addition to the Original London Cast Recording starring Marti Webb (recorded live at the Palace Theatre in 1982), the 1984 British television broadcast from the stage of recently closed production at the Palace starring Sarah Brightman and the Original Broadway Cast Recording (of just the songs half, no dance music...) starring Bernadette Peters, I'm also including the original 1979 'Tell Me on a Sunday' album starring Marti Webb in her first stab at the material, from which the sung portion of Song & Dance was derived, as well as its 2003 London production starring Denise Van Outen.

Nothing quite got me going like hearing Alice Whitfield and the cast of Jacques Brel is Alive and Well and Living in Paris braggadociously belting about 'the time when Brussels was king.'

Like the rest of you, I've spent this week obsessing over 'Fosse Verdon' on FX and especially Gwen Verdon, played brilliantly on the series by Michelle Williams, in a performance that makes you want to reinvestigate what made Gwen so great. Sweet Charity is the perfect place to start. Gwen became a star and won her first Tony in a featured role in Can Can and she gained worldwide acclaim (and number 2 in a total of four Tonys) as Lola in Damn Yankees on stage and screen and of course there were many other shows and movies and TV appearances, but Sweet Charity was the show Bob Fosse (and Cy Coleman and Dorothy Fields and Neil Simon) created just for her. She may have lost the Tony to Angela Lansbury in Mame, but Gwen got that iconic poster and all those songs.

Oh my god, I have literally nothing to say about Les Miz. Well, maybe not nothing... not literally! It's not gonna be hard to throw these out, I'll tell you that much. I have so many freaking Les Miz CDs and they all take up so much space at two--even three--discs a pop. The only one I ever really listened to in its entirety more than a couple of times was the Original London cast anyway.

As I'm going through all my Gypsy CDs (yes, to ensure I have them all either on my hard drive or accessible in the cloud, before throwing them out), I'm finding myself weirdly most drawn to Tyne Daly's recording, from her Tony-winning performance in the 1989 revival. The thing is I know Tyne Daly, I mean I know her work. She's been a familiar and distinctive presence on stage and screen for as long as I can remember and I even have a few musical theater recordings featuring her singing, but hers is not a singing voice I live with on a LITERALLY daily basis like, say, Ethel Merman's, Angela Lansbury's, Bette Midler's, Bernadette Peters's or Patti LuPone's. So to me, Tyne Daly's Rose is a unique sound that I can only identify with Tyne Daly's Rose and, therefore, a character. For today, that's the Gypsy I most feel like listening to.